Rich Peony Painting
The painting of the rich and noble peony had a rich meaning. It was not just a painting, but more like a symbol of life attitude. From the content of the painting, some of the flowers in the peony painting were budding, while others were blooming like gold. The details were handled very exquisitely. The golden lines outlined the outline of the peony flower, and every petal was lifelike. Its unique gold tone gave the entire painting a sense of nobility and luxury. In terms of meaning, peonies had symbolized wealth, good fortune, beauty, nobility, love, romance, beauty, and purity since ancient times. Hanging a painting of a rich peony in the living room or study could not only enhance the atmosphere of the home, but also bring good luck and wealth to the occupants, just like the expression of "when the peony blooms, wealth comes naturally" and "when the flowers bloom, wealth comes, good luck comes again and again". " Fairy Dream of Tang Shi: Fate of Peony " is equally wonderful. Everyone is welcome to click and read it!
Rich Peony Painting
Many artists had created related works for the painting of the "Rich Peony". For example, Zhao Zhiqian's "Rich Peony" was a painting of gold colored paper (17.5×52.5 cm). Zhao Zhiqian showed the rich and elegant beauty of the peony in the painting. The peony in the picture was in full bloom. The flowers were full and colorful, showing wealth and elegance through the peony. There may be lake rocks, grass and other elements around it to set off the main position of the peony. He used exquisite brush and ink techniques to paint the petals with full ink, thick ink to hook the tendons, light color to dot the leaves, and was also good at using red, black, green and other heavy colors. Through contrast and coordination, the colors of the painting were rich and warm, fully displaying the gorgeous fragrance of the peony. On the composition layout, the peony was tilted to the left of the painting with a momentum that soared into the sky. The branches were luxuriant and the flowers were in a cluster. It was dense at the top and sparse at the bottom. The contrast between them highlighted the momentum of the peony blooming, making the picture full and not abrupt. This work reflected Zhao Zhiqian's unique aesthetic understanding and artistic expression of peony. It had high artistic value and had a profound impact on the development of traditional China flower and bird painting. It was also used as a reference by later generations of painters. Mr. Zhang Daqian had also painted "Rich Peony." Qi Baishi had also created many paintings related to peonies with the meaning of "wealth", such as "Great Wealth and Longevity Examination". He often chose peaches and peonies as the theme of his works, integrating the meaning of peonies symbolizing wealth and wealth into his paintings, and conveying the meaning of blessings through the combination of images. "Fairy Dream of Tang Shi: Fate of Peony" is equally wonderful. Everyone is welcome to click and read it!
Rich and Auspicious Peony Painting
Peonies had another name for "rich flowers", which symbolized wealth and good fortune in China culture. Many artists were good at painting peonies, and they might create peony paintings called "wealth and good fortune". From the perspective of painting techniques, there were artists who created techniques such as "stained peony" to express the shape, nature, emotion, appearance, and god of the peony. There were also different painting techniques that could be used to create peony paintings, such as the crystal peony painting technique demonstrated by Xiao Xian. There were many varieties of peonies, such as Zhao Fen, Yao Huang, etc. When artists created "rich and auspicious peony paintings", they might focus on depicting the magnificent and gorgeous characteristics of peonies to reflect the meaning of wealth and good fortune. " Fairy Dream of Tang Shi: Fate of Peony " is equally wonderful. Everyone is welcome to click and read it!
Tang Bohu's Painting of Rich Peony
Tang Bohu had paintings with peonies as the theme, such as the painting "Flowers Bloom and Riches". This painting was owned by Mr. Li from the Harbin City. It was an ancestral item from Sanxi Hall. When the last emperor, Pu Yi, went to the northeast to establish Manchuria, he spent a lot of money. He brought some of the collection from the Qing Palace for a charity sale. Mr. Li's grandfather, Li Liandi, was the manager of the bank's accounts. He spent 200 yuan to buy this painting at the charity sale. The painting used the peony as the theme, using thick and thin iron line drawing techniques to outline the peony, and then using rich colors to set off the beauty and wealth of the flowers. There were famous paintings such as Tang Yin, the ancient rare emperor, the fine seal of Sanxi Hall, the treasure of Qianlong Emperor, and the gourd seal of Demi (Xiang Yuanbian). In addition, Tang Bohu also had peony paintings such as "Peony Painting". "Fairy Dream of Tang Shi: Fate of Peony" is equally wonderful. Everyone is welcome to click and read it!
Rich Peony Painting, Living Room, Chinese Painting, Zhao's Seal
From the reference materials, he knew that there was a painting of peony and wisteria by a famous artist of the Chinese Art Association, which was suitable for living room decoration. In traditional culture, peonies symbolized wealth and good fortune. This kind of peony painting could add a sense of wealth and atmosphere to the living room. From the picture of the peony painting of Zhao's Hengxi, it was framed in high-quality mahogany (pure solid wood frame with glass). The size was 170 cm long with a frame and 87CM high. There was also the corresponding price, discount, delivery, after-sales information, and so on. "Fairy Dream of Tang Shi: Fate of Peony" is equally wonderful. Everyone is welcome to click and read it!
Painting of Peony
There were many ways to draw peony, and the following were some common ones: - ** White-line drawing method **: Start from the stamen part, the ink is thick but not burnt, moist but not slippery, the center of the pen, the line is sharp and smooth, the fine force hook stop, start and turn secretly take the momentum, change the pen heart, need to be meticulous. - ** Fine brush light color method **: First use lines to outline or draw. - ** Fine brush dyeing method **: First, draw out the outline, then use light green to paint from the root of the petal to the tip of the petal, and then use darker green dots to dye the root and stamen of the petal to enhance the three-dimensional effect. - [Fine Brush Cover Dyeing Method: Use a simple brush to draw a picture.] - [Fine Brushwork Dyeing Method: Draw a picture with a simple brush.] Some of the painting techniques for freehand peony were as follows: - ** Flower bud painting method **: First, use a brush to adjust the white powder. The brush belly is saturated with water. The tip of the brush is dipped in ebony and mixed evenly. The tip of the brush is slightly rouge. The tip of the brush is downward and the brush belly is upward. The brush is placed from left to right. It can be drawn in two or three strokes. Then, add a strong color to point out the top of the flower bud to show the volume and level. Finally, use ochre or juice green. The tip of the brush is adjusted to draw the calyx and the flower holder. - ** Painting of half-opened and full-opened peony **: Toning the same flower bud. First, he drew the bright part of the flower petal, using his brush to make subtle changes and decisively draw it, leaving white. There were changes in the open petals. The inner petals were tight and the outer petals were loose. The outer petals were closer to the center, and the center was heavier to show the three-dimensional feeling. Finally, the calyx and the flower holder were pointed out. - ** Pink Peony Painting Method **: Mix white powder and light ebony, use the side edge to draw the bright part, use the brush size, the brush marks have changes and rhythms, when drawing the center of the flower, sweep a little rouge with the tip of the pen to draw out the layers, so that the color naturally seeps through, the brush strokes can be seen, and after drying, the flower stamen is added. - ** Purple Peony Painting **: Purple is blended with rouge and cyan. It can be red or green, thick or light according to your preference. First adjust the white powder (the brush is vertical so that it doesn't drip). Dip the tip of the brush in purple and mix it in a white porcelain plate. From thick to light, naturally transition from thick to light on the brush. The tip of the brush is pointed down with the side edge. Use different sizes of brush strokes to point out the front part of the petals. After the color on the brush is used up, continue to paint. Pay attention to the outer outline of the petals to the center part tightly wrapped, layer by layer, the brush has changes. In the specific painting process, different colors of peony also had their own unique painting methods. For example, orange peony, first use a medium-sized sheep-hair brush to dip in the garcinia and eos to blend. After the color is evenly mixed, use the tip of the brush to lightly dip in the red to start painting. Use the side of the brush to draw the middle petal.(Painting a peony usually starts from the middle), continue to add side petals (some loose and some tight), follow the growth of the flower head when painting the back petals, generally draw three or four layers, and then dip in the red fat to draw the small petal in the center.(Pay attention to the rules of color depth change), draw the outer petals from right to left with the momentum of twisting the pen to draw the big petals and point out the small petals on both sides. When dipping the red fat to draw the middle petals, pay attention to the water in the color, the color in the water, and the combination of virtual and real. According to the method, carefully draw the relationship of the petals along the center of the flower. Finally, use the brush to dip in the thick ink to draw the stamen (pay attention to the density, perspective, and the relationship between the petals). There are several scales at the base of the purple peony twigs, which are distributed in the middle and high altitude mountains of western China. When painting, use a brush to mix rouge and indigo (the shade depends on preference). First, adjust the white powder to control the moisture of the brush.(It's better to draw it vertically without dripping water). Dip the tip of the pen in purple and mix it in a white porcelain plate. Draw the main petals with the tip of the pen down. Draw the back petals first (some loose and some tight). Use different sizes of brush strokes to point out the front of the petals. Draw the front petals with a slightly thicker color. Draw three or four layers according to the growth of the flower head. Draw the outer petals from right to left with the pen to draw the big petals and point the small petals around them. Add the small petals around the big petals. The outer petals wrap tightly towards the center. Layer by layer, when the petals are not dry, use a brush to dip in heavy color to supplement the color of the roots. The dark part and white space are appropriate to make the shape of the flower head natural. Finally, use a small pen to dip in garcinia to draw the stamen. The painting technique of bumping into pink peony was to use the brush to slightly tilt the painting while the painting was still wet, so that the color would gather on one side. After the painting, the fog would naturally not dry and the effect would be transparent. There were also techniques such as using a big white cloud to first adjust the titanium white to the base of the pen, using the tip of the pen to adjust the color of the brush to pink, using a two-color brush to draw the petals, pressing the side peak to draw layers of petals, slowly adding the color of the ebony, cutting off the front and back petals, paying attention to the size of the petals and the changes in the front and back of the petals when drawing, and drawing a rich half-opened picture beside it. The flower green and a little garcinia to draw the leaves, the tip of the pen to draw the petiole, pressing the side peak of the brush to sweep out the leaves, and paying attention to the tip when drawing the pen (peony leaves have three and nine tops, pay attention to the relationship of concealment). "Fairy Dream of Tang Shi: Fate of Peony" is equally wonderful. Everyone is welcome to click and read it!
Peony Painting
There was a story about the painting of peonies: Ouyang Xiu once got an ancient painting of a cat under a peony bush. Prime Minister Wu Yu said that this was a peony at noon, because the flowers were open and the color was dry, which was in line with the characteristics of noon flowers. The black eyes of the cat's eyes were like a line, which was also the characteristic of the cat's eyes at noon. Because if it was a flower with dew in the morning, the greenhouse would be tight and moist. The cat's eyes would be round in the morning and at night, and gradually narrow and narrow near noon. At noon, they would be like a line. " Fairy Dream of Tang Shi: Fate of Peony " is equally wonderful. Everyone is welcome to click and read it!
Peony Painting
Peonies were a common theme in traditional Chinese painting. The peony paintings by different masters of traditional Chinese painting had their own characteristics. For example, Wang Xuetao's peony works were bright in color and delicate in brush strokes; Tang Yun's freehand style was bold and unconstrained, with ink dripping; Lu Yifei paid attention to the use of pen and ink, smooth lines, elegant colors, etc. In terms of painting techniques, there was a step-by-step method of freehand Chinese painting peony. It included first adjusting the light color to draw the center petal of the flower, then deepening the color of the pen tip to draw the inner layer, then drawing the outer circle of the flower head, the middle half-open petals, and the lower open petals. After that, he carefully tidied up and supplemented the steps, pointed out the stamen, drew the branches and leaves, and hooked them with liquid crystals. There were also simpler methods such as drawing a circle with red as the base, adding red and white to make the color transition uniform, then drawing the petals, then drawing the second layer of petals, and finally wrapping the flower core. Peony was not only depicted in Chinese paintings because of its beautiful appearance, but also because of the beautiful feelings of poets and painters. At the same time, peony also symbolized wealth, good fortune, and prosperity. " Fairy Dream of Tang Shi: Fate of Peony " is equally wonderful. Everyone is welcome to click and read it!
Freehand Painting Peony
Freehand Peony was an important part of traditional Chinese painting. When drawing freehand peony, there were many ways to draw the flower head. For example, some used the No. 3 sheep hair brush and the center stroke to draw. When drawing the pink flower head, the pen belly was dipped in a little white powder, and the tip of the pen was mixed with light red. First, the reverse petal was carved with the dotting brush method. Then, a slightly thicker red was added in front of the brush. After mixing evenly, the tip of the pen was dipped in thick eos and continued to carve the positive petal. The color of the outermost petal was darker, and it was close to the darkest part of the greenhouse. The tip of the pen was added with a little ink red to carve deeply. The yellow flower head was inverted with white powder in the pen belly, and the tip of the pen was garcinia. On the basis of the inverted petal, the tip of the pen was added with more eos to blend. The drawing of the flower bud was mainly done with a dot-like stroke, and there were various strokes, such as from top to bottom, from bottom to top, from left to right, from right to left, etc. The flower bud could be expressed in front, side, front and side, etc. The strokes were different in different forms. The flower bud on the front used four or five strokes to complete the shape, and the center was added with heavy colors. Some of the flower buds on the side were completed directly in one stroke, some were completed in two or three strokes, and the flower bud on the front and side used five or six strokes to complete the main body. Then, he used one or two strokes of petals to complete the shape. From the shape classification of peony flower heads, there were three types and six types, including single-petal type (mostly lotus type and sunflower type), multiple-petal type (divided into tortoise-type and rose-type), and thousand-petal type (mostly hydrangea type and crown-type). In terms of color, it was divided into nine color systems. Peonies of different color systems had different blending methods. For example, white peonies used three colors of zinc-titanium white, plant green, and rouge; yellow peonies used four colors of zinc-titanium white, garcinia, plant green, and rouge. When drawing peony, the flower holder and leaves should be painted with No.2 and No.3 Wolf Hair or Stone Badger Fighting Pen. The tender branches and leaves should be filled with garcinia and cyanine. The tip of the pen should be dipped in rouge to paint. Then, garcinia and cyanine should be used to adjust the pen belly. The dark leaves should be dipped in thick ink to reflect the gradual effect. When hooking the leaf tendons and tender branches, the tender leaf tendons were painted with rouge and ink, and the old leaves were painted with thick ink, using the traditional nail head and mouse tail method. Old stem and tender shoots were painted with No. 2 and No. 3 Wolf Hair Pen. The belly of the pen was evenly adjusted with vermilion and light ink or ochre. Both sides of the pen were dipped in thick ink to draw the old stem, garcinia and indigo, and the tip of the pen was dipped in rouge to point out the tender shoots. As for the pistil, the pistil used a big white cloud pen, the pen belly was mixed with stone cyan or stone green, and the tip of the pen was dipped in rouge. The stamen used a small white cloud pen, and it was evenly matched with the yellow color of titanium white. In addition, the flower bud in a work should be paid attention to the proportion of the flower head, and when painting freehand peony, one should appreciate the charm of peony, not mechanically copy its type and form. It needs more painting, more practice, more thinking and more summary, so as to truly show the beauty of peony. While waiting for the TV series, he could also read the exciting content related to this site!
Appreciation of the Peony Painting
The portrait of the Chinese painting peony had a unique artistic charm. For example, Mr. Ding Ke's four-foot vertical freehand peony painting,"Wealth in the Jade Hall," was set off by an archaic rice paper. The warm and subtle peony was embellished with elegant begonia flowers. Between the contrast of thick and light, the work exuded elegance and the demeanor of a king. There were also two small birds on the branches, which made the whole painting full of vitality. Teacher Ding Ke's four-foot vertical painting of the peony golden pheasant,"Beautiful Future," showed the gorgeous peony blooming in freehand style. Two golden pheasants stood on top, and the picture was auspicious and beautiful. Teacher Ding Ke's four-foot-long freehand peony work,"Rich and White-Headed Head," in the picture, the peonies were colorful and elegant. Together with the fresh and elegant magnolias, the whole picture became elegant and elegant, showing a romantic and warm atmosphere. These vertical paintings of peonies were very valuable. " Fairy Dream of Tang Shi: Fate of Peony " is equally wonderful. Everyone is welcome to click and read it!
The Painting of Peony and Crane
In traditional China culture, peonies symbolized wealth, fortune, and magnificence. They were known as the " national beauty and heavenly fragrance " and were known as the king of flowers. Red cranes represented longevity, fortune, and nobility, symbolizing fortune, wealth, and purity. The combination of the two symbolized luxury, purity, and beauty. It also symbolized auspicious, wealth, and a happy life. It could also express longevity, wealth, and good luck, such as pine age, crane longevity, wealth, and longevity. " Fairy Dream of Tang Shi: Fate of Peony " is equally wonderful. Everyone is welcome to click and read it!