[Er Dongsheng regrets choosing Dink.] Throughout his marriage, he insisted on not having children, but in the end, he gave birth to a daughter at the age of 60. This decision caused him to divorce his wife and made him regret it endlessly. He said that if he could choose again, he would not choose Dink again. Instead, he wanted to have a complete family.

Yes, Er Dongsheng was once a Dink. In the interview, he repeatedly expressed his thoughts of not wanting children and reached a tacit understanding with his wife for a lifetime. However, he later gave birth to a daughter with his lover, which violated his agreement with his wife. Therefore, it could be said that he used to be a Dink, but later changed his mind.
The reason why Yee Dongsheng asked his wife, Dink, was because he did not want to bear the responsibility of a father. He was worried that having a child would affect his career. He felt that the responsibility of giving birth was too great and was worried that he could not bear it. Therefore, he and his wife agreed to become a Dink family and not have children.
Yee Dong-sheng was a director, screenwriter, actor, and producer from China Hong Kong. He was born on December 28, 1957, and was 185cm tall. The secret to his success included the fact that he was born into an entertainment family. His parents and brothers were both in the film industry, and he had multiple identities in the film and television industry. His representative works included The True Story of the Crazy Man, The New Love, and The Dark Night in Mongols. He has won many awards, including the Taiwan Golden Horse Special Achievement Award and the Hong Kong Film Awards Best Director Award. Besides, Er Dongsheng was also Qin Pei and David Jiang's brother.
Yee Dong-sheng was a director who was famous for his sharp tongue and offensive style. On the variety show," Actors, Please Take Your Places," he often made direct and sharp criticisms of actors, which attracted widespread attention and discussion. His style of dissing others was considered to be a manifestation of his care and seriousness towards the growth of actors. His criticism was sharp, but it was also a true evaluation of the actor's acting skills. Although some people questioned whether his behavior was scripted, his style of scolding people was still supported and appreciated by many netizens. All in all, Yee Dongsheng's style of scolding others was a unique way of expressing himself as a director. It was also his strict requirements for actors and acting skills.
Yee Dong-sheng was a highly acclaimed director. His directing works were classic and rich. Although he was not one of the Four Little Dragons, he was considered one of the Four Great Directors in Hong Kong. His films were divided into two categories: artistic films and social realism films, known for their rigor. His movies usually went through detailed preparation work, and the works that were shot had a sense of realism. Compared to some well-known directors in the mainland, he paid more attention to the plot itself, not just the effect of light and color. Therefore, Yee Dong-sheng could be considered a great director.
Yee Dongsheng and Lee Ruotong were the main leads of China Hong Kong film," Sparks of Youth."
Yee Dong-sheng and Tsui Hark were two Hong Kong directors. They had worked together in the movie " The Sword of the Third Young Master." Xu Ke was a director who was famous for creating stunning visual effects. He was known as a master of martial arts films. On the other hand, Yee Dongsheng was good at capturing human nature and portraying delicate emotions. Even though Yee Dong-sheng had directed 'The Sword of the Third Young Master', this movie was more like a work by Xu Ke. The two directors didn't quarrel during the cooperation process and had a pleasant cooperation.
There was a dispute between Xu Ruohan and Er Dongsheng. Xu Ruohan was a double in " Unlimited Transcendence Class 2 ", but her performance was deemed unsatisfactory by Director Yee Dongsheng, causing him to kick her out of the set. Xu Ruohan acted pretentious at the scene and raised objections to the director's arrangements, causing the director's dissatisfaction with her to intensify. This incident triggered a public discussion about the professionalism and emotional management of actors. According to the information provided, the details and background of the dispute could not be known.
Yee Dong-sheng was a well-respected and admired director. He had a brilliant record in the Hong Kong film industry. He had once directed a Shao Brothers martial arts film and won the Hong Kong Film Awards for best director and best screenwriter. His works also made actors such as Yuan Yongyi and Cecilia Zhang the best actresses. Although he had already achieved a high reputation, he still participated in the variety show "Actors in Position 2", hoping to meet more young actors and bring them new vitality. He criticized the popular actors on the show, saying that it was unreliable to rely on looks and faces, but that they should focus on acting skills and talent. Although his comments were sharp, it also showed his concern for the growth of actors. All in all, Yee Dongsheng was a well-recognized and respected director. His talent and works had won him widespread praise.
Director Er Dongsheng's evaluation of Wang Churan was that she was "very beautiful, but had no personality." This evaluation pointed out Wang Churan's shortcomings in acting and the difficulties she faced when shaping her character. From Wang Churan's acting experience, she had outstanding looks. For example, she had shown excellent physical conditions in many dramas. She stood out in 95 Flowers with her standard big green clothes and was also known as the beauty tyrant. However, there were many problems with her acting career. In terms of performance, her acting skills were relatively average. When she was a guest star in "Celebrating Years," her acting skills were ridiculed, and her voice and lines were also dragged down. In terms of character creation, there were problems with the role positioning. For example, the role of Bai Xuelu in "Jade Bone Yao" was plain and unremarkable, which did not leave a deep impression on the audience. In some plays, the role and the actor were not compatible. She often played supporting roles and most of the roles were vicious female supporting roles. In terms of popularity and audience affinity, her situation was also more complicated. In "My World of Fireworks," she played Xu Qin, who was scolded by the audience for being a love brain. Later, when the news of her relationship with Yang Yang was exposed, she received even more negative comments. Her expression management was also criticized, and she was even photographed with "expressions hanging on her face" and "rolling her eyes." In "The Story of Liu Zhou," which he worked with Zhang Wanyi, although they were actively doing business outside the show and had good interaction, the two of them lacked a sense of CP, and the broadcast of the show did not cause any ripples. In short, Er Dongsheng's evaluation revealed the problems Wang Churan faced in the entertainment industry to a certain extent. Although she had the advantage of good looks, her shortcomings in character (which could be understood as the unique charm of an actor, the ability to shape a character, etc.) affected the development of her acting career. The original novel of "The Shadow of Beacon Burning Plum Fragrance" was "The Hitman's Diary of the Pseudo Song Dynasty." The original plot was equally exciting. You can click on the link below to read the original novel.