Yan Zhenqing's Yan Qinli Stele

Yan Zhenqing's multi-pagoda stele in simplified Chinese can be downloaded and viewed online for free on the font world website. This stele was one of Yan Zhenqing's early representative works. The writing was respectful and sincere, the font structure was strict, the strokes were round, dignified and beautiful, giving people a feeling of movement in silence, floating like an immortal. The characteristic of the pagoda stele was that the font was neat and meticulous, and the strokes were meticulous. Therefore, it became one of the models for future generations to learn regular script.

The full text of Yan Zhenqing's Diligence Stele could not be obtained from the search results provided.

Yan Qinli's writing style was featured by its horizontal thin and vertical thick strokes, thick strokes, strong bones, stable and dense, imposing momentum, center strokes, vigorous strokes, hiding the edge of the brush, withdrawing the brush back to the edge, using the ink horizontally light and vertically heavy, pressing the brush in the shape of a silkworm's head swallowtail, folding the brush and lifting the brush in the dark, turning the circle straight down, square inside and round outside, the hook was mostly written in the shape of a bird's beak, and the symmetrical vertical was in the shape of an arc encircling the body. The characteristics of Yan Qin's monument were dignified and open-minded, relaxed and cheerful, the combination of movement and stillness, the combination of cleverness and awkwardness, and grace and generosity. Its body is wide and moist, with a square shape and a clear stroke. The momentum is strong and the skeleton is open. The style and characteristics of Yan Qinli's stele reflected Yan Zhenqing's calligraphy style and displayed the aesthetic fashion of the prosperous Tang Dynasty.

Yan Zhenqing's 'Pagoda Stele' was one of his early representative works. This inscription recorded that when the monk Chujin of the Tang Dynasty was reading the Lotus Sutra, the multi-treasure pagoda frequently appeared in front of him in his illusion. Therefore, he decided to turn this illusion into reality and built the multi-treasure pagoda. The inscription described in detail the construction process of the pagoda and related Buddhist matters. The [Multi-Pagoda Stele] had a total of thirty-four lines and sixty-six words. The overall style was beautiful and vigorous, and the handwriting was neat and meticulous. Yan Zhenqing displayed his calligraphy talent in this work. The structure was rigorous, the strokes were round, and the strokes were rich and beautiful. This inscription was widely studied and imitated by later generations, and was regarded as one of the models of regular script.

Yan Zhenqing's Duobao Pagoda Stele had the following characteristics: First, it was square and well-proportioned. Most of the characters tended to be square, and the strokes of the characters were evenly spaced. Second, the horizontal painting is thinner than the vertical painting. Third, the left is thin and the right is thick. When two vertical lines appear side by side, the vertical line on the left is smaller. Fourth, breaking the convention and creating some unconventional writing methods. The structure of this stele was tight, the dots were round, beautiful and strong. It was Yan Zhenqing's early work, showing his knowledge and superb calligraphy skills. This monument had extremely high artistic value, giving people a lively, dignified and beautiful artistic enjoyment.

Yan Zhenqing's pagoda stele was written in regular script.