The song of the Ode to the Immortal Sword, Ode to the Immortal Sword.
The Ode to the Sword and Fairy was a poem written by the Tang Dynasty poet Li Bai. It was called a "famous poem through the ages" by later generations and was included in the "Complete Tang Poetry". The poem described a story about love, friendship, and faith with the famous legend of the Tang Dynasty, the Legend of the Sword and Fairy, as the background. The following is the original text of the "Ode to the Sword and Fairy": Mount Shu was steep and imposing. There is a strange man among the immortal spirits. Riding on the clouds and riding the wind to ascend to the human world. Traveling the world, adventuring and searching for treasures. turn misfortune into good fortune in adversity. Love and hate are clear, loyalty and faith. He used his sword as a shield to help the people in danger. The grudges of Jianghu were hard to resolve. Immortals, immortals, strange feelings, wonderful interests. In the Ode to the Immortal Sword, heaven and earth live together.
Dong Zhen's Ode to the Immortal Sword
"Ode to the Immortal Sword" cleverly connected the male and female protagonists of the first to fourth generations of the Immortal Sword. The lyrics were written by Meng Yixian, composed by Xiao Kui and sung by Dong Zhen. The lyrics contained many related contents of the characters of the immortal sword, such as "The white lotus died, the peach fell in the stream, the immortal spirit cave (Zhao Ling 'er); the sky and the moon, the vast silence (Lin Yueru); the flute music lingered around the slave face (Anu); the charming shadow flashed in the water (Su Mei)" and so on. Dong Zhen's emotional singing made this song unforgettable for countless people. She also became famous in the ancient style circle with her many works. Her works spanned the fields of ancient games, animation, TV series, etc. She was also seen in many IPs such as the Legend of the Sword and Fairy.
Ode to the Sword Pavilion
"Ode to Sword Pavilion" was a farewell poem written by Li Bai in Tang Dynasty when he sent his friend Wang Yan to Shu. In terms of content, on one hand, it described the high and dangerous Sword Pavilion, such as " To the south of Xianyang, looking straight at five thousand miles, you can see the steep peaks of Yunfeng. In front of him, there was a sword pavilion that cut across the sky, leaning against the blue sky and opening in the middle. On the top of the pine tree, the wind was blowing, and there were apes mourning each other. Beside it, there were rapids, rocks, and thunder, depicting the majestic and steep scene of the Sword Pavilion. On the other hand, it expressed the deep feelings of being reluctant to part with a friend and looking forward to his early return, such as "sending a beautiful woman away, when will she come back?" I hope my husband is at peace, I sigh." This Fu used exaggeration to describe the Sword Pavilion piercing through the clouds, blocking the field of vision and leaning against the blue sky. From the side, it used the fierce wind in the pine trees, the mournful sound of apes, and the sound of the turbulent currents to exaggerate the atmosphere, setting off the extraordinary and magnificent Sword Pavilion.
Character Introduction of Ode to Sword
The characters included the supporting role, Yellow Snake, which was transformed from King Mu of Zhou's spiritual drum and was one of the emperor's tokens. Hiss hiss hiss! (Excited voice), male lead-Cheng Zhiyuan, the swordsman under the True Lord Nanhua, a disciple of the Heavenly Gates, born immortal, seven orifices exquisite heart, male partner-Ge Nie, birth and death unknown, see historical records assassin biography. In this book, it was set to be the number one star master of the Northern Heaven, Doumu, in the twenty-eight constellations of the State of Zhao in the Eastern Zhou Dynasty. Female matchmaker-Long Su, is a Confucian disciple, with benevolence, righteousness, propriety, wisdom and faith gentleman five jade, six arts are both, suspected to have King Wu's axe. "Ode to Sword" Author: Freshwater Bass. This is a Xianxia/ancient Xianxia novel. It has elements such as transmigration, calmness, the flow of the heavens, the flow of luck, alchemy, and refining. It has been completed and can be enjoyed without worry. [User recommendation: Ode to the Sword is an ancient culture novel. It is interwoven with many allusions, making people feel the charm of ancient culture.] The author used the ancient Chinese mythology before the Qin and Han Dynasties as the background, and brought the readers a wonderful journey of Xianxia. The plot in the book was unforgettable, and the author's skill was evident. This book not only inspired people, but also made people think about life, emotions, psychology, society, and history. Overall, this was a very interesting ancient fantasy novel, worth reading. I hope you will like this book.
Changes of Canglang Sword Ode
Some people thought that the Frost Heaven Dawn Horn was a variation of the Blue Wave Sword Ode, but there was no more information to prove the exact relationship between the two. Sorry, I can't provide more information about the variation of the Blue Wave Sword Ode.
The Painter's Sword Ode
Yi Jianfu was born in Guilin in February 1963. He was a painter and writer. He was currently a first-class artist, a member of the Artists Association, a member of the China Landscape Painting Association, a member of the Cross-Strait Art Exchange Society, a special artist of the Chinese Ink Painting Society, and the president of the Yueshige Painting Academy. In his early years, he mainly painted animals, mostly eagles, and had the reputation of the "Southern Eagle King." In recent years, he mainly painted mountains and rivers, and his works had a unique style. The composition was magnificent, and his brush and ink were flamboyant. His flesh and bones were plump and magnificent. Under the influence of Li Keran, he created his own light and shadow ink landscape painting. It was bold and colorful, with rich changes in the brush and ink. The painting was elegant and ethereal, and the artistic conception was profound. As soon as it was released, it was praised by industry experts, and its works were widely welcomed by fans all over the country and in Europe and the United States. Over the years, his works have been selected for many domestic and overseas exhibition and won awards. His person and works have been selected for the "Outstanding Chinese in China and the United States" series of stamps issued by the American Philately Group. His works have been selected for the series of stamps and postcards issued by China Post. He had also been listed in the "Da Jin Robe" series of painters, which was as famous as "Da Hong Pao", and actively participated in art exchange activities across the Taiwan Strait. His works had been exhibited in the "Painting and Ink Expression-Gathering on Both Sides-The First Exchange Exhibition of Famous Calligraphy and Painting Artists across the Taiwan Strait" in June 2015.
Author: Sword Ode to the Nine Heavens
His works included Return of the Supreme God of War, Dragon Doctor of Destiny, Invincible Dragon Doctor, Abandoned Son-in-law Turns Over, Mother-in-law Begs Me Not to Divorce, Reborn I Am the Class Teacher, Invincible Battle King, and so on. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
A novel as good as "Ode to the Immortal Abyss"
Translated version of the Ode to the Immortal Mountain
The translation of "Ode to Immortal Mountain" is as follows: How twisted and tactful were the thoughts galloping? The picture scroll depicted was not a scene of the human world. Should he be in a trance, or should he have climbed the reflection of the sky (inverted view: Taoism refers to the highest point in the sky, where the light of the sun and the moon shines from the bottom up, and from there, the shadow of the sun and the moon is inverted, so the highest point in the sky is called "inverted view")? There was nothing more beautiful than the nine-fold screen, and there was no end to it. There was nothing more wonderful than the thirty-six songs of water, and the twists and turns were smoother. It showed that the white clouds were hanging on the road, and they could not enter the gate of the immortal realm. He saw trees that did not wither in the mountains, green grass that flourished on the ground, peaches and plums that bloomed in the spring of ten thousand years, and feathered creatures that flew immortal birds. The mountain rocks were deep and the leaves were falling. The cave was noisy and the spring water was ringing. It was either the residual liquid of the Golden Ointment (Golden Ointment: the legendary immortal medicine in Taoism) or the delicate flowers of the Begonia Tree (Begonia Tree: the legendary immortal tree). Using two vermillion lintel as the door, he suddenly saw a faint green forest. Seeing the golden plaque hanging high in the sky, he began to set off with the help of the green glow. set off, set off) The stone steps suddenly rose and fell, and the path sometimes appeared and sometimes sank. He was either riding on a phoenix or a crane, or strolling in the void (Buxu: refers to the Taoist's "Buxu Ci" or "Buxu Sheng", also refers to walking in the air), lightly stepping on the clear air. The white jade was made into a boardwalk. It was very easy to travel. As a sock, Qingyun was very light to go in and out. The beautiful trees became sparse and dense, and the stone walls rose and connected together. The branches intertwined, and the gliders flew past, the snow melted into grease, and the green flames flickered. Using the cold pool as a mirror, one's heart is empty, and one's mood is happy as the water gently blows. The spirit apes were enjoying the cool under the cold branches, and the rare birds were perched on the leaves of the shells. The white deer pulled the carriage, and the jade rabbit opened the gate of the immortal city. Some stepped on the nest of the Emerald Birds, while others drove on the road made of rainbows. The clouds are long, the road is long, the river bank is winding, and the footprints are cut off. Some bridges were suspended in the air, while others were built with flat bridges. In a trance, he was in a water curtain, feasting and resting in a jade room (a room decorated with jade, mostly referring to the residence of immortals). The osmanthus trees were dense, and the orchids were fragrant. The golden dam was curved and surrounded, and the bamboo forest was cool. The corridors and pavilions were shrouded in smoke, the tents were like clouds, and the trees were green. Green tiles emerged from the top of the mountain and pulled the vermillion railing by the water. Spring water flowed out from under the eaves, and red flowers shone under the quiet window. Thus, immortals like An Qisheng and Xianmenzi Gao rode on purple phoenixes and white cranes to pick Yao herbs and Cuihua (Cuihua: Cuiyu Canopy, also a legendary immortal herb). He brushed aside the smoke and leisurely strolled on the golden sand under the bright moon. Now that he was wandering by the water, he gave up the near and sought the far. Looking at the silver-like layers of palaces, they were winding above the mountains. The towering mountains overlapped like green lotuses, and the trees were green and purple smoke lingered. Three divine mountains rose up in the air, and twelve tall buildings hung with beaded curtains. The corals were bright before the sun rose, and the flowers and trees were beautiful after spring and winter. To spur the divine steeds to chase after the light and shadow, to put down the spirit oars and sail among the flowers. Entering Langyuan (Langyuan: the legendary place where immortals lived) was the Immortal Residence, where they rested in the Spirit Palace, near the Jade Pool. Therefore, Su Nu (the legendary fairy) opened the window, and Mi Fei (the legendary Luo Water Goddess) climbed up the tall building. Playing the music of the Great Heaven in the mansion and the sound of the Divine Sound in the Central Continent. He rode on the cloud flag to and fro, collecting clear qi to travel around the world. The pavilions by the water had golden shoes (golden shoes, here referring to the footsteps), and the doors between the clouds had Qi Shu (Qi Shu: referring to the windows carved into hollow patterns). The palace decorated with orchids and the rooms made of shells, the walls decorated with sungrass and the dense grass. The shop head of the gold ornaments (gold shop: the shop head of the gold ornaments, the shop head is the base of the door knocker) was dazzling, and the corridor was deep and serene. The screens were arranged side by side, reflecting the brilliance of the jade table. The sound of the jade was like a poem in the tent (A tent: The tent made by Emperor Wu of the Han Dynasty). Go in and out happily, immortal companion. Phoenixes carried lanterns in the dark, toads absorbed the moon in the mid-autumn. In the winter, the wind (Light Wind: The gentle wind when the rain sunrise and the sun rises) becomes desolate, and in the summer, the waterfall becomes a curtain. They drank the six qi (six qi: the six phenomena of natural climate change, also referring to the four qi of heaven and earth), drank the water vapor and dew at night, also referring to the immortals, consumed the mysterious Li (mysterious Li: Li wine, here referring to immortal wine), and ate peony. The golden reed was played, and the jade key was played. The sandalwood incense was blown, and the sun shone down. Xian 'a (the goddess of the moon in ancient mythology) drove the car, and the fragrance of pepper floated in the air. The fragrance of jade sweat pervaded the air. Drink up the wine and return to the dance, display the lights and return to the bridal chamber. Snooping on Wang Qiao (Wang Ziqiao, the legendary immortal)'s spiritual stove, opening Chi Song (Chi Songzi, the legendary immortal)'s pill bed. The more he entered, the more mysterious he became. He only knew when he smelled the fragrance. The Great Dao of Creation, the method of inaction. The darkness was silent, and happiness was endless. Looking back at the mortal realm, it was far away and vague. Ah! If one didn't have the bearing of an immortal, how could one ascend to this place?