"Yan Qinli Stele" regular script
Yan Qinli Stele was one of the representative works of regular script written by Yan Zhenqing in his later years in Tang Dynasty. It was a Shinto Stele written by Yan Zhenqing for his great-grandfather Yan Qinli. It was erected in the 14th year of the Dali Dynasty (779). The stele is now in the Forest of Steles Museum in Xi'an, and there is also an initial rubbing in the Palace Museum in Beijing. There were a total of 19 lines of words in Yang and 20 lines of words in Yin, with 38 and 37 words per line respectively. This stele was featured by its fine strokes, broad strokes, and strong momentum, showing the aesthetic fashion of the prosperous Tang Dynasty. It was Yan Zhenqing's mature calligraphy work in his later years, and it was also one of the models for many beginners to learn Yan Style.
Yan Zhenqing's Yan Qinli Stele
Yan Zhenqing's 'Yan Qinli Stele' was the tombstone he erected for his great-grandfather, Yan Qinli. It was also one of his representative works in his later years. This monument was erected in the 14th year of the Tang Dynasty (779) and is now in the Forest of Steles Museum in Xi'an. Yan Qinli Stele was engraved on four sides, three of which were still in existence. The inscription traced the merits of Yan's ancestors and described the achievements of future generations in the Tang Dynasty. Yan Zhenqing used the techniques of horizontal, fine, vertical, thick, hiding the head and protecting the tail, and using both square and round in his calligraphy. His calligraphy was dignified and generous, broad and stretched, and he saw the skill in his clumsy calligraphy. This monument displayed the aesthetic fashion of the Tang Dynasty and was considered one of Yan Zhenqing's iconic works of calligraphy.
Yan Zhenqing's Regular Script Calligraphy Stele
Yan Zhenqing's regular script 'Diligence Stele' was one of his representative works in his later years. This copybook was based on the tombstone that Yan Zhenqing had written for his great-grandfather, Yan Qinli. It was engraved with Yan Zhenqing's unique style of regular script. The structure of the Diligence Ceremony Stele was solemn and open-minded, relaxed and cheerful, combining movement and stillness, clever and clumsy, graceful and generous. Yan Zhenqing's brush strokes are horizontal, thin and vertical, thick and thick. He hides his head and protects his tail. He uses both square and round strokes. He is vigorous and powerful. His brush strokes were varied, and there were subtle changes in his strokes. They were vivid and colorful, and had a strong sense of rhythm. This copybook showed Yan Zhenqing's maturity and exquisite calligraphy skills in his later years. The Diligence Stele was Yan Zhenqing's masterpiece in his later years, and it had the atmosphere of the Tang Empire. It had completely shed the body of the early Tang Dynasty and displayed Yan Zhenqing's unique style and talent. This copybook was a valuable model for those who learned Yan Style Regular Script.
"Yan Qinli Stele" high-definition picture
High-resolution pictures of Yan Qinli Stele can be found in Xi'an Forest of Steles and Beijing Palace Museum. This stele was one of the representative works of the Tang Dynasty calligrapher Yan Zhenqing in his later years. It was considered one of the most famous works of regular script in Chinese calligraphy. After reading the inscription, the size of the stone fragment was 175 x 90 x 22 cm. The stele is surrounded by inscriptions on all sides, and there are books on three sides. There were 19 lines in the north of the stele, 20 lines in the south of the stele, and 38 words in each line. There were 37 words in the 5 lines on the left. The upper part of the right side was engraved with the postscript of the Song Dynasty, and below it was the postscript of Song Bolu during the Republic of China. This monument was dignified and open-minded, relaxed and cheerful, combining movement and stillness, clever and clumsy, graceful and generous, showing the prosperity of the Tang Dynasty.
The Writing Technique and Characteristics of Yan Qinli's Stele
Yan Qinli's writing style was featured by its horizontal thin and vertical thick strokes, thick strokes, strong bones, stable and dense, imposing momentum, center strokes, vigorous strokes, hiding the edge of the brush, withdrawing the brush back to the edge, using the ink horizontally light and vertically heavy, pressing the brush in the shape of a silkworm's head swallowtail, folding the brush and lifting the brush in the dark, turning the circle straight down, square inside and round outside, the hook was mostly written in the shape of a bird's beak, and the symmetrical vertical was in the shape of an arc encircling the body. The characteristics of Yan Qin's monument were dignified and open-minded, relaxed and cheerful, the combination of movement and stillness, the combination of cleverness and awkwardness, and grace and generosity. Its body is wide and moist, with a square shape and a clear stroke. The momentum is strong and the skeleton is open. The style and characteristics of Yan Qinli's stele reflected Yan Zhenqing's calligraphy style and displayed the aesthetic fashion of the prosperous Tang Dynasty.
Liu Gongquan's Representative Regular Script: Mysterious Tower Stele
One of Liu Gongquan's representative works in regular script was 'Mysterious Secret Pagoda Stele'. This was an inscription from the Tang Dynasty, written by Pei Xiu and written by Liu Gongquan. 'Mysterious Secret Pagoda Stele' was a model of Liu Gongquan's regular script style and was considered a milestone in his calligraphy career. The inscription had a total of 28 lines, 54 words per line, recording the life story of the Tang Dynasty monk Dada Master Duanfu. When Liu Gongquan was writing the Mysterious Secret Pagoda Stele, his strokes were strong and smooth, round and thick, sharp, firm and open, stable and vivid, showing a graceful, vigorous and fresh atmosphere. The font of the Mysterious Secret Pagoda Stele was correct, and the writing style was meticulous. It was especially suitable for beginners to copy regular script and had extremely high calligraphy value.
Yan Zhenqing copied the regular script
Yan Zhenqing's regular script was a work that was worth copying. Among them, the most famous works included Yan Family Temple Stele, Pagoda Induction Stele, Magu Immortal Altar Record, Dongfang Shuo Portrait Praise, Yan Qinli Stele, and so on. The method of copying Yan Zhenqing's regular script was to first read through it to understand the meaning of the original text and the structure of the copybook, and then draw it or copy it. Handwriting could deepen the memory and improve the memory effect. Yan Zhenqing's copying of regular script was very helpful for beginners. It could help them learn and understand the basic skills and styles of calligraphy.
Yan Zhenqing's Introduction to Regular Script
Yan Zhenqing's Introduction to Regular Script was a tutorial suitable for calligraphy enthusiasts to self-study and calligraphy training. He could find many textbooks and copybooks related to Yan Zhenqing's regular script, such as Yan Zhenqing's regular script tutorial, Yan Zhenqing's regular script introductory copybook, and so on. These courses included the basic strokes, structure, and posture of Yan Zhenqing's regular script. They also provided the word 'Fan' and practice materials for the learner to use. In addition, there were also some courses that provided Yan Zhenqing's learning methods and techniques, such as the steps of learning Yan Zhenqing's regular script, the choice of pen and paper, etc. In general, the Yan Zhenqing Regular Script Introduction Course was a guide and learning material to help beginners learn Yan Zhenqing's regular script.
Yan Zhenqing's Regular Script Style
Yan Zhenqing's regular script style was full, vigorous, and majestic. His font structure was square and dense, his strokes were light horizontally and heavy vertically, and his strokes were vigorous, upright, open and vigorous. Yan Zhenqing's strokes were strong and powerful, and the turns were natural and smooth, showing an extremely high level of skill. His word structure was balanced and rigorous. The size of each word was coordinated, and the spacing between the words was just right, forming a unique visual rhythm. Yan Zhenqing's style of regular script was known as " Yan Style ", which was unique in the history of calligraphy and created a new model of regular script. His regular script works had a vigorous and broad artistic style. It not only had outstanding emotions and spirituality, but also showed the prosperous demeanor of the Tang Empire. Yan Zhenqing's style of regular script was widely studied and imitated by later generations. He was known as one of the four masters of regular script and the founder of round brush calligraphy.
Yan Zhenqing's Best Regular Script
Yan Zhenqing had many representative works in regular script, such as "Pagoda Stele","Magu Immortal Altar","Three Poems" and so on. Among them, Yan Zhenqing's Three Songs of Poetry was considered one of his proudest and most representative works. This calligraphy work displayed Yan Zhenqing's vigorous and powerful style of writing. It had a sense of weight and strength, giving people a sense of embossed. In addition, Yan Zhenqing's regular script work, the Pagoda Stele, was also highly respected and was learned by later generations. These works all displayed Yan Zhenqing's unique artistic expression and skills, and were known as the "divine works" in Yan Zhenqing's regular script. Therefore, it could be said that Yan Zhenqing's Three Poets and Pagoda Stele were his best works.
Yan Zhenqing's Regular Script Calligraphy
Yan Zhenqing's regular script copybook mainly included the following aspects: 1. The structure was square and dense. Yan Zhenqing's regular script copybook was featured by a square structure and a compact font. The overall font presented a rich, vigorous, and majestic style. 2. The strokes were light horizontally and heavy vertically. In Yan Zhenqing's regular script, the horizontal strokes were relatively thin, while the vertical strokes, dots, and strokes were relatively thick, showing the characteristics of light horizontal and heavy vertical strokes. 3. Thick and vigorous strokes: In Yan Zhenqing's regular script copybook, the strokes were strong and powerful, and the ink was thick, giving people a calm and powerful feeling. 4. The knot is wide and broad: In Yan Zhenqing's regular script copybook, the font is wide and broad, the white cloth is even, the font is slightly square, dignified and stable, full of righteousness. 5. Yan Zhenqing had created a unique Yan Style, which was unique in the history of calligraphy. Yan Style had outstanding emotions and spirituality. The thoughts of writing were naturally strange, expressing a rich understanding of life, and the realm of thought was grand and open. In summary, Yan Zhenqing's regular script copybook had the characteristics of a square and dense structure, light strokes, thick strokes, broad strokes, and a unique "Yan Style" style.