There was a dispute between Xu Ruohan and Er Dongsheng. Xu Ruohan was a double in " Unlimited Transcendence Class 2 ", but her performance was deemed unsatisfactory by Director Yee Dongsheng, causing him to kick her out of the set. Xu Ruohan acted pretentious at the scene and raised objections to the director's arrangements, causing the director's dissatisfaction with her to intensify. This incident triggered a public discussion about the professionalism and emotional management of actors. According to the information provided, the details and background of the dispute could not be known.
Yee Dong-sheng and Tsui Hark were two Hong Kong directors. They had worked together in the movie " The Sword of the Third Young Master." Xu Ke was a director who was famous for creating stunning visual effects. He was known as a master of martial arts films. On the other hand, Yee Dongsheng was good at capturing human nature and portraying delicate emotions. Even though Yee Dong-sheng had directed 'The Sword of the Third Young Master', this movie was more like a work by Xu Ke. The two directors didn't quarrel during the cooperation process and had a pleasant cooperation.
"Both Xu Ke and Er Dongsheng are excellent directors, but it's hard to tell who is better." When the two directors worked together to film 'The Sword of the Third Young Master', Xu Ke was the producer while Er Dongsheng was the director. In an interview, Yee Dongsheng said that he would not have been able to complete the film without the help of Xu Ke. The audience's evaluation of the movie was also mixed. Therefore, it was impossible to answer who was more powerful.
Yee Dong-sheng was a director who was famous for his sharp tongue and offensive style. On the variety show," Actors, Please Take Your Places," he often made direct and sharp criticisms of actors, which attracted widespread attention and discussion. His style of dissing others was considered to be a manifestation of his care and seriousness towards the growth of actors. His criticism was sharp, but it was also a true evaluation of the actor's acting skills. Although some people questioned whether his behavior was scripted, his style of scolding people was still supported and appreciated by many netizens. All in all, Yee Dongsheng's style of scolding others was a unique way of expressing himself as a director. It was also his strict requirements for actors and acting skills.
Yes, Er Dongsheng was once a Dink. In the interview, he repeatedly expressed his thoughts of not wanting children and reached a tacit understanding with his wife for a lifetime. However, he later gave birth to a daughter with his lover, which violated his agreement with his wife. Therefore, it could be said that he used to be a Dink, but later changed his mind.
Yee Dong-sheng was a director, screenwriter, actor, and producer from China Hong Kong. He was born on December 28, 1957, and was 185cm tall. The secret to his success included the fact that he was born into an entertainment family. His parents and brothers were both in the film industry, and he had multiple identities in the film and television industry. His representative works included The True Story of the Crazy Man, The New Love, and The Dark Night in Mongols. He has won many awards, including the Taiwan Golden Horse Special Achievement Award and the Hong Kong Film Awards Best Director Award. Besides, Er Dongsheng was also Qin Pei and David Jiang's brother.
In 2018, Xu Ruohan starred in the movie "My Diary" directed by Chan, playing the female lead, Gao Zhen. This was her first film. Although she knew nothing about acting at that time, she received guidance from many seniors in the film, such as Jiang Wenli. Xu Ruohan gradually found the trick to acting through this experience and vowed to shine like Jiang Wenli and Cheng Long. Her acting skills were recognized in the film and she became one of the most admired young actors in the entertainment industry. In addition to " My Diary," Xu Ruohan also starred in other films and television works, such as " Summer Flower " and " Pioneer."
Xu Ruohan was a Shaanxi girl born in the 1990s. She showed extraordinary talent and charm. She made a name for herself in the entertainment industry, working with many well-known actors and acting as the female lead in many films. Her acting skills were recognized by the audience and she was considered one of the most talented contestants among the students. Her youthful charm was something that she brought with her, and she was highly praised by her mentor and other students. Xu Ruohan had a high starting point. When she first debuted, she collaborated with actors like Cheng Long and Yang Yang in the movie " Vanguard," which received a lot of attention. Her acting skills were natural and real, and she was infectious. She became the idol of the younger generation. Her family background was unknown.
Xu Ruohan's looks were the type that could last a long time. Although she wasn't extremely beautiful, her looks were pure and elegant, making her very recognizable. Her facial features were smooth, her eyes were deep, and her nose bridge was high. She gave off an artistic aura. She proved her worth in the entertainment industry with her own strength and hard work, successfully tearing off the label of the " Dragon Girl." Although some critics thought that her acting skills were not good enough, her performance in the play was still loved and supported by the audience. In general, Xu Ruohan's looks were considered pretty good in the entertainment industry. Although she wasn't the type to be stunning at first glance, her looks were recognizable and eye-catching.
Yee Dongsheng and Lee Ruotong were the main leads of China Hong Kong film," Sparks of Youth."
Yee Dong-sheng was a highly acclaimed director. His directing works were classic and rich. Although he was not one of the Four Little Dragons, he was considered one of the Four Great Directors in Hong Kong. His films were divided into two categories: artistic films and social realism films, known for their rigor. His movies usually went through detailed preparation work, and the works that were shot had a sense of realism. Compared to some well-known directors in the mainland, he paid more attention to the plot itself, not just the effect of light and color. Therefore, Yee Dong-sheng could be considered a great director.