Jinci Museum was located in Jinci Park, Jinci Town, Jinyuan District, Taiyuan City, Shanxi Province. It covered an area of 12000 square meters and a building area of 25000 square meters. It was a comprehensive museum that integrated cultural relics protection, academic research, exhibition, security, scenic area construction, important reception, and social education. The Jinci Museum was a national second-class museum, a national key cultural relic protection unit, and a national 4A tourist attraction. The museum has a rich collection of 7410 pieces/set of cultural relics, including 2060 pieces/set of precious cultural relics. The Jinci Museum had many scenic spots, such as the Water Mirror Platform, the Golden Statue Platform, the Hall of the Virgin Mary, etc. There were also precious collections such as the murals of Dongyue Temple and Guandi Temple. The Jinci Museum was the earliest existing classical ancestral temple garden complex in China and was known as the Museum of Ancient Chinese Buildings.

The Jinci Museum has bronzes of the Warring States Period, stone pillars of the Tang Dynasty's Huayan Sutra, Yuan Dynasty blue and white carved flower jars, calligraphy and painting works of local celebrities in Shanxi such as Fu Shan, Zhao Tieshan, Qi Junzao, and modern folding fans.
Shanxi Jinci Goddess Hall was located in the Jinci Temple at the foot of the mountain, 25 kilometers southwest of Taiyuan City, Shanxi Province. It was the main hall of the Jinci Temple. It sat west to east and was at the end of the central axis. It was one of the three national treasures of the Jinci Temple. It was built during the Tiansheng period of the Northern Song Dynasty (1023 - 1032). It was rebuilt in the first year of Chongning (1102 - 1106) of Emperor Huizong of the Song Dynasty. In the first year of Zhenghe (1111), the worshiper of the main hall was changed to the "Virgin Mary" Yijiang. However, there were also opinions that the prototype of the main statue was the adoptive mother of Emperor Renzong of the Song Dynasty, Empress Dowager Liu E. The corridors surrounding the Hall of the Virgin Mary were the earliest examples of the existing ancient buildings in our country. The eight pillars and the wood carving dragon (carved in the second year of Song and Yuan, namely 1087) in the front corridor were the earliest existing wooden dragon pillars of the Song Dynasty in our country. The eight horned dragons each held a pillar, with scales, whiskers, and sharp claws. There are no pillars in the hall, but there is a wooden door in the center of the hall, and a vertical lattice window is installed between the two branches. The roof of the hall was covered with tiles, and the edges were cut with yellow and green glaze. The whole hall was solemn and gorgeous. It was a masterpiece of the wooden structure of the Song Dynasty. There were many cultural relics in the Jinci Temple. One of the colored sculptures was known as one of the three wonders of the Jin Temple. It was created during the Tiansheng period of the Song Dynasty. There was a statue of the main hall, surrounded by 42 attendants (including 5 eunuchs, 4 female officials in male clothes, and 33 maids). Yi Jiang sat in the middle, looking solemn and elegant. He wore a phoenix crown and a cape. The statues of the attendants were lifelike, vivid, and different. These colored sculptures were the true portrayals of the court life of the Song Dynasty and precious materials for studying the sculpture art and clothing of the Song Dynasty. In addition, the Jinci Temple preserved 218 couplets and horizontal boards from the Song Dynasty. Among them, there were 55 couplets and 163 horizontal boards, most of which were written by famous artists. The plaque of "Holy Mother Palace" hanging high in the center of the building of the Holy Mother Palace was one of the horizontal boards of the country's couplets. It was 2.3 meters long and 1.3 meters wide. The three words "Holy Mother Palace" on the plaque were processed and enlarged in 1952 based on "Yan Zhenqing's Calligraphy". Master Lei Qixiao of Taigu was invited to carve it. There were two dragons on the side and a dragon on the tile. The dragons in the temple had all the forms of dragons in the temple. The original work was equally exciting. You could click on the original work of "The Story of Rose" to understand the plot in advance!
The automatic play of the Jinci Temple explanation was to convert the text into speech through Text To Speech technology, and then play it through the voice broadcast device. Text To Speech technology referred to the use of computer software to convert plain text information into a simulated human natural language voice output technology. It could convert text information into oral language and realize the function of automatically playing the explanation of Jinci Temple. In the Jinci Temple, there were many voice broadcast devices installed in various areas. As long as visitors approached the devices, they could hear the corresponding explanations. By reasonably arranging the location and number of voice broadcast devices, it could improve the experience and participation of tourists when visiting Jinci Temple.
There were three novels with the female lead named Su Jin: "Reborn Spoiled, Young Mistress Savage","Reborn of the Marquises 'Concubine", and "Jin Se Diao". Among them,"Reborn Spoiled","Young Madam Savage" was a modern romance novel about a wealthy family. It told the story of the female lead Su Jinnian revealing all her identities after her rebirth and removing all obstacles."Reborn Noble Concubine" was an ancient romance novel about the female lead Su Jin swearing revenge after her rebirth, killing all the people who harmed her. Jin Se Yao Yao was an ancient romance novel. It told the story of the female protagonist, Su Jinxuan, who only wanted to protect her younger brother and sister after she was reborn, but she found out that there was still a soul in her body. I hope you like this fairy's recommendation. Muah ~😗
I recommend a few ancient romance novels. " Red Moon Blue ", created by Mask Xi 'er, a classical genre. The female protagonist, Bai Lanyi, was lazy but kind. After transmigrating, her family was poor and faced many temptations. The keywords were rice worm, flower idiot, gossip, and so on. Please add it to your collection and recommend it to your account. "Spring in Brocade" was written by Yao Jishan. The female protagonist Qin Su's entire family was executed in her previous life and she endured humiliation for half her life. Only after her rebirth did she realize that it was a trap and she wanted to break out of it to survive. There are many supporting roles, such as Huan Zicheng, Xue Yunyan, etc. This book was inclined towards power scheming. The style of writing was superb and had the style of the Wei and Jin Dynasties. The plot was brain-burning, the layout was ingenious, and the foreshadowing was heavy. Although the plot was slow at times and the writing was sometimes slow, it was great overall. It was a rare masterpiece for a female channel. "The Concubine's Heart," Qin Xi's work. It was a story about a transmigrated woman who dressed up as the daughter of a concubine of the Great Zhou Marquis's residence. She was oppressed by her mother and sister, and her family was holding her back. She fought with other transmigrated women. "Dream of Xuanji," written by Emei. This was a silly, sweet, and old adoration of the black-bellied demon king and the soft turtle girl. The female lead, Xie Xuanji, was very difficult to deal with. She was unmoved by his highness 'various methods. The plot did not drag on, and the emotional descriptions were exquisite. " Beauties of a Prosperous Age," written by Qin Xiaochen. The story of Lu Chenxi, the pampered daughter of the Lu family, the top wealthy family in the Great Zhou Dynasty, was written by a new author. It was worth reading. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
The distance between Xuankong Temple and Jinci Temple was 30 kilometers.
The half-crying and half-smiling maid of the Jinci Temple can be found in the Hall of the Virgin Mary. These maids were like colored sculptures from the Northern Song Dynasty. There were 43 of them. Among them, the most famous was the second maid from the right who sang Hua Dan with her hair tied in red. Master Mei Lanfang had once admired her for more than three months. The maid's expression was shy and smiling, but from the side, one could vaguely see her red and swollen eyes and tears at the corners of her eyes. It seemed to reveal the bitterness of life and the suffering of an artist. However, the specific half-crying and half-laughing picture was not found in the search results provided.
The City Planning Museum and the Museum of Modern Art together form the City Planning Exhibition Hall and the Museum of Modern Art in the City of Guangzhou. This building was located on the east side of the north central axis of Futian Central District, and was an important part of the art and culture planning of the central district of Shen Zhen. It was also the last major public welfare cultural project in the central district of Shen Zhen. The two pavilions occupied a total area of 30,000 square meters, with a total building area of 91,000 square meters, of which 60,000 square meters were above ground, 31,000 square meters were underground, and the building height was 40 meters. They were two independent structures that shared the same building. The structure was complex and irregular. It was composed of a large number of inclined and twisted rotating surfaces. The construction was extremely exploratory and challenging. The city planning hall was located on the north side of the building, with a total building area of 15,000 square meters. The main exhibition space was located on the third, fourth and fifth floors of the building. The building was designed by the famous Austrian architectural firm Blue Sky Group. It used three kinds of skin materials: glass, punched plate, and stone. The steel structure system extended and twisted each other to form a complex and lively building. He overcame many challenges in lighting design and used relevant lamps and smart lighting controllers from Lele Optoelectronics (China) to present a crystal clear visual effect. Since it was opened to the public, it has received 4894 batches of visiting groups with 1.73 million visitors. It won the "Special Award for Top Ten Exhibitions in the 16th (2018) National Museum" and was listed by the State Administration of Cultural Relics as the theme promotion project of "Carrying forward the excellent traditional Chinese culture and cultivating the core values of society". This place was operated in a "two-in-one" mode. The hall, multi-purpose hall, auditorium, conference room, and service area were shared by both. Moreover, the exhibition hall was free of charge and could be reached from the A2 exit of the Children's Palace on the subway. It was a good place to take photos and learn about the culture of Shenzhen-related areas. "Her Shenzhen-Writing the Future" is equally exciting. Everyone is welcome to click and read it!
The gunfight scene in the museum was very exciting. The protagonist, John Wick, picked up a Kimber 1911 pistol in the gunfight and used it in battle. This pistol had a special feature in reality, which was that the number of bullets in the magazine would decrease after reloading. In addition to the Kimber 1911, John Wick also used a variety of guns in the movie. The scene of the gunfight was very shocking and brought great visual enjoyment to the audience.
The Military Museum of the China People's Revolution was located at 9 Fuxing Road, Haidian District Beijing City.