Ouyang Xiu was a writer, politician, and ideologist in the Northern Song Dynasty. His works covered prose, poetry, biography, and many other styles. Ouyang Xiu's representative works included "On the Clique" and "The Story of the Drunkard Pavilion". Ouyang Xiu's most famous essay, On the Cliques, put forward the idea that gentlemen would never speak ill of each other and avoid harming each other. It had a profound impact on ancient Chinese political philosophy. " The Drunkard's Pavilion " depicted a picturesque fairyland and was hailed as one of the representative works of ancient Chinese landscape prose. In addition, Ouyang Xiu also wrote a large number of poems and biographies, such as "Replying to Zhang Shiyi's Gongcao" and "Su Xin's Two Scholars 'Praise". His poems were fresh and natural, while his biographies focused on the moral character and deeds of historical figures. Ouyang Xiu was one of the most important figures in the history of ancient Chinese literature. His literary achievements had a far-reaching impact on later generations.
Ouyang Xiu was a writer and politician of the Northern Song Dynasty. 1. The Drunkard Pavilion: This is one of Ouyang Xiu's most famous masterpieces. It is a prose with a natural landscape as the theme and is known as the "representative work of landscape and idyllic poetry". 2. The Story of Yueyang Tower: This is a prose with historical events and characters as the theme, describing the beautiful scenery and historical background of Yueyang Tower. It is known as the "classic work in the history of prose". 3 " Three Words ": This is a collection of short stories written by Ouyang Xiu, including " Yu Shi Ming Yan "," Jing Shi Tong Yan ", and " Xing Shi Heng Yan ", which are known as one of the representative works of " Three Words ". 4. On Cliques: This is a paper on the relationship between political views and cliques. It is Ouyang Xiu's deep thinking and reflection on the ancient political system. In addition, Ouyang Xiu also wrote many other excellent literary works, such as "Ji Gu Lu","On the Clique","Su Xun Wen Lu" and so on, which had a profound impact on the development of ancient Chinese literature.
Ouyang Xiu was a writer, politician, and calligrapher of the Northern Song Dynasty. His representative works included "The Story of the Drunkard Pavilion,""The Story of the Fengle Pavilion,""The Story of Yueyang Tower," and "Preface to the Tengwang Pavilion." Among them, The Pavilion of the Drunkard was hailed as a classic in the history of Chinese literature and one of Ouyang Xiu's representative works.
Ouyang Xiu was a writer, politician, calligrapher, and painter in the Northern Song Dynasty. His representative works included "The Drunkard Pavilion,""The Yueyang Tower," and "Preface to the Tengwang Pavilion."
Ouyang Xiu and Su Shi were both ancient Chinese writers. Their works mentioned wine many times. Here are some examples: 1 "Drunkard Pavilion":"Penglai article Jian 'an bone in the middle of the small Xie and Qing Fa. They are one and not two." The Penglai essay referred to the Tang Dynasty poet Li Bai's " Wine General ", while the " Jian 'an Bone " referred to Cao Cao's famous phrase during the Three Kingdoms period," Who is the invincible hero of the late Han Dynasty? Cao Mengde is famous all over the world." 2."Ode to the Red Cliff":"Thinking of Gong Jin, when Xiao Qiao first married, she had a heroic appearance, a feather fan, a scarf, and a smile." Among them,"feather fan and scarf" referred to Zhuge Liang's famous sentence during the Three Kingdoms period,"feather fan and scarf, when talking and laughing, the oars were reduced to ashes", while "Gong Jin" referred to the general of the State of Wu, Jin Yu. 3 "Dongpo Zhilin":"When drinking, don't talk about the amount of heat. When it is enough, it is beautiful." Among them,"the fire is sufficient" refers to what Su Shi said in "Ode to the Red Cliff":"Holding Wu Ge, swallowing Chu Zhi, noble and unsullied!" 4."Ode to Red Cliff":"Thinking of Gong Jin, when Xiao Qiao first married, she had a heroic appearance, a feather fan, a scarf, and a smile." Among them,"Xiao Qiao Chu married" referred to Xiao Qiao, the wife of Zhou Yu, a famous general of the State of Wu during the Three Kingdoms period. These are just some examples. In fact, Ouyang Xiu and Su Shi mentioned drinking and other wine-related content many times in their works.
Ouyang Xiu (1007 - 1072) was a writer, politician, and ideologist of the Northern Song Dynasty. He was known as one of the Eight Great Masters of the Tang and Song Dynasties. His literary works were mainly prose, and his style was fresh, bright, and full of emotion. He was known as the "Ou Liu" comparison. Ouyang Xiu's representative works included "The Drunkard Pavilion,""The Yueyang Tower,""Preface to the Tengwang Pavilion," and so on. Among them, The Pavilion of the Drunkard was known as the pinnacle of ancient Chinese prose and was known as the "best article in the world." In addition to his literary achievements, Ouyang Xiu was also a politician and ideologist. He advocated the reform of the political system, advocated the rule of law, opposed redundant officials and fees, and promoted social progress in the Northern Song Dynasty. In addition, Ouyang Xiu was also passionate about physical training and advocated for all-round development. His physical condition and athletic ability also played an important role in the history of ancient Chinese literature. Ouyang Xiu was a great writer, politician, and ideologist. His literary achievements and contributions had a far-reaching impact on the history of ancient Chinese literature and modern society.
Ouyang Xiu's memorial to his mother was "Takioka Qian Biao." The article used the tone of his mother's recollection of the past to describe the daily life scenes, praising his father's honest, benevolent, generous and benevolent character as an official, as well as his mother's virtue of being wise, understanding, respectful, thrifty and modest. It poured Ouyang Xiu's deep thoughts and gratitude. In addition, there was also the Song Dynasty Qingjiang County Magistrate Li Guan's memorial to Ouyang Xiu's mother. Although the full text was only 20 words," In the past, Meng Ke was a saint, which was the teaching of his mother. Now I have a son like Ke. Even if I die, I won't regret it. Shang Xiang!"
Ouyang Xiu's "Egret" was to the effect that the waves hit the stones on the shore and made a loud sound like a war drum, and the rolling waves were like silver mountains rising from the ground. Behind the egrets, there were stormy waves, cold wind, and cold rain, but they stood elegantly and lightly, their minds more relaxed. The poem described the dangerous environment such as the sound of the beach, the waves, and the wind and rain, and then showed the image of the egret standing tall and quiet like Mount Tai, reflecting the spirit of the egret's fortitude, calmness, and courage to fight. The novel "Listening to the Rain in Green Bamboo and Watching the Egrets" is equally wonderful. Everyone is welcome to click and read it!
Su Shi wrote "Xijiang Moon·Pingshan Hall" to mourn Ouyang Xiu. In the poem, Su Shi expressed his deep nostalgia for his teacher Ouyang Xiu. He had passed by Pingshan Hall many times and sighed at the passing of time. Half of his life had passed. It had been nine years since he last met Ouyang Xiu, and Ouyang Xiu had passed away eight years ago. When he saw Ouyang Xiu's calligraphy on the wall of Ping Shan Hall, he was reminded of the person. Su Shi also expressed his understanding of life through his poems, thinking that "Don't talk about everything, turn your head and it will be empty, and when you don't turn your head, it will be a dream". This emotion originated from the political situation he faced at that time, and also reflected his nostalgia for his teacher and his deep understanding of life as a dream.
"Gifted to Scholars" was a poem written by Ouyang Xiu. The poem expressed the view that people were endowed with the Qi of heaven and earth and were the spirit of all things. Although they had the nature of the five permanent virtues, if they did not learn, they would not be able to understand. He emphasized the importance of learning and accumulation by using the metaphor of kneading the wheel, straightening the wood, sharpening the metal, and making the jade into a tool. He believed that benevolence and righteousness needed to be practiced personally, and diligence could reach the realm of sincerity. Learning was accumulated in the heart, just like how a tree flourished. Only when its foundation was firm could its branches flourish. This encouraged everyone to pay attention to learning and not underestimate his words.