Color mixing and painting of red peony
The color matching method of the red peony could use bright red and ebony or rouge to reconcile. You can dip the pen in bright red, and then use the tip of the pen with an appropriate amount of eos or rouge, slightly tidying up on the color plate, you can point the flower head. It could also be blended with vermilion mixed with a small amount of eos or peony red, and then dipped in a small amount of rouge to form a flower head. In terms of painting, you can use a big blue bamboo brush or a medium-sized bucket brush. First, use white powder mixed with a small amount of peony red to make it light red, and then use the side edge to draw the shape of the petals. Pay attention to when drawing large petals, you must press it to the end, using the movement of the pen belly and the pen root, so that the light red on the pen root is reflected on the petal end, forming a light and dark effect.
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photoshop color mixing
Color mixing was a common technique in Photoshop. You could create blockbuster effects by adjusting brightness, contrast, color, and tone. The first level and second level were the two stages of color adjustment. The first level was to restore the photo itself and adjust the overall situation, while the second level was to create the artistic conception of the photo and adjust the details. During the color adjustment process, you can use one or two color adjustment tools, such as brightness/contrast, curves, color levels, color balance, etc., to achieve the desired effect. In addition, you can also use the Cameraraw filter to adjust the color temperature, tone, exposure, contrast, and highlights to create a movie-like tone. In short, through the flexible use of color matching techniques and tools, you can achieve amazing effects in the large picture in Photoshop.
Painting of Peony
There were many ways to draw peony, and the following were some common ones: - ** White-line drawing method **: Start from the stamen part, the ink is thick but not burnt, moist but not slippery, the center of the pen, the line is sharp and smooth, the fine force hook stop, start and turn secretly take the momentum, change the pen heart, need to be meticulous. - ** Fine brush light color method **: First use lines to outline or draw. - ** Fine brush dyeing method **: First, draw out the outline, then use light green to paint from the root of the petal to the tip of the petal, and then use darker green dots to dye the root and stamen of the petal to enhance the three-dimensional effect. - [Fine Brush Cover Dyeing Method: Use a simple brush to draw a picture.] - [Fine Brushwork Dyeing Method: Draw a picture with a simple brush.] Some of the painting techniques for freehand peony were as follows: - ** Flower bud painting method **: First, use a brush to adjust the white powder. The brush belly is saturated with water. The tip of the brush is dipped in ebony and mixed evenly. The tip of the brush is slightly rouge. The tip of the brush is downward and the brush belly is upward. The brush is placed from left to right. It can be drawn in two or three strokes. Then, add a strong color to point out the top of the flower bud to show the volume and level. Finally, use ochre or juice green. The tip of the brush is adjusted to draw the calyx and the flower holder. - ** Painting of half-opened and full-opened peony **: Toning the same flower bud. First, he drew the bright part of the flower petal, using his brush to make subtle changes and decisively draw it, leaving white. There were changes in the open petals. The inner petals were tight and the outer petals were loose. The outer petals were closer to the center, and the center was heavier to show the three-dimensional feeling. Finally, the calyx and the flower holder were pointed out. - ** Pink Peony Painting Method **: Mix white powder and light ebony, use the side edge to draw the bright part, use the brush size, the brush marks have changes and rhythms, when drawing the center of the flower, sweep a little rouge with the tip of the pen to draw out the layers, so that the color naturally seeps through, the brush strokes can be seen, and after drying, the flower stamen is added. - ** Purple Peony Painting **: Purple is blended with rouge and cyan. It can be red or green, thick or light according to your preference. First adjust the white powder (the brush is vertical so that it doesn't drip). Dip the tip of the brush in purple and mix it in a white porcelain plate. From thick to light, naturally transition from thick to light on the brush. The tip of the brush is pointed down with the side edge. Use different sizes of brush strokes to point out the front part of the petals. After the color on the brush is used up, continue to paint. Pay attention to the outer outline of the petals to the center part tightly wrapped, layer by layer, the brush has changes. In the specific painting process, different colors of peony also had their own unique painting methods. For example, orange peony, first use a medium-sized sheep-hair brush to dip in the garcinia and eos to blend. After the color is evenly mixed, use the tip of the brush to lightly dip in the red to start painting. Use the side of the brush to draw the middle petal.(Painting a peony usually starts from the middle), continue to add side petals (some loose and some tight), follow the growth of the flower head when painting the back petals, generally draw three or four layers, and then dip in the red fat to draw the small petal in the center.(Pay attention to the rules of color depth change), draw the outer petals from right to left with the momentum of twisting the pen to draw the big petals and point out the small petals on both sides. When dipping the red fat to draw the middle petals, pay attention to the water in the color, the color in the water, and the combination of virtual and real. According to the method, carefully draw the relationship of the petals along the center of the flower. Finally, use the brush to dip in the thick ink to draw the stamen (pay attention to the density, perspective, and the relationship between the petals). There are several scales at the base of the purple peony twigs, which are distributed in the middle and high altitude mountains of western China. When painting, use a brush to mix rouge and indigo (the shade depends on preference). First, adjust the white powder to control the moisture of the brush.(It's better to draw it vertically without dripping water). Dip the tip of the pen in purple and mix it in a white porcelain plate. Draw the main petals with the tip of the pen down. Draw the back petals first (some loose and some tight). Use different sizes of brush strokes to point out the front of the petals. Draw the front petals with a slightly thicker color. Draw three or four layers according to the growth of the flower head. Draw the outer petals from right to left with the pen to draw the big petals and point the small petals around them. Add the small petals around the big petals. The outer petals wrap tightly towards the center. Layer by layer, when the petals are not dry, use a brush to dip in heavy color to supplement the color of the roots. The dark part and white space are appropriate to make the shape of the flower head natural. Finally, use a small pen to dip in garcinia to draw the stamen. The painting technique of bumping into pink peony was to use the brush to slightly tilt the painting while the painting was still wet, so that the color would gather on one side. After the painting, the fog would naturally not dry and the effect would be transparent. There were also techniques such as using a big white cloud to first adjust the titanium white to the base of the pen, using the tip of the pen to adjust the color of the brush to pink, using a two-color brush to draw the petals, pressing the side peak to draw layers of petals, slowly adding the color of the ebony, cutting off the front and back petals, paying attention to the size of the petals and the changes in the front and back of the petals when drawing, and drawing a rich half-opened picture beside it. The flower green and a little garcinia to draw the leaves, the tip of the pen to draw the petiole, pressing the side peak of the brush to sweep out the leaves, and paying attention to the tip when drawing the pen (peony leaves have three and nine tops, pay attention to the relationship of concealment). "Fairy Dream of Tang Shi: Fate of Peony" is equally wonderful. Everyone is welcome to click and read it!
The Painting of Peony and Crane
In traditional China culture, peonies symbolized wealth, fortune, and magnificence. They were known as the " national beauty and heavenly fragrance " and were known as the king of flowers. Red cranes represented longevity, fortune, and nobility, symbolizing fortune, wealth, and purity. The combination of the two symbolized luxury, purity, and beauty. It also symbolized auspicious, wealth, and a happy life. It could also express longevity, wealth, and good luck, such as pine age, crane longevity, wealth, and longevity. " Fairy Dream of Tang Shi: Fate of Peony " is equally wonderful. Everyone is welcome to click and read it!
Appreciation of the Peony Painting
The portrait of the Chinese painting peony had a unique artistic charm. For example, Mr. Ding Ke's four-foot vertical freehand peony painting,"Wealth in the Jade Hall," was set off by an archaic rice paper. The warm and subtle peony was embellished with elegant begonia flowers. Between the contrast of thick and light, the work exuded elegance and the demeanor of a king. There were also two small birds on the branches, which made the whole painting full of vitality. Teacher Ding Ke's four-foot vertical painting of the peony golden pheasant,"Beautiful Future," showed the gorgeous peony blooming in freehand style. Two golden pheasants stood on top, and the picture was auspicious and beautiful. Teacher Ding Ke's four-foot-long freehand peony work,"Rich and White-Headed Head," in the picture, the peonies were colorful and elegant. Together with the fresh and elegant magnolias, the whole picture became elegant and elegant, showing a romantic and warm atmosphere. These vertical paintings of peonies were very valuable. " Fairy Dream of Tang Shi: Fate of Peony " is equally wonderful. Everyone is welcome to click and read it!
Chinese Painting of Phoenix and Peony
The Chinese painting of a phoenix and a peony was a traditional Chinese art work. It usually depicted a phoenix and a peony together. The phoenix was an auspicious pattern in traditional Chinese culture, symbolizing beauty, light, and happiness. Peony was the king of flowers and also a symbol of wealth in Chinese traditional culture. The combination of phoenix and peony symbolized wealth, prosperity, and happiness. In Chinese art, phoenix and peony patterns often appeared in jade carvings, murals, paintings, and other art forms. The creation process of this kind of pattern required attention to the composition of the symmetrical and overall harmony. At the same time, he also had to pay attention to the direction of the phoenix's wings and the details of the peony. The painting of phoenix and peony was one of the most important artistic expressions in Chinese traditional culture. It showed the Chinese people's yearning and pursuit for a better life.
Song Dynasty peony painting
In the Song Dynasty, peony paintings had many forms and characteristics. From the perspective of painting techniques, such as "Peony Painting", the petals were first hooked with a thin pen in the center, then painted with carmine layer by layer, the stamens were dotted with light yellow, and the leaves were dyed with green flower juice. It was exquisite and rich, and the colors were gorgeous and not ordinary. In terms of composition, he often used the form of "broken flowers", which was to extract the most characteristic parts of natural flowers into the painting. This method was more delicate and moving than the overall painting. At that time, the creation of flower-and-bird painting mainly inherited the tradition of the Five Dynasties in the early stage of the Northern Song Dynasty. The painting techniques were mostly based on Xu Xi and Huang Quan. In the later stage of the Northern Song Dynasty, under the initiative of Emperor Huizong of the Song Dynasty, the fine brush painting developed to the peak level. This style continued to the court of the Southern Song Dynasty. The creation of flower-and-bird painting flourished and presented a variety of situations, such as the combination of work and writing, ink and color, the coordination of flowers, birds and trees, rocks, mountains and rivers. The style was mostly rigorous, exquisite, and exquisite. In terms of porcelain, the peony patterns on the Song Dynasty porcelain, whether it was drawing techniques or carving techniques, were mostly hidden under the glaze. They were more realistic and detailed, reflecting a vague and faint beauty, which was in line with the subtle and restrained aesthetic culture of the Song Dynasty literati. " Fairy Dream of Tang Shi: Fate of Peony " is equally wonderful. Everyone is welcome to click and read it!
The best freehand peony painting
The quality of a work of art was very subjective. Different people might have different standards for judging the best. However, there were some painters who were highly praised for their freehand peony paintings. For example, Zhu Qizhan's freehand peony paintings were bright and resounding in color, with a strong sense of rhythm, power, and layering. The more he got older, the more vigorous and unrefined they became. The peony paintings under his pen were the performance of "clusters". Several huge flowers were blooming, graceful and magnanimous. The branches were "unkempt" but charming. The dark green branches and leaves were only a few strokes but had a meaningful charm. Shi Guozhi was also good at painting peonies with freehand painting techniques. His "Only Peonies Are the True Colors of the Country" showed the blooming scene of peonies through freehand painting. Peonies were especially beautiful under the heavy ink and heavy color rendering. Through freehand painting, he painted the peony with heavy makeup and light colors, thick black and green leaves, and the theme was distinct and prominent. " Fairy Dream of Tang Shi: Fate of Peony " is equally wonderful. Everyone is welcome to click and read it!
Qing Dynasty Peony Painting
In the Qing Dynasty, there were many situations related to peony paintings. Jiang Tingxi had the "Hundred Peonies List", which was painted and presented to Emperor Yongzheng during the internal court. It was sold for 173 million yuan in the 2016 Kuangshi International Spring Auction, setting an auction record for Jiang Tingxi's personal work. At that time, the bidding was fierce. The starting price was 15 million yuan, and the final price was 173 million yuan. From the perspective of painting creators, there were many famous painters of peony in the Qing Dynasty, such as Shen Quan's "Wealth in the Jade Hall", Shi Tao's "Wealth Painting", Bada Shanren's "Songshi Peony Painting", Gao Xiang's "New Year Wealth Ruyi Painting", and Yun Shouping's many paintings related to peony, such as "Peony Book".(collected by the National Palace Museum in Taibei), Painting of National Fragrance in Spring (collected by Nanjing Museum), Painting of Huachun Wealth and Riches, etc. Gao Fenghan has Painting of Peony Wealth and Riches, Li Wei has Painting of Wealth and Riches, Li Fangying has Painting of Peony, Hua Wei has Painting of Peony Bamboo and Stone (collected by Tianjin Museum), Fan Qi has Painting of Peony (collected by Lushun Museum), Ma Yi has Painting of National Beauty and Heavenly Fragrance, Yun Bing has Painting of Flowers and Flowers, and Qian Weicheng has Painting of National Beauty and Heavenly Fragrance. Lang Shining had the peonies and lily peonies in the Fairy Calyx Changchun Atlas, Xu Yang had the Peony Mountain Painting, and Yu Sheng had the Peonies Waiting in the Valley Rain.(collected by the National Palace Museum in Taiwan),"Flowers Blossoms and Riches", Shen Quan also had "Five Lun Quan Tu","Peony Flowers and Birds","Peony", Chen Mei had "Peony", Zou Yigui had "Yutang Wealth Tu"(collected by the Museum of Liaoning Province),"Flowers", Wang Chengpei had "Peony Butterfly","Peony Tu","Three Spring Shao Peony Tu", Yu Wei had "Peony", Ren Bonian had "Wealth and Riches Whitehead Tu" made in 1880, Wu Changshuo had "Year's Qing Gong", Cixi had "Wealth and Riches Tu","Peony Painting","Wealth Prolonging Years"(collected by the Palace Museum in Beijing), etc. In addition, there are Oriental Paintings·Flowers and Birds of Qing Dynasty: Peony Painting published by Cultural Relics Press, and the colorful peony pattern pots collected by the Museum of Qingdao City, all of which reflect the cultural and artistic situation related to the peony painting of Qing Dynasty from different aspects. "Fairy Dream of Tang Shi: Fate of Peony" is equally wonderful. Everyone is welcome to click and read it!
Luoyang Peony Porcelain Painting
As for the Luoyang peony porcelain painting, there was a Luoyang peony porcelain painting from at least 40 years ago on sale. The shipping fee varied according to the express delivery or hanging method. In addition, during the 41st China Luoyang Peony Culture Festival, nearly 200 porcelain paintings were exhibited on the spot during the "Ru Kiln Porcelain Painting Canal City Culture Tour". These works were themed with "Luoyang Landscape·Peony·Canal Culture", including peony-related porcelain paintings. " Fairy Dream of Tang Shi: Fate of Peony " is equally wonderful. Everyone is welcome to click and read it!
Chinese painting peony and daffodil signature
The traditional Chinese painting of peony and narcissus had the meaning of "wealth first". In terms of inscription, it was also known as inscription, title, painting, inscription, or inscription. It was a traditional art form of China calligraphy and painting. As early as the Han Dynasty, there were clear inscriptions on the murals and silk paintings unearthed. Artists purposefully inscribed on the paintings. Starting from the Tang Dynasty, the Song Dynasty, with Su Shi and other literati as representatives, had a large number of inscriptions on the paintings. After the Yuan Dynasty, the art of inscriptions matured. After the Yuan Dynasty, almost every painting had an inscription. As for the signature of the peony and daffodil painting, if it was a friend's wedding to send the peony and daffodil painting, the title could be written as "A beautiful flower and a full moon." When moving into a new house and hanging this painting, the title could be written as "Wealth and Peace." When a new shop opened and hung the peony and daffodil painting, the title could be "Flowers bloom and wealth." When sending the peony and daffodil painting to his girlfriend to express his feelings, the title could be "Famous flowers and the country are happy." You can also choose suitable inscriptions from many titles related to peony, such as two-word titles (Fengshen, Hongfang, etc.), three-word titles (Moon Hazy, Tianxiang, etc.), four-word titles (First Grade Zhu Xia, Second Qiao First Marriage, etc.). You can also choose some poems that recite peony as an inscription, such as "When the red leaves are gone, the fragrance will be released. The good name will be changed to the King of Hundred Flowers." She actually praised her for being unparalleled in the world and the number one fragrance in the world." Wait. "Fairy Dream of Tang Shi: Fate of Peony" is equally wonderful. Everyone is welcome to click and read it!