There was a certain connection and inheritance between the "Tang Poetry Collection","Tang Poetry Sword Art","Lian Cheng Sword Art","Lian Cheng Sword Manual", and "Lian Cheng Jue" in the Lian Cheng Jue. " Tang Poetry Collection " was a collection of poems created by the main character of the Liancheng Sutra, Coldblood. It contained a large number of Tang poetry works. Coldblood was also one of the founders of the famous swordsmen 'Tang Shi Swordsmanship' in the Liancheng Tactics, so the Tang Shi Collection had a certain inheritance relationship with the Liancheng Swordsmanship. Tang Shi Sword Art was a set of sword art created by Coldblood, named after Tang Shi, which was meant to pass on Chinese culture. The Liancheng Sword Style was also passed down from the Collection of Tang Poetry under the name of sword style. << Lian Cheng Sword Technique >> was a set of sword techniques that Coldblood created after experiencing many life and death situations. Its purpose was to protect himself and the people he cherished. The Liancheng Sword Manual recorded all the sword moves of the Liancheng Sword Technique. It was a book that the inheritor of the Liancheng Sword Technique had to master. 'Liancheng Tactics' was the full name of the novel 'Liancheng Tactics' and included all the story plots and character settings. The Liancheng Sword Manual was the most famous martial arts manual in the Liancheng Tactics, and it was also the dream and pursuit of all swordsmen.
Tang poetry and Song poetry were an important part of the history of Chinese literature, representing the peak of Chinese classical literature. The Encyclopedia of Tang Poetry and Song Ci referred to a collection of literature that contained all the Tang and Song poems. It was generally considered a huge literary work. Tang poetry referred to the poems of the Tang Dynasty, which were famous for their beautiful rhythms, profound artistic conception, and rich thoughts. The styles of Tang poetry varied from the bold and unconstrained "Ascending the Mountain," the graceful and restrained "Meditation in the Quiet Night," the lyrical "Searching for Flowers by the River," etc. There were also "Lushan Ballad" and "Recalling the Ancient Times at Nizhu", which described natural scenery. Song Ci referred to the Ci of the Song Dynasty, which was famous for its exquisite expression, rich emotions, and superb skills. Song Ci was famous for its beautiful sentence structure, euphemistic rhythm, and profound thoughts. There were many famous poets such as Su Shi, Xin Qiji, Li Qingzhao, etc. Their works such as "Shuidiao Ge Tou" and "Sapphire Case·Yuanxi" were widely praised. The complete collection of Tang poetry and Song Ci is a classic work in the history of Chinese literature. It contains a large number of excellent poems and works of poets. It is of great significance for us to understand Chinese culture and appreciate Chinese classical literature.
There were many titles of Tang poems, such as Song of Everlasting Regret, Ascending a Mountain, Song of the Cottage Broken by the Autumn Wind, Spring Night Happy Rain, and Looking at the Mountain.
The following are some poems about peonies from the Tang Dynasty: - Liu Yuxi's "Appreciation of Peonies":"The peony demon in front of the court has no style, and the lotus on the pond is pure." Only peonies are truly beautiful. When the flowers bloom, they move the capital." Through contrasting techniques, it highlighted the uniqueness of peonies. It not only called peonies the "true national color", but also depicted the lively viewing scene of the capital when the peonies bloomed. - Xu Ning's "Peony":"Who doesn't love peonies? They occupy the good things in the city." I suspect it's the work of the goddess of Luochuan." Using a metaphor, the peony was compared to the Goddess of Luo, displaying the myriad of peony styles. - Pi Rixiu's Peony (The specific content is not mentioned, but it is a work describing the peony of the Tang Dynasty). - Lu Lun's "Pei Gaishi House White Peony":"Chang 'an Haogui cherish spring, competing to play street west purple peony. There's another jade plate to bear the dew, and I'll look at it in the middle of the month when I get up." - Bai Juyi's Peony Poem: - "Cherish the Peony Flower. The Flower of the North Hall of the Imperial Academy":"The red peony in front of the melancholy steps, only two branches are left in the evening." - "White Peony":"White flowers are cold and unloving, but also occupy the fragrant name of peony." - "Song of Peony Seeds":"The lotus branches have not yet grown, and the Qin Heng is old. The horse carries the metal spring grass. Water poured into the fragrant mud, but the moon plate, one night in the green room to meet the white dawn. Beauty drunk talk garden smoke, late flowers have scattered butterflies and blocked. The king of Liang was old and his silk clothes were still there. The wind blew the strings of Shu. Return to Xiapei drag Shu account faint, red powder fall from ChengEn. Where does the sandalwood man and the woman sleep? The moon is bright on the tower, and the swallows are whispering at night." - "Peony":"Peerless only Xi Zi, all fragrant only peony." In the middle of the moon there is a laurel tree, and the sky is full of orchids. At night, the golden waves are full, and the jade dew is scattered in the morning. Nature should be light and light, is the root Lang? A thousand dazzling clouds, a beautiful dress in the wind. A little suitable for the night rain, but feel resistant to the cold spring. In the year of Kaiyuan, he was told to plant a royal fence. The imperial concubine is so beautiful that she wants to compare with others. She is jealous and ashamed to look at her daughter. Like the weaving of mandarin duck, the light gathers the musk-moon ball. He temporarily moved to the residence of the son and returned to the apricot flower altar. The rich man poured out all his money to buy, and the poor scholar took a ride to watch. The leaves hide the phoenix on the edge of the parasol tree, and the branches move the phoenix in the mirror. It seems to laugh at the arrival of guests, as if sorrow is about to fade away. The poet forgot peony, and the monk was ashamed of Mei Tan. The cruel and fierce should be named Shou, and the appearance should be surnamed Pan. The white light turns over the egret's feathers, and the red light shines on the cockscomb. The swallows were frightened and returned to talk, and the bees were greedy and sleepy. If I can make you smile with a red face, I can also untie your green eyebrows. When he was young, he was like a calyx, proud and arrogant. Rest your shoulders and move nine rails, and you can reach thousands of officials without legs. The sun shines on the fragrant room, and the wind blows the pistil powder dry. He likes to reward green jade table, called storage green water plate. For example, if you want to build a city, you can get ten Hu worth of pearls. Thinking again, when the armor was broken, how could it be different from the mud coil? The songs of the past should be remembered, and the agricultural classics should only be slightly published. Lu Ban carved not, life extension pen will be exhausted. Drunken guests climb together to break, beautiful women cherish the fault. Only then did I know that I had come to the garden, and my victory was in the forest. Mud is often sprinkled, and the courtyard is spacious. If you take the peach and plum together, it will be even more difficult to imitate them." - "Peony Fragrance":"Peony fragrance, peony fragrance, golden stamen blooming red jade room." Thousands of pieces of red Yingxia rotten rotten, hundreds of branches of crimson light bright. Shine on the ground, just open the brocade section, when the wind does not knot orchid musk bag. The fairy tree is white and colorless, and the peach blossoms of the Queen Mother are small and not fragrant. The night dew was light and purple, and the morning sun shone red. Red and purple between the depth of ten colors, back and forth with all kinds of low and high. Yingye affectionate hidden shame face, minister cluster powerless drunk makeup. She smiled softly and covered her mouth with suspicion. She thought about it and hated people as if her heart was broken. Yu Nong's appearance is noble and colorful, and his flowers are wonderful. There is no comparison between all kinds of flowers. Bamboo and money are so fine, hibiscus peony bitter common. So he sent the princes and ministers to play with the corolla cover and look at each other in the sun. The hearse is soft and the carriage is expensive. The fragrant clothes are fine and the horse is strong. The east courtyard of Wei Gong's house is quietly closed, and the north corridor of Ximing Temple is deep. Playing with butterflies and watching people for a long time, the broken orioles sing in spring. We all know that the sunshine is difficult to stop, so we still open the curtain to hang the shade. The flowers bloomed and withered for twenty days, and the people in the city were as mad as crazy. In the Xia, Shang and Zhou dynasties, literary grace was better than simplicity, and people's hearts valued beauty rather than reality. The flowers are heavy and the peonies are fragrant, but the future is gradually different from today." - Li Shangyin's "Peony":"The brocade curtain is first rolled up by Lady Wei, and the embroidered quilt is still piled up by the Lord of E." Hands down, they turn over the carved jade pendant randomly, bend their waists and compete to dance the tulip skirt. The candles of the Shi family have never been cut. Xun ordered the censer to be smoked. In my dreams I pass on colored brushes, and I want to write flowers and leaves to send to the clouds." - Wang Wei's "Red Peony":"The green is gorgeous and quiet, and the red clothes are shallow and deep." The heart of a flower is sad and wants to break, how can the beauty of spring be intimate?" - Liu Yuxi's "Appreciating Peony in Annan Villa":"I met by chance in the world and met in Zengcheng's old woman's house." "Fairy Dream of Tang Shi: Fate of Peony" is equally wonderful. Everyone is welcome to click and read it!
Tang poetry and Song poetry were an important branch of Chinese literature history, representing the peak of ancient Chinese literature. Tang poetry and Song Ci had extremely high artistic achievements. Their poetry language was concise, the rhythm was beautiful, and the artistic conception was far-reaching. They often showed strong emotions and philosophical thinking. In the history of China, Tang poetry and Song poetry were regarded as the treasures of literature and art, which had a profound influence on the literature of later generations. The representative works of Tang poetry and Song poetry include Li Bai's "Wine", Du Fu's "Ascending", Su Shi's "Water Melody", Xin Qiji's "Sapphire Case·Yuan Xi" and so on. These works not only have high artistic value in literature, but also have profound historical and social significance, becoming an important part of Chinese culture. The development and inheritance of Tang poetry and Song poetry was not only an important event in the history of Chinese literature, but also an important stage in the history of Chinese culture. Through studying Tang poetry and Song Ci, we can better understand ancient Chinese literature and culture, and feel its profound historical and cultural heritage.
The Liancheng Sword Style and the Tang Poetry Sword Style in the Liancheng Sutra were both very famous sword styles in Chinese martial arts novels. Although the names of these two sword techniques were different, they were both created by a female swordsman named Li Mochou. According to the novel, the Liancheng Sword Style was a sword style created by Li Mochou after many years of cultivation in the pugilistic world, combining his own experience and the theory of ancient sword styles. The characteristic of the City-Connecting Sword Style was that it emphasized the sword intent and the conciseness of the sword moves. It was fast, accurate, and ruthless. It was suitable for dealing with enemies. Tang Shi's swordsmanship was created by a famous swordsman in the Tang Dynasty. His swordsmanship was named after Tang Shi, emphasizing the perfect fusion of swordsmanship and poetry. It was elegant, tactful, and profound. The sword style of Tang poetry was featured by its emphasis on the cultural content of the sword style, its artistic conception and beauty, and was suitable for reciting poems and performing sword skills in Jianghu. Although the Liancheng Sword Style and Tang Shi Sword Style had different names, they were both very famous sword styles in Chinese martial arts novels. They were both created by famous swordsmen and emphasized the sword intent and the artistic conception of the sword style.
The Collection of Tang Poetry was a well-known classic of Chinese literature. The editor was the famous poet, scholar, and cultural critic Yan Geling. Yan Geling was a famous Chinese screenwriter and director. She had won many literary awards and was known as the " Mother of Modern Literature." In the process of compiling the collection of Tang poetry, Yan Geling not only conducted in-depth research and interpretation of Chinese Tang poetry, but also combined modern cultural values and aesthetic taste to carry out a new interpretation and presentation of Tang poetry. This book is based on rich literary resources and rigorous academic research. It is regarded as a classic work of Chinese classical literature and has made important contributions to the development and inheritance of Chinese classical literature.
I'm not a fan of online literature. I'm a fan of online literature. I didn't learn anything about the 300 Tang poems for children. But if you have any questions about poetry or other literature, I will try my best to answer them.
There were many poems in Sword Comes. For example," The oriole is about to bring flowers, but the peach blossoms planted in the Jun family have not bloomed." It originated from the Tang Dynasty's Cen Shen's "Spring Play Inscription to Li Hou":"The swordsmanship has become a monarch, and there is a dragon to kill the dragon." From the quatrains of Lu Dongbin of the Tang Dynasty: " With a sword in hand, I travel thousands of miles in the sky. At the first watch, leave me at the second watch." It was also from Lu Dongbin's Quatrains,"A little bit of Great Spirit, a thousand miles away is as fast as the wind." From Su Shi of the Song Dynasty,"Shuidiao Ge Tou Huangzhou Kuaizai Pavilion Presented to Zhang Yiquan":"Don't doubt the Taoist sitting in meditation, heroes put away their swords and become immortals." From the Southern Song Dynasty Wen Tianxiang's "Send Xing" second: "There are endless things in the world outside the house, and there are limited cups in front of me." From Du Fu's Nine Songs of Juexing and Manxing: " The surface of the water is smooth without wind, and the boat moves unconsciously." It comes from Ouyang Xiu's "Picking Mulberry. A Light Boat Short Paddling West Lake":"When a teenager's heart is in the clouds, who will read the cold and empty air?" From Li He's " To Wine ":" Wearing a lotus flower on my head to the Big Dipper, I speak of longevity for the Star Lord." It came from a poem in the ancient book,"The Legacy of Immortal Zhang","The Order of Rites to Fight in Fuquan Mountain of Pingyue". It was from Xin Qiji's Song Dynasty's "Partridges in the Sky. Send the Pavilion's Autumn Test":"The parasol tree is really unwilling to decline, and the leaves are still sound in the wind." It comes from Zhang Lei's Night Sitting in Song Dynasty. In addition, the book also said," If you can't make a decision, you can ask the spring breeze. The spring breeze doesn't say anything, and it follows your heart." He had created his own philosophical statement.