What was Ouyang Xiu's literary theory?

Ouyang Xiu was a writer, politician, and ideologist in the Northern Song Dynasty. His works covered prose, poetry, biography, and many other styles. Ouyang Xiu's representative works included "On the Clique" and "The Story of the Drunkard Pavilion". Ouyang Xiu's most famous essay, On the Cliques, put forward the idea that gentlemen would never speak ill of each other and avoid harming each other. It had a profound impact on ancient Chinese political philosophy. " The Drunkard's Pavilion " depicted a picturesque fairyland and was hailed as one of the representative works of ancient Chinese landscape prose. In addition, Ouyang Xiu also wrote a large number of poems and biographies, such as "Replying to Zhang Shiyi's Gongcao" and "Su Xin's Two Scholars 'Praise". His poems were fresh and natural, while his biographies focused on the moral character and deeds of historical figures. Ouyang Xiu was one of the most important figures in the history of ancient Chinese literature. His literary achievements had a far-reaching impact on later generations.

The waves hit the rocky beach, and the sound was as loud as a war drum. The overwhelming waves were like a silver mountain rising from the ground. The wind was still blowing and the rain was still falling, but the egret was still standing alone leisurely. The novel "Listening to the Rain in Green Bamboo and Watching the Egrets" is equally wonderful. Everyone is welcome to click and read it!

Ouyang Xiu had many famous poems. The following were some of them: - "There are love fools in life. This hatred has nothing to do with the wind and the moon." - "The moon rises above the willow branches, and the people make an appointment after dusk." - " I asked the flower with tears in my eyes, but it didn't say anything. The red flowers flew over the swing." - " As I walk further and further away, there are no books. Where can I ask if the fish sink in the wide water?" - "Drink to the east wind. Let's take it easy." - "Last year, during Yuan Night, the flower market was brightly lit." - "Hua Siyi. Liu Siyi. Flowers and willows, youth, people parting." - "After parting, I don't know how far away you are. How dreary it is to see you." - "The courtyard is deep and deep, the willows are piled up with smoke, and the curtains are uncountable." - "It's a pity that next year's flowers will be better. Do you know who will be the same?" - "At the end of Pingwu is the Spring Mountain, and the pedestrians are outside the Spring Mountain." - "A bottle of wine on the remote lake can recall people thousands of miles away." - "The moon and the wind are heartless, and the man secretly changes. The old journey is like a dream, and the heart is broken." - "I must see all the flowers in Luoyang City. It's easy to say goodbye in the spring breeze." - "No matter how old spring is, tourists come and go in front of the pavilion and step on the falling flowers." - "The drunkard's intention is not in the wine, but in the mountains and rivers." - " The stars and moon are bright, the river is in the sky, and there is no sound in the four directions. The sound is in the trees." - " White-haired Lord Grim with a flower on his head. The 61st hastened the beatings." - " Thousands of mountains are green outside the snow gate, and flowers bloom by the river. It's sunny in February." - "After the lotus blooms, the West Lake will be good. When the wine comes." - " The spring breeze cannot be suspected of the ends of the world, and the mountain city of February has not seen flowers." - "I was once a guest under the flowers of Luoyang. Although the wild fragrance is late, there is no need to sigh." - "I don't see the person from last year. Tears wet my sleeves." - "The sorrow of separation is getting farther and farther away, and it's endless, like spring water." - "Only then did I know that the lock was locked to the golden cage, and I could not compare with the free cry in the forest." - "You must be young to enjoy yourself. Please look at the old man." - " The rain is heavy and the wind is wild in March. The door is closed at dusk. There is no way to stay in spring." - "This year's flowers are better than last year's." - " There are still oranges under the snow, and bamboo shoots are about to sprout under the freezing thunder." - " Late at night, the wind and bamboo strike the autumn rhyme, and all the leaves and sounds are filled with hatred." - "In the early morning, the curtain is covered with light frost, and my hand is used to try the plum makeup." - "The gathering and parting are in a hurry, this hatred is endless." - "I'll be drunk as usual, don't teach the strings to make a sound." - " During Source Night this year, the moon and the lamp are still the same." - "Lovesickness is hard to express, dreams and souls have no basis, only returning is." - " The night is cold, the flute is played, and the mountains are full of moons. The dark road is enchanting, and hundreds of flowers are blooming." - "The flat mountain railing is leaning against the clear sky, and the mountains are in the middle." - "Beautiful women are better than people. Don't complain about the east wind." - " A hundred voices can move freely, and the mountain flowers are red and the purple trees are high and low." The novel " Mixed Flowers " is equally exciting. Everyone is welcome to click and read it!

Ouyang Xiu had written a poem about egrets, such as "Egrets","The sound of the stone beach is like a war drum, and the waves are like silver mountains." The waves on the beach beat against the wind and rain, and the more leisurely I feel alone in the pavilion." This was a poem about things. The egret was a type of water bird with white feathers. It was also called an egret. In the poem, the egret was still independent and relaxed in the harsh environment of the beach, wind and rain. On the one hand, this reflected the elegance and aloofness of the egret itself, and on the other hand, it also expressed the poet's own state of mind. After Ouyang Xiu experienced political difficulties such as the failure of the Qing New Deal, he used the egret as a metaphor to show that no matter what complicated and difficult environment he was in, he could maintain an independent, calm, and leisurely style like the egret. In addition, he also wrote," Style is aloof and aloof, temperament is leisure and body is by the water. All day long I walk alone in the shallow stream, and the moss and white stones show fine scales." The artistic conception was similar to the previous one. The novel "Listening to the Rain in Green Bamboo and Watching the Egrets" is equally wonderful. Everyone is welcome to click and read it!

Ouyang Xiu (1007 - 1072) was a writer, politician, and ideologist of the Northern Song Dynasty. He was known as one of the Eight Great Masters of the Tang and Song Dynasties. His literary works were mainly prose, and his style was fresh, bright, and full of emotion. He was known as the "Ou Liu" comparison. Ouyang Xiu's representative works included "The Drunkard Pavilion,""The Yueyang Tower,""Preface to the Tengwang Pavilion," and so on. Among them, The Pavilion of the Drunkard was known as the pinnacle of ancient Chinese prose and was known as the "best article in the world." In addition to his literary achievements, Ouyang Xiu was also a politician and ideologist. He advocated the reform of the political system, advocated the rule of law, opposed redundant officials and fees, and promoted social progress in the Northern Song Dynasty. In addition, Ouyang Xiu was also passionate about physical training and advocated for all-round development. His physical condition and athletic ability also played an important role in the history of ancient Chinese literature. Ouyang Xiu was a great writer, politician, and ideologist. His literary achievements and contributions had a far-reaching impact on the history of ancient Chinese literature and modern society.

Ouyang Xiu was a writer and politician of the Northern Song Dynasty. 1. The Drunkard Pavilion: This is one of Ouyang Xiu's most famous masterpieces. It is a prose with a natural landscape as the theme and is known as the "representative work of landscape and idyllic poetry". 2. The Story of Yueyang Tower: This is a prose with historical events and characters as the theme, describing the beautiful scenery and historical background of Yueyang Tower. It is known as the "classic work in the history of prose". 3 " Three Words ": This is a collection of short stories written by Ouyang Xiu, including " Yu Shi Ming Yan "," Jing Shi Tong Yan ", and " Xing Shi Heng Yan ", which are known as one of the representative works of " Three Words ". 4. On Cliques: This is a paper on the relationship between political views and cliques. It is Ouyang Xiu's deep thinking and reflection on the ancient political system. In addition, Ouyang Xiu also wrote many other excellent literary works, such as "Ji Gu Lu","On the Clique","Su Xun Wen Lu" and so on, which had a profound impact on the development of ancient Chinese literature.

Ouyang Xiu was a writer, politician, and calligrapher of the Northern Song Dynasty. His representative works included "The Story of the Drunkard Pavilion,""The Story of the Fengle Pavilion,""The Story of Yueyang Tower," and "Preface to the Tengwang Pavilion." Among them, The Pavilion of the Drunkard was hailed as a classic in the history of Chinese literature and one of Ouyang Xiu's representative works.

Ouyang Xiu's memorial to his mother was "Takioka Qian Biao." The article used the tone of his mother's recollection of the past to describe the daily life scenes, praising his father's honest, benevolent, generous and benevolent character as an official, as well as his mother's virtue of being wise, understanding, respectful, thrifty and modest. It poured Ouyang Xiu's deep thoughts and gratitude. In addition, there was also the Song Dynasty Qingjiang County Magistrate Li Guan's memorial to Ouyang Xiu's mother. Although the full text was only 20 words," In the past, Meng Ke was a saint, which was the teaching of his mother. Now I have a son like Ke. Even if I die, I won't regret it. Shang Xiang!"

Ouyang Xiu's "Egret" was to the effect that the waves hit the stones on the shore and made a loud sound like a war drum, and the rolling waves were like silver mountains rising from the ground. Behind the egrets, there were stormy waves, cold wind, and cold rain, but they stood elegantly and lightly, their minds more relaxed. The poem described the dangerous environment such as the sound of the beach, the waves, and the wind and rain, and then showed the image of the egret standing tall and quiet like Mount Tai, reflecting the spirit of the egret's fortitude, calmness, and courage to fight. The novel "Listening to the Rain in Green Bamboo and Watching the Egrets" is equally wonderful. Everyone is welcome to click and read it!

Su Shi wrote "Xijiang Moon·Pingshan Hall" to mourn Ouyang Xiu. In the poem, Su Shi expressed his deep nostalgia for his teacher Ouyang Xiu. He had passed by Pingshan Hall many times and sighed at the passing of time. Half of his life had passed. It had been nine years since he last met Ouyang Xiu, and Ouyang Xiu had passed away eight years ago. When he saw Ouyang Xiu's calligraphy on the wall of Ping Shan Hall, he was reminded of the person. Su Shi also expressed his understanding of life through his poems, thinking that "Don't talk about everything, turn your head and it will be empty, and when you don't turn your head, it will be a dream". This emotion originated from the political situation he faced at that time, and also reflected his nostalgia for his teacher and his deep understanding of life as a dream.