The Song of Burial of Flowers in Dream of Red Chamber
The 'Song of the Burial of Flowers' in 'Dream of the Red Chamber' was a poem recited by Lin Daiyu. It appeared in the twenty-seventh chapter of the novel. Through rich imagination, sad scenes, and sad sentiments, this poem showed Daiyu's inner world in the cruel reality, expressing the anxiety and confusion she experienced in the complicated struggle between life and death and love and hate. This poem used flowers as a metaphor for people, closely linking the fate of flowers with the fate of people. It accused the natural world that destroyed flowers and the dark social forces that strangled people. The Song of Burial of Flowers was a self-mourning song for Daiyu's fate. It was also an important work by Cao Xueqin to shape Daiyu's image and express her theme.
Dream of the Red Chamber's "Song of the Burial of Flowers"
The original singer of Dream of the Red Chamber's 'Song of the Burial of Flowers' was Chen Li.
Dream of the Red Chamber, Burial of Flowers
The original singer of Dream of the Red Chamber's 'Song of the Burial of Flowers' was Chen Li.
Dream of the Red Chamber's theme song, Burial of Flowers
The theme song of 'Dream of the Red Chamber' was 'Song of the Burial of Flowers'. This song was sung by Chen Li and appeared in the 87th edition of the TV series 'Dream of the Red Chamber'. " Song of Burial of Flowers " was Lin Daiyu's theme song. It was a self-mourning song for her own fate and a lyric poem to express her true feelings and anxiety about the cold world. The lyrics of this song were taken from Cao Xueqin's poem," Song of Burial of Flowers." 27 lines were selected from it, and it was divided into three sections. The musical artistic features and singing of the song could fully express Lin Daiyu's inner world, reflecting its profound artistic value.
The full text of "Burial of Flowers" in "Dream of the Red Chamber"
The full text of the "Burial of Flowers" in Dream of the Red Chamber was as follows: Flowers wither, flowers fly, flowers fill the sky, red fade fragrance cut off who pity? The gossamer gently floated in the spring pavilion, and the falling wadding gently touched the embroidered curtain. The daughter in the boudoir regrets the late spring, full of sorrow and no place to complain. Hand hoe out of the embroidered curtain, bear to step on the fallen flowers to come and go? The willows and elm pods are fragrant and beautiful, regardless of peach blossoms and Li Fei. Peaches and plums can bloom again next year. Who do you know in your boudoir next year? In March, the fragrant nest has been built, and the swallows between the beams are too heartless! Next year, although the flowers and hair can be pecked, it is not like the empty nest of a man who leaves the beam. Three hundred and sixty days a year, the wind, the sword, the frost, the sword, the sword How long can bright and beautiful beauty last? once wandering, hard to find. Flowers bloom easy to see, fall difficult to find, in front of the steps worried about killing the person who buried the flower. Alone with a hoe in hand, I shed tears in secret, and when I shed them on the branches above, I saw blood stains. The cuckoo was speechless. It was dusk, and she went back with her hoe to close the heavy door. The blue lamp shines on the wall, and the man has just fallen asleep. The cold rain knocks on the window and the quilt is not warm. Why do you blame me for being so sad? half for pity and half for vexation. Love spring suddenly very angry suddenly left, to no words to go not heard. Last night outside the court sad song, I know it is the soul of flowers and birds. Flower soul bird soul is always difficult to retain, birds themselves silent flowers themselves ashamed. May I grow wings today and fly with the flowers to the end of the sky.
Dream of the Red Chamber, Burial of Flowers, Pipa Solo
The Song of Burial of Flowers in Dream of the Red Chamber was a solo pipa piece. We can find some information about the Burial of Flowers. The Song of the Burial of Flowers was one of the interludes of Dream of the Red Chamber. It was composed by the national first-class composer, Wang Liping. Fang Jin Long was a pipa performer. He played the Song of Burial of Flowers from Dream of the Red Chamber. In addition, there were other versions of the Song of Burial of Flowers, such as the pipa version and the erhu version. However, the search results did not provide clear information about the specific content and performance details of the Burial of Flowers. Thus, we have no way of knowing the details of the Burial of Flowers Song.
Dream of the Red Chamber, Lin Daiyu's Burial of Flowers
The original text of Lin Daiyu's Bury of Flowers was as follows: Flowers wither, flowers fly, flowers fill the sky, red fade fragrance cut off who pity? The gossamer gently floated in the spring pavilion, and the falling wadding gently touched the embroidered curtain. The daughter in the boudoir is regretful of the late spring, full of sorrow and no place to release. Hand hoe out of the embroidered curtain, bear to step on the fallen flowers to come and go. The willows and elm pods are fragrant and beautiful, regardless of peach blossoms and Li Fei.
The Meaning of the Burial Flower Poem in Dream of the Red Chamber
The "Buried Flower in the Dream of the Red Chamber" was a poem that Jia Baoyu had composed when he saw the flowers in the Grand View Garden. This poem expressed Jia Baoyu's perception of flowers and his reflection on the prosperity of the world. The first two lines of the flower burial poem,"Flowers wither, flowers fly, the sky is red, and the fragrance is broken. Who will pity them?" It expressed Jia Baoyu's mourning for the flowers. Flowers bloom in spring, but as the seasons change, the flowers will gradually wither and eventually disappear. This symbolized the short and impermanence of life and also hinted at Jia Baoyu's reflection on the prosperity of the world. The next scene was " Endless tears of love, blood, and tears, throwing away red beans, blooming endless willows and flowers, filling the painting house." It was Jia Baoyu's lament about the flowers. The red bean was a kind of lovesick bean that could not be stopped. The red bean that was shed with blood and tears expressed Jia Baoyu's longing for his ex-girlfriend. The endless willows and flowers in the painting house hinted at Jia Baoyu's boredom with prosperity and his thoughts on life. The last two sentences were," Falling red is not a heartless thing that turns into spring mud to protect the flowers." It expressed Jia Baoyu's regret for the flowers and also reflected his understanding of life. Although the flowers had withered, their petals would become fertilizer to provide nutrients for the growth of new flowers. This implied that in the cycle and transformation of life, everyone had to use their own actions to protect the flowers so that they could survive in the world. The flower burial poem in Dream of the Red Chamber expressed Jia Baoyu's thoughts on life and his perception of flowers, which made people have a deeper understanding of life and love.
Excerpt from the wonderful fragments and sentences of the Dream of Red Chamber, Daiyu's burial of flowers
Lin Daiyu's Burial of Flowers: When Dai-yu bows her head to bury the flowers, she is shy. When Dai-yu smiles, she is shy to bury the flowers. Daiyu buried the flowers like a person's life. Daiyu buried the flowers like Daiyu's soul; Daiyu buried the flowers like Daiyu's heart, Daiyu buried the flowers like Daiyu's feelings; Dai Yu's burial of Huahua was her whole world. Dai Yu's burial of Huahua was her eternity. Excerpt from Lin Daiyu's wonderful sentence: Flowers are not flowers, fog is not fog, midnight comes and goes. Come by chance, go by necessity, why force it? Life is like a dream, why force it? Years Flow Like Water, everything was possible, but everything was just an illusion.
Burial of Flowers Song
The Song of the Burial of Flowers was a work filled with sorrow and grief. From the content of the lyrics," Flowers wither and fly all over the sky, red and fragrant, who will pity them?" The opening chapter created a poignant and lonely atmosphere. The flowers withered but no one pitied them. This also hinted that Lin Daiyu herself was like this falling flower. Although there was a short period of beauty in the world, few people really understood the pain and sorrow in her heart. In the poem," 360 days in a year, the wind and the frost force each other ", it deeply expressed the oppression and hardship that Lin Daiyu felt in the Jia residence. The harsh living environment was like the constant invasion of the wind and the frost. In terms of music, it was an interlude for the 87th edition of Dream of the Red Chamber. The composer, Wang Liping, spent a year and nine months to complete the composition, which showed his painstaking efforts. When the singer, such as Chen Li, sang this song, it was like crying and complaining. Every word was filled with blood and tears, as if Lin Daiyu's lament about her life experience, her uneasiness and helplessness about her future fate were integrated into it. Whether it was the lyrics or the music, the entire song could make the audience deeply feel the sorrow, sentimentality, and helplessness of Lin Daiyu's fate. It made people immersed in a sad and depressed mood, and at the same time, they could also experience the suppression and restraint of human nature in feudal society. The novel, Drunken Golden Cup, is equally exciting. Everyone is welcome to click and read it!
"Atlas of the Fragrant Flowers of the Dream of the Red Chamber"
The Atlas of the Fragrant Flowers of the Dream of the Red Chamber was an art book written by Dai Dunbang and Chen Zhao, and published by the Yangliu Painting Society in Tianjin. This book used trees and flowers as an analogy for women, showing the traditional Chinese aesthetic awareness. According to the information provided, the book was priced at 18.00 yuan. It had 64 pages and was a 16-open paperback. It described the Grand View Garden in 'Dream of the Red Chamber'. This place was both a country of women and a garden of flowers. There were more than 120 young women and more than 130 kinds of flowers, trees, and vines. In addition, the book also mentioned the relationship between Cao Xueqin's description of flowers and characters, integrating flowers and people into one.