The full text of the "Burial of Flowers" in Dream of the Red Chamber was as follows: Flowers wither, flowers fly, flowers fill the sky, red fade fragrance cut off who pity? The gossamer gently floated in the spring pavilion, and the falling wadding gently touched the embroidered curtain. The daughter in the boudoir regrets the late spring, full of sorrow and no place to complain. Hand hoe out of the embroidered curtain, bear to step on the fallen flowers to come and go? The willows and elm pods are fragrant and beautiful, regardless of peach blossoms and Li Fei. Peaches and plums can bloom again next year. Who do you know in your boudoir next year? In March, the fragrant nest has been built, and the swallows between the beams are too heartless! Next year, although the flowers and hair can be pecked, it is not like the empty nest of a man who leaves the beam. Three hundred and sixty days a year, the wind, the sword, the frost, the sword, the sword How long can bright and beautiful beauty last? once wandering, hard to find. Flowers bloom easy to see, fall difficult to find, in front of the steps worried about killing the person who buried the flower. Alone with a hoe in hand, I shed tears in secret, and when I shed them on the branches above, I saw blood stains. The cuckoo was speechless. It was dusk, and she went back with her hoe to close the heavy door. The blue lamp shines on the wall, and the man has just fallen asleep. The cold rain knocks on the window and the quilt is not warm. Why do you blame me for being so sad? half for pity and half for vexation. Love spring suddenly very angry suddenly left, to no words to go not heard. Last night outside the court sad song, I know it is the soul of flowers and birds. Flower soul bird soul is always difficult to retain, birds themselves silent flowers themselves ashamed. May I grow wings today and fly with the flowers to the end of the sky.
The original singer of Dream of the Red Chamber's 'Song of the Burial of Flowers' was Chen Li.
The 'Song of the Burial of Flowers' in 'Dream of the Red Chamber' was a poem recited by Lin Daiyu. It appeared in the twenty-seventh chapter of the novel. Through rich imagination, sad scenes, and sad sentiments, this poem showed Daiyu's inner world in the cruel reality, expressing the anxiety and confusion she experienced in the complicated struggle between life and death and love and hate. This poem used flowers as a metaphor for people, closely linking the fate of flowers with the fate of people. It accused the natural world that destroyed flowers and the dark social forces that strangled people. The Song of Burial of Flowers was a self-mourning song for Daiyu's fate. It was also an important work by Cao Xueqin to shape Daiyu's image and express her theme.
The Song of Burial of Flowers in Dream of the Red Chamber was a solo pipa piece. We can find some information about the Burial of Flowers. The Song of the Burial of Flowers was one of the interludes of Dream of the Red Chamber. It was composed by the national first-class composer, Wang Liping. Fang Jin Long was a pipa performer. He played the Song of Burial of Flowers from Dream of the Red Chamber. In addition, there were other versions of the Song of Burial of Flowers, such as the pipa version and the erhu version. However, the search results did not provide clear information about the specific content and performance details of the Burial of Flowers. Thus, we have no way of knowing the details of the Burial of Flowers Song.
The original singer of Dream of the Red Chamber's 'Song of the Burial of Flowers' was Chen Li.
The original text of Lin Daiyu's Bury of Flowers was as follows: Flowers wither, flowers fly, flowers fill the sky, red fade fragrance cut off who pity? The gossamer gently floated in the spring pavilion, and the falling wadding gently touched the embroidered curtain. The daughter in the boudoir is regretful of the late spring, full of sorrow and no place to release. Hand hoe out of the embroidered curtain, bear to step on the fallen flowers to come and go. The willows and elm pods are fragrant and beautiful, regardless of peach blossoms and Li Fei.
The theme song of 'Dream of the Red Chamber' was 'Song of the Burial of Flowers'. This song was sung by Chen Li and appeared in the 87th edition of the TV series 'Dream of the Red Chamber'. " Song of Burial of Flowers " was Lin Daiyu's theme song. It was a self-mourning song for her own fate and a lyric poem to express her true feelings and anxiety about the cold world. The lyrics of this song were taken from Cao Xueqin's poem," Song of Burial of Flowers." 27 lines were selected from it, and it was divided into three sections. The musical artistic features and singing of the song could fully express Lin Daiyu's inner world, reflecting its profound artistic value.
Dream of the Red Chamber was one of the four famous Chinese classical novels. The author was from the Qing Dynasty. The full text is divided into four parts: "Zhen Shiyin's Dream and Psychic Knowledge, Jia Yucun's Wind and Dust,""Jia Yuanchun's Family Lantern Festival,""Rong Mansion Lantern Festival Banquet, Ning Mansion Lantern Festival Joy," and "Daiyu Burying Flowers". It tells the love stories of Jia Baoyu, Lin Daiyu, Xue Baochai and other characters as well as the rise and fall of the Jia family. The following is the full text of 'Dream of the Red Chamber': Zhen Shiyin's dream is connected to the spirit Jia Yucun's wind and dust, with a beautiful girl in mind Zhen Shiyin, the word Shiqian. He was the eldest of the three Jia brothers. His family was rich and had a house, fields, and vehicles. He was smart, generous, open-minded, and good at making friends. In his dream, he met an immortal who told him,"You are destined to get water from the Jia family. However, the Jia family's residence is deep and large. You can't enter directly. You need to get to know someone who can help you enter the manor." Zhen Shiyin listened to the immortal's instructions and went to the Jia family. Jia Yucun word rain village. Zhen Shiyin gave him a letter to deliver to Jia Baoyu. Jia Baoyu was the young master of the Jia family, and Zhen Shiyin was a guest of the Jia family. After Jia Baoyu received the letter, he wrote back to Zhen Shiyin and told him about his background. Jia Yuanchun visited his relatives at the Lantern Festival and played with lanterns. Every year, the Jia family would hold a family visit event during the Lantern Festival. Jia Yuanchun was the eldest daughter of the Jia family. She had brought her family and relatives to the Jia family to celebrate the Lantern Festival. On the day of the Lantern Festival, the Jia family held various activities, such as enjoying lanterns, guessing lantern riddles, eating Yuanxiao, etc. Rong Mansion Lantern Festival Banquet Ning Mansion Lantern Festival Joy Party The Jia family's Lantern Festival was held by the Rong and Ning residences in turn. The Rong Manor organized this joyous event to thank the Rong Manor's servant, the Ning Manor, and to thank the relatives of the Ning Manor. Grandmother Jia, Jia Baoyu, Lin Daiyu and the others all attended the party and performed many wonderful performances. Daiyu Buried Flowers Lin Daiyu was the cousin of Jia Baoyu, Grandmother Jia's granddaughter. She came to the Jia family's residence to see Jia Baoyu. The two of them had a good relationship, but Lin Daiyu's mother, Grandmother Jia, did not like Jia Baoyu. One day, Lin Daiyu met Xue Baochai in the garden, and they developed feelings for each other. However, Lin Daiyu's mother did not agree to her being with Xue Baochai. In the end, Lin Daiyu left the Jia family and returned to her hometown.
'Dream of the Red Chamber' was the pinnacle of Chinese ancient novels, and it was also the first of the Four Great Chinese Classics. It was set in the upper-class aristocratic society of the Qing Dynasty. Through the description of the prosperity and decline of the four families of Jia, Shi, Wang and Xue, it showed all aspects of the late feudal society of China in the first half of the 18th century. The novel was divided into 120 chapters. The first 80 chapters were written by Cao Xueqin, and the last 40 chapters were said to be continued by Gao E. " Dream of the Red Chamber " used the love tragedy of Jia Baoyu and Lin Daiyu as the main theme, depicting the beauty of humanity and tragedy of the Twelve Beauties of Jinling, praising the rebellious characters who pursued the light, and revealing the crisis of the feudal era. This work was widely regarded as the pinnacle of Chinese classical novels. It had worldwide influence and was also an encyclopedia of China's feudal society and a master of traditional culture. Although Cao Xueqin, the author of 'Dream of the Red Chamber,' was unable to complete the entire book, it was still one of the most highly regarded works in the history of Chinese literature. If you want to read the full text of 'Dream of the Red Chamber', you can find many websites online to read it.
"Dream of the Red Chamber" was a classic work of Chinese classical literature and was hailed as "a lofty peak in the history of Chinese novels." This article will be from literature, characters, plot, theme and other perspectives of "Dream of the Red Chamber" for appreciation. 1. Literature The literary technique of 'Dream of the Red Chamber' was ingenious. It used rich imagination, exquisite descriptions, implicit expressions, and contrasting techniques to make the story fascinating, the characters rich, the language beautiful, and the thoughts profound. Cao Xueqin used a large number of symbolic techniques to express his love for nature and deep thinking about human nature through images of flowers, birds, insects, etc. At the same time,"Dream of the Red Chamber" also used the narrative techniques of classical literature, such as "the separation will be combined for a long time, and the separation will be separated for a long time","the gathering and separation are impermanent","karma", etc., to make the story more philosophical and interesting. 2. Character The characters in 'Dream of the Red Chamber' had many distinct personalities and vivid images. Lin Daiyu was one of the female protagonists in the novel. She was a smart, sensitive, kind, and talented girl, but her grief and despair were also the most touching parts of the novel. At the same time, there were many other important characters in the novel, such as Jia Baoyu, Xue Baochai, Wang Xifeng, etc. Their fates intertwined together to form the plot and theme of the novel. III. Plot The twists and turns in the plot of 'Dream of the Red Chamber' was a typical 'Dream of the Red Chamber'. There were many suspense and reversals in the novel, such as the cause of death of Jia Baoyu and Lin Daiyu, and the fate of Xue Baochai's marriage. At the same time, there were also many dramatic scenes in the novel, such as "Rong Fu Lantern Festival Joy Party","Daiyu Buried Flowers","Jia Baoyu Dreaming in the Great Illusionary Land", etc. These scenes were full of romanticism and drama. IV. Thematic aspects The theme of Dream of the Red Chamber was " Life is like a dream, prosperity is gone." It profoundly revealed the complexity of human nature and the impermanence of life. The fate of many characters in the novel was full of tragedy, but their tenacity and courage were also admirable. At the same time, the novel also expressed the reflection of traditional culture and morality, as well as the deep thinking of human nature. These thoughts were profound and rich, with far-reaching influence.
Lin Daiyu's Burial of Flowers: When Dai-yu bows her head to bury the flowers, she is shy. When Dai-yu smiles, she is shy to bury the flowers. Daiyu buried the flowers like a person's life. Daiyu buried the flowers like Daiyu's soul; Daiyu buried the flowers like Daiyu's heart, Daiyu buried the flowers like Daiyu's feelings; Dai Yu's burial of Huahua was her whole world. Dai Yu's burial of Huahua was her eternity. Excerpt from Lin Daiyu's wonderful sentence: Flowers are not flowers, fog is not fog, midnight comes and goes. Come by chance, go by necessity, why force it? Life is like a dream, why force it? Years Flow Like Water, everything was possible, but everything was just an illusion.