Wu Jun's Calligraphy
Wu Jun was a Chinese calligrapher. His calligraphy works were unique, elegant, and elegant. His works have won awards in many book festivals and competitions, including the Xi'an City Fair in Shaanxi Province, the Xi'an City Senior Book Fair, and national and international competitions. His works and biographies were included in many ancient books. Wu Jun's calligraphy style was vigorous and strong, and he had his own style of calligraphy. His works were collected by many collectors at home and abroad, and were widely spread in Japan, South Korea, and Southeast Asia. Regarding the specific content and form of Wu Jun's calligraphy works, the literature did not provide detailed information.
Wu Zetian's Calligraphy
Wu Zetian was a talented empress, and her calligraphy attainments were also highly praised. The most famous of her calligraphy works was the Stele of the Immortal Prince, which was regarded as one of the 100 most beautiful calligraphy works in China. This stele was inscribed in 699 AD. It had 33 lines, 66 words per line, and a total of 2162 words. On the top of the Immortal Ascension Crown Prince Stele, the words 'Immortal Ascension Crown Prince Stele' were written in Fei Bai style, forming a bird-shaped stroke, showing her unique calligraphy style. Her calligraphy strokes were tactful and fluent, and her strokes were sonorous and sonorous. Her style was vigorous and unrestrained, and she was known as the head of women's calligraphy. Her calligraphy had been influenced by Wang Xizhi, and she was especially good at Fei Bai Shu and Xing Cao Shu. Although her calligraphy remains were few, her works displayed her profound calligraphy skills and unique artistic charm.
Wu Junqing's Calligraphy
Wu Junqing (1844-1927) was a famous calligrapher and seal cutter from the late Qing Dynasty to the modern era. At first, he was famous for his calligraphy and seal carving. Later, he learned painting and learned from the strengths of the Green Vine School, the Eight Great Schools, and Uncle Zhi. At the same time, he integrated the strokes of seal script, official script, and wild grass into his paintings to create a strong and ancient style. Moreover, he had innovative characteristics and was very famous in the art world. His calligraphy works were mainly in seal script and running script. His brush and ink were smooth, simple and vigorous, and ancient. He could break the old rules and form his own style. His poems, calligraphy, paintings, and seals complemented each other and fused into one, possessing a strong personal style. Wu Junqing's artistic style had a great impact on modern Chinese painting, and also had a certain impact on Japanese art.
Wu Deheng's Calligraphy Works
Wu Deheng was a Chinese calligrapher. His calligraphy works used ancient poems as the theme, such as "The Story of the Guisi Tower,""The Story of Tianxiang Garden,""The Story of the Dashi Palace,""The Story of the Half-hidden House," and so on. His works were rigorous and rich in imagination. They were included in books such as "The Calligraphy Classic of Famous Scholars in Modern China" and "A Thousand Famous Chinese Artists". Wu Deheng's artistic achievements received special reports from China's Xinhua News Agency, China Painting and Calligraphy News, Hong Kong newspapers, and the central, provincial, and municipal television stations. His works used bone rhyme, spirit rhyme, and charm to express the meaning of calligraphy works, making his works more aesthetic.
Calligrapher Wu Jun
Wu Jun was a famous calligrapher. He was the vice chairman of the China Art Association, the president of the China Junbin Painting and Calligraphy Institute, and a national first-class artist. His works were collected by many collectors and celebrities, and were included in many art albums. He had also held a solo calligraphy and painting exhibition and dedicated the large-scale freehand painting "Hundred Horses Painting" to the Olympic Games. Wu Jun's works were widely reported in the media and published on various major websites. However, there was no mention of Wu Jun's specific works or style.
Wu Jun's Shu Xiang Pronunciation
The pronunciation of Shu Xiang in Wu Jun's word Shu Xiang is shū xiáng.
Wu fu lin men calligraphy and painting
The Five Blessings Calligraphy was a traditional Chinese art work. It usually featured a boy wearing a chrysanthemum, bat, and blessing on his head. These patterns symbolized happiness, good fortune, and a perfect life. The artistic value of the Five Blessings calligraphy and painting lay in their delicate and vivid painting skills, as well as the cultural meaning conveyed. These paintings could be sold in the gallery for about 4000 yuan. In addition, there were also some authentic calligraphy and paintings of the Five Blessings that were hand-painted by some artists. They had unique artistic value and cultural implications. However, he needed to know more about the details of the work and how to purchase it.
The only authentic calligraphy left by Wu Zetian
Wu Zetian's only authentic calligraphy was the Stele of the Immortal Prince. This was an inscription written by Wu Zetian in 699 AD. On the surface, it told the story of Prince Ling of Zhou becoming an immortal, but in fact, it praised the prosperity of the Zhou Dynasty. The calligraphy style of the Stele of the Immortal Prince was graceful and smooth. It was regarded as a calligraphy art treasure. The inscription had 33 lines, 66 words per line. It was written in semi-cursive script and cursive script, which was similar to Zhang cursive script. On the top of the stele, the words 'Stele of the Immortal Prince' were written in a 'flying white' style, and the strokes were white. In addition, the top and bottom of the inscription, as well as the miscellaneous poems and titles of "You Xian Pian" on the back of the inscription, were respectively written by famous calligraphers Xue Ji and Zhong Shaojing of the Tang Dynasty. After more than 1300 years of ups and downs, the Stele of Prince Ascending to Immortal still stands on the top of Gou Mountain in Yanshi City, Henan Province. It has been announced by the State Council as the sixth batch of national key cultural relics protection units.
The female lead is called Jun Wu Xie, and the male lead is Jun Wu Yao.
Based on the information provided, I can speculate that this novel might be Jun Wu Xie or Jun Wu Yao. This was a novel named after the male and female leads, telling their stories.
Luo Qingyue, Jun Wu Xie's novel
Luo Qingyue and Jun Wu Xie's novel was " The Exquisite Secret Agent: The Defiant Concubine ".
Feng Wu and Jun linyuan
Feng Wu and Jun Linyuan were two characters in 'Listen to the Phoenix's Cry.' They were the official couple, the main couple in the show. Feng Wu and Jun Linyuan had a sweet relationship, and they often acted intimately in the series. They were both in love with each other. Jun Linyuan was very kind to Feng Wu and never made things difficult for her, nor did he ask her to leave Jun Linyuan. Feeling comforted and understood in Jun Linyuan's arms, Feng Wu was deeply moved. Their relationship was very smooth and did not have many twists and turns. Therefore, Feng Wu and Jun Linyuan were a loving couple.