The Common Ground of Poem and Fu
Fu and poetry were both important styles in Chinese literature. Fu and poetry both emphasized the description and perception of nature, life, and society. Fu paid more attention to expressing thoughts and feelings than poetry. It often used a lot of rhetorical devices and metaphor to express the author's thoughts and feelings in a vivid way. Fu and poetry both paid attention to rhythm and meter. Both Fu and poetry had strict rhythms and requirements, and often used flat tones, rhyme, antithesis and other techniques to create beautiful language art. Fu and poetry are both important components of Chinese literature. They have a unique historical and cultural background and represent the peak of Chinese literary creation.
Poem written by Du Fu
Du Fu was a famous poet in the Tang Dynasty. His works were numerous and were known as "a peak in the history of poetry". His poems were widely related to politics, history, nature, human feelings and so on. He was famous for his profound, dignified, bold and unconstrained style. Du Fu's poems included "Climbing High,""Spring Gaze,""Looking at the Mountain," etc. Among them,"Spring Gaze" was considered one of his representative works. " Spring Gaze " was a lyrical poem that described the scenery of spring and the lives of farmers. The poem described the beauty of spring by describing the growth and blooming of peach blossoms, apricot blossoms, cherry blossoms, and other plants. The poem described the scene of the farmers working hard to express the author's respect and gratitude to the farmers. The entire poem was smooth and beautiful, expressing the author's love for the people and his thoughts on society.
Du Fu's Cottage, Du Fu's Poem
Du Fu wrote many poems in Chengdu Cottage, among which the most famous ones were "Spring Night Happy Rain","Guest Arrival","Quatrain","Riverside Unique Seeking Flowers (5)" and "Riverside Unique Seeking Flowers (6)".
Du Fu's Cottage, Du Fu's poem
Du Fu's poems related to the Cottage are as follows: 1. The back of the Guo Tang is shaded by the white grass, and the road along the river is familiar with the green suburbs. Tang Cheng 2. Swallows in the hall, gulls in the water close to each other. Jiang Village 3. The thatched cottage has few flowers, but now I want to plant them. I don't care about green plums and yellow plums. "Looking for Fruit Plants at Xu Qing." 4. As the clerk of King Chen, I don't send money to the thatched cottage. "Secretary Wang, Xu Xiu's thatched cottage doesn't have enough resources to talk about Xiao Jie." 5. Darkwater Flower Path, Spring Star Grass Hall. "Night Banquet at Zuo's Manor" 6. I love the quiet thatched cottage of Yushan Mountain, and the refreshing atmosphere of autumn is fresh and new. Cui Clan's Cottage on East Mountain 7. Go out of the small hole in the outer wall of the city, and get a small road through the hazel. A stream runs like water, and twists and turns are crossed many times. 'Xizhi Village, looking for a thatched cottage.' 8. A thatched cottage to the west of Wanli Bridge. The water of Hundred Flowers Pond is Canglang. Mad Man The above is a poem related to Du Fu's Cottage.
Du Fu's earliest poem
One of Du Fu's earliest poems was considered to be "Wandering Longmen Fengxian Temple" or "Looking at the Mountains." Both of these poems can be traced back to the twenty-fourth year of Kaiyuan (736), but there is a dispute as to which one is the earliest. Some versions used 'Wandering the Dragon Gate and Fengxian Temple' as the first poem, while others used 'Looking at the Mountains' as the first poem. Therefore, it was impossible to determine which of Du Fu's earliest poems was.
The Original Poem of Red Cliff Fu
The original poem of the Red Cliff Ode was as follows: In the autumn of Renxu, at the end of July, Su Zi and his guests sailed under Red Cliff. The breeze blew gently, and the waves were still. He raised his wine to entertain the guests, recited the poem of the bright moon, and sang the beautiful chapter. After a while, the moon appeared above Dongshan Mountain and hovered between the bullfighting. White dew across the river, water light connected to the sky. Even if a reed can be used, it can overcome thousands of hectares of confusion. It is as vast as Feng Xu's wind, but I don't know where it stops; It is as if it is isolated from the world, and it has become an immortal. So he drank and laughed very much, knocked on the ship's side and sang. The song says,"Osmanthus oars, oh orchid oars, strike the sky, oh upstream streamers. I'm in your arms, looking at the beauty in the sky." There was a man playing the flute among the guests. He leaned against the flute and sang with him. His voice was like a whimper, like resentment, like admiration, like crying, like complaining, and the lingering sound was like a thread. Dancing in the deep valley hidden dragon, crying lonely boat woman. Su Zi was surprised. He sat upright and asked the guest,"Why?" "The moon is bright, the stars are few, and the crows and magpies fly south. Isn't this Cao Mengde's poem?"
Du Fu's Peak Poem
Du Fu's peak poem was 'Ascending Mountain'. This poem was set against the natural landscape. Through describing the scenery of mountains and rivers and expressing his personal feelings, it displayed Du Fu's profound thoughts and vigorous artistic style. The short lines in the poem,"The wind is fierce and the sky is high, the apes are howling, and the white birds fly back to the clear sand" and "The endless falling trees are rustling, and the endless Yangtze River is rolling" have a strong visual impact and vivid descriptions, showing Du Fu's talent and artistic attainments. This poem was regarded as the pinnacle of Du Fu's poetry and was also a shining pearl in the treasure house of Chinese literature.
Du Fu Composed Poem at Seven
Du Fu started writing poetry at the age of seven. According to the description in the poem " Zhuang You "," When one is seven years old, one becomes strong and starts to sing the phoenix." At the age of seven, he already had a heroic feeling and sang praises of noble and virtuous people. Although his earliest poem, Ode to the Phoenix, had been lost, it showed that he had started writing poetry at the age of seven.
Du Fu's Phoenix Poem
Du Fu's phoenix poems included Phoenix Terrace and Zhu Fengxing. Phoenix Terrace described the scenery of Phoenix Terrace and the voice of the phoenix, expressing the longing for the lost time and glory. Zhu Fengxing used phoenixes and other birds as metaphor to express concern for social injustice and poor people. Du Fu was a great realistic poet in the Tang Dynasty. His poems were famous for describing social phenomena and expressing sympathy for the sufferings of the people.
Du Fu's poem "Ascending"
Du Fu's poem "Ascending" was a poem describing the autumn scenery. The poem expressed the poet's feelings for the autumn scenery and his thoughts on his own situation by describing the scenes of the wind, the ape howling, and the white birds flying back. The poem also mentioned the poet's long-term wandering and illness, as well as the scene of him climbing the high platform alone in autumn. This poem described the magnificent autumn scenery and the poet's inner depression and sadness in simple and profound language.
Du Fu's Cottage Poem
Among Du Fu's poems, there was a five-character ancient poem called " Cottage." This poem was based on the beginning and end of the Cottage. The first half of the poem recounted the rebellion of Xu Zhizhi in Chengdu. It highlighted his feelings of leaving for "the barbarians blocking Chengdu" and returning for "Chengdu safe and sound". He hoped that Yan Wu would pay attention to the chaos of the country and be closely related to the people's hearts. He must not be satisfied with "safe and sound". In the second half of the book, from the small matter of "sending cavalry to ask what he needed", he deeply realized that the problem had already reached a rather serious level. If he did not raise it, Yan Wu's personal success or failure was not a big deal, but the safety of the world was a big deal. Therefore, in addition to his anger, he wrote to Yan Wu and expressed his attitude of " drinking and pecking are ashamed of life, eating Wei dare not waste ". At the same time, through the memories of the beginning of chaos, he hinted at a number of problems worthy of Yan Wu's modest consideration. The purpose was to urge Yan Wu to save, get rid of his shortcomings, and use his strengths to do a good job in the affairs of the two rivers. The whole poem contains emotion in the narrative, echoing in the order of narration, changing in an orderly manner.