The Writing Technique and Characteristics of Yan Qinli's Stele
Yan Qinli's writing style was featured by its horizontal thin and vertical thick strokes, thick strokes, strong bones, stable and dense, imposing momentum, center strokes, vigorous strokes, hiding the edge of the brush, withdrawing the brush back to the edge, using the ink horizontally light and vertically heavy, pressing the brush in the shape of a silkworm's head swallowtail, folding the brush and lifting the brush in the dark, turning the circle straight down, square inside and round outside, the hook was mostly written in the shape of a bird's beak, and the symmetrical vertical was in the shape of an arc encircling the body. The characteristics of Yan Qin's monument were dignified and open-minded, relaxed and cheerful, the combination of movement and stillness, the combination of cleverness and awkwardness, and grace and generosity. Its body is wide and moist, with a square shape and a clear stroke. The momentum is strong and the skeleton is open. The style and characteristics of Yan Qinli's stele reflected Yan Zhenqing's calligraphy style and displayed the aesthetic fashion of the prosperous Tang Dynasty.
Yan Zhenqing's Yan Qinli Stele
Yan Zhenqing's 'Yan Qinli Stele' was the tombstone he erected for his great-grandfather, Yan Qinli. It was also one of his representative works in his later years. This monument was erected in the 14th year of the Tang Dynasty (779) and is now in the Forest of Steles Museum in Xi'an. Yan Qinli Stele was engraved on four sides, three of which were still in existence. The inscription traced the merits of Yan's ancestors and described the achievements of future generations in the Tang Dynasty. Yan Zhenqing used the techniques of horizontal, fine, vertical, thick, hiding the head and protecting the tail, and using both square and round in his calligraphy. His calligraphy was dignified and generous, broad and stretched, and he saw the skill in his clumsy calligraphy. This monument displayed the aesthetic fashion of the Tang Dynasty and was considered one of Yan Zhenqing's iconic works of calligraphy.
"Yan Qinli Stele" regular script
Yan Qinli Stele was one of the representative works of regular script written by Yan Zhenqing in his later years in Tang Dynasty. It was a Shinto Stele written by Yan Zhenqing for his great-grandfather Yan Qinli. It was erected in the 14th year of the Dali Dynasty (779). The stele is now in the Forest of Steles Museum in Xi'an, and there is also an initial rubbing in the Palace Museum in Beijing. There were a total of 19 lines of words in Yang and 20 lines of words in Yin, with 38 and 37 words per line respectively. This stele was featured by its fine strokes, broad strokes, and strong momentum, showing the aesthetic fashion of the prosperous Tang Dynasty. It was Yan Zhenqing's mature calligraphy work in his later years, and it was also one of the models for many beginners to learn Yan Style.
"Yan Qinli Stele" high-definition picture
High-resolution pictures of Yan Qinli Stele can be found in Xi'an Forest of Steles and Beijing Palace Museum. This stele was one of the representative works of the Tang Dynasty calligrapher Yan Zhenqing in his later years. It was considered one of the most famous works of regular script in Chinese calligraphy. After reading the inscription, the size of the stone fragment was 175 x 90 x 22 cm. The stele is surrounded by inscriptions on all sides, and there are books on three sides. There were 19 lines in the north of the stele, 20 lines in the south of the stele, and 38 words in each line. There were 37 words in the 5 lines on the left. The upper part of the right side was engraved with the postscript of the Song Dynasty, and below it was the postscript of Song Bolu during the Republic of China. This monument was dignified and open-minded, relaxed and cheerful, combining movement and stillness, clever and clumsy, graceful and generous, showing the prosperity of the Tang Dynasty.
Yan Zhenqing's Diligence Stele
Yan Zhenqing's 'Yan Qinli Stele' was a Shinto Stele he erected for his great-grandfather, Yan Qinli. It was one of his representative works in his later years. This monument was erected in the 14th year of the Tang Dynasty (779) and is now in the Forest of Steles Museum in Xi'an. The stele was 175 cm tall, 90 cm wide, and 22 cm thick. It was surrounded by carvings on all four sides. There were a total of 19 lines of positive inscriptions and 20 lines of negative inscriptions. Each line had 38 words, and there was a side engraved on both sides. Yan Zhenqing used the horizontal and thick strokes in the "Yan Qin Li Stele", combined with the square technique, showing his calligraphy style. This monument was dignified and open-minded, relaxed and cheerful, combined with movement and stillness, clever and clumsy, graceful and generous, and had the atmosphere of the prosperous Tang Dynasty. Yan Qinli Stele was Yan Zhenqing's masterpiece when his calligraphy was mature. It was also one of the models for learning Yan Style.
Yan Zhenqing's Diligence Stele
The full text of Yan Zhenqing's Diligence Stele could not be obtained from the search results provided.
Yan Zhenqing's Pagoda Stele
Yan Zhenqing's multi-pagoda stele in simplified Chinese can be downloaded and viewed online for free on the font world website. This stele was one of Yan Zhenqing's early representative works. The writing was respectful and sincere, the font structure was strict, the strokes were round, dignified and beautiful, giving people a feeling of movement in silence, floating like an immortal. The characteristic of the pagoda stele was that the font was neat and meticulous, and the strokes were meticulous. Therefore, it became one of the models for future generations to learn regular script.
Yan Zhenqing's Diligence Stele
Yan Zhenqing's Stele of Diligence, the full name of the stele was "The Shinto Stele of Yan Jun, the Chief Historian of Kuizhou Dudu Mansion, the Former Secretary of the Tang Dynasty." It was the Shinto Stele that Yan Zhenqing wrote for his great-grandfather Yan Qinli. It was the representative work of Yan Zhenqing's regular script in his later years. This stele was erected in the 14th year of the Tang Dynasty (779) and was unearthed in Xi'an, Shaanxi Province in October of the 11th year of the Republic of China (1922). It is now in the Xi'an Forest of Steles Museum. Yan Qinli Stele was engraved on all four sides. There were 19 lines on the positive side of the stele, 20 lines on the negative side of the stele, 38 words per line, and 5 lines on the side of the stele, 37 words per line. The inscription traced the merits of Yan's ancestors and described the achievements of future generations in the Tang Dynasty. The brush strokes are horizontal, thin and vertical, covering the head and protecting the tail, and using both square and round strokes; the body is dignified and generous, wide and stretched, and there is a skill in the clumsy; the breath is strong and vigorous, and the vitality is vigorous, representing the aesthetic fashion of the prosperous Tang Dynasty.
Yan Zhenqing's Multi-Pagoda Stele
Yan Zhenqing's 'Pagoda Stele' was one of his early representative works. This inscription recorded that when the monk Chujin of the Tang Dynasty was reading the Lotus Sutra, the multi-treasure pagoda frequently appeared in front of him in his illusion. Therefore, he decided to turn this illusion into reality and built the multi-treasure pagoda. The inscription described in detail the construction process of the pagoda and related Buddhist matters. The [Multi-Pagoda Stele] had a total of thirty-four lines and sixty-six words. The overall style was beautiful and vigorous, and the handwriting was neat and meticulous. Yan Zhenqing displayed his calligraphy talent in this work. The structure was rigorous, the strokes were round, and the strokes were rich and beautiful. This inscription was widely studied and imitated by later generations, and was regarded as one of the models of regular script.
Yan Zhenqing's "Pagoda Stele" features
Yan Zhenqing's Duobao Pagoda Stele had the following characteristics: First, it was square and well-proportioned. Most of the characters tended to be square, and the strokes of the characters were evenly spaced. Second, the horizontal painting is thinner than the vertical painting. Third, the left is thin and the right is thick. When two vertical lines appear side by side, the vertical line on the left is smaller. Fourth, breaking the convention and creating some unconventional writing methods. The structure of this stele was tight, the dots were round, beautiful and strong. It was Yan Zhenqing's early work, showing his knowledge and superb calligraphy skills. This monument had extremely high artistic value, giving people a lively, dignified and beautiful artistic enjoyment.
What is written on Yan Zhenqing's Diligence Stele?
Yan Zhenqing's 'Diligence Stele' mainly recorded the lineage of the Yan family and Yan Qinli's life story. The inscription recounted the merits of the Yan family's ancestors and the achievements of their descendants in the Tang Dynasty.