Gao Shi, Du Mu, Meng Haoran, Wang Changling. Among the poets, the one who was good at writing landscape idyllic poems was
Both Gao Shi and Meng Haoran had written many landscape idyllic poems and were known as the representatives of the "landscape idyllic school" of the Tang Dynasty. However, Wang Changling's poems also contained a lot of landscape and idyllic elements, so among the four poets, Wang Changling was good at writing landscape and idyllic poems.
Various poets comment on Meng Haoran
Su Shi's evaluation of Meng Haoran's "high rhyme but short talent, like a wine maker without materials" was half praise and half criticism. Firstly, Meng Haoran's poems were wonderful and natural, such as " There is a bright moon tonight, and the countryside is far away."" My old friend has chicken and millet, and invited me to the Tian family." No matter whether it was sad or happy, they were flat and straightforward. There was no sense of awkwardness. The poems were plain and simple, seemingly simple, but they went through the process of complexity to simplicity. Secondly, the poem had an ethereal and distant artistic conception, such as " Moored boat in Xunyang Guo, first seeing the incense burner peak ". The picture was vast and distant, the image was quiet and ethereal, and the emotions in his heart were mixed with the landscape and the countryside. Moreover, this kind of literati's feelings made the result of the destruction of ideals poetic and aesthetic. Thirdly, the poem had the characteristics of endless aftertaste, such as " I can't sleep with sorrow forever, the window is empty on a pine moon night ". The emotions contained in the poem were long and distant, dreamlike, endless, and it made people feel nostalgic. Du Fu praised Meng Haoran for "passing down all the poems in Qing Dynasty". Gu Sui felt that although Meng Haoran's poetry collection was small, almost every poem was good and worth reading. Some people commented that Meng Haoran was "unwilling to live in seclusion but lived in seclusion until he died", and even thought that he had "diligently pursued the path of seeking an official all his life". Some people felt that Meng Haoran was not as talented as Li Du and Wang Wei. However, his poetic style of " light but not light ", the spirituality, beauty, and charm of his poems, occupied a very important position in the history of poetry. He was a person who found poetry in the ordinary. His poems were full of poetic human touch. His poetry style was like Tao Yuanming's line drawing. It was simple and light without any carving. It was very mellow, plain, and natural. Although he had never been an official in his life, he was on good terms with the court officials Zhang Jianzhi, Zhang Shuo, Wang Wei, Zhang Jiuling, Wang Changling, etc., and his poems and character were sought after and praised by them.
Introduction of Meng Haoran and Su Shi
Meng Haoran was a famous landscape poet in the Tang Dynasty. He had never been an official in his life and had the ambition to return to seclusion. However, he also had the experience of being an official. The style of his poems was wonderful and natural. For example, poems such as " Old friends with chicken and millet invited me to the Tian family " were plain and casual. They had an ethereal and distant artistic conception. For example, poems such as " Moored boat in Xunyang Guo, first saw the incense burner peak ". The scene unfolded with a sense of emptiness and distance. Moreover, the aftertaste was endless, such as " The sound of wind and rain in the night, how many flowers have fallen ", which made people reminisce and sigh. Su Shi was a famous poet in the Song Dynasty. His career was complicated. After he won the first place in a hundred years in the imperial examinations, he successively held many official positions, such as Dali Pingshi, Fengxiang Prefecture Judge, Hangzhou Tongpan, etc. However, he was constantly demoted and went further and further away. Su Shi had outstanding performance in many fields such as literary creation and politics. He had created a large number of excellent poems under different circumstances, showing his talent and realm of thought.
Su Shi praised Meng Haoran's poem
Su Shi's evaluation of Meng Haoran was " high in rhyme but short in talent." This evaluation seemed to be half praise and half criticism, but the " high in rhyme " was actually a kind of praise. From the perspective of wonderful nature, Meng Haoran's poems were as plain as words, and he talked about his worries and joys in a casual manner, such as " My old friend brought chicken and millet and invited me to the Tian family." It seemed simple, but it required a process from complicated to simple. Those who reached this realm were often masters. In terms of ethereal and serene, the pictures in his poems were mostly empty and distant, with quiet and ethereal images. For example, poems such as " Moored boat in Xunyang Guo, first saw the incense burner peak " and so on. The feelings and scenes blended together and had a unique scholarly feeling. In terms of endless aftertaste, his poems, such as "Forever sad and sleepless, pine moon night window empty", etc., were often long and distant, dream-like, deep and subtle, making people reminisce endlessly.
What was Su Shi's evaluation of Meng Haoran?
Su Shi's evaluation of Meng Haoran was " high in rhyme but short in talent, just like the hands of making internal wine without materials." There were also records that " Haoran's poems are like the palace treasury's magic wine, but they are on the scale of the Supreme One, but they lack wine."
What did Su Shi comment on Meng Haoran?
Su Shi commented that Meng Haoran had high rhyme but short talent, like a wine maker with no materials. "High rhyme" was reflected in Meng Haoran's wonderful and natural poems, ethereal and distant, and endless aftertaste. To say that he was "short of talent" was to think that Meng Haoran was skilled but lacked experience. Compared with Su Shi's own rich official career experience and broad vision, Meng Haoran had never been an official in his life and failed to pass the Jinshi examination. He had been making friends with public officials and celebrities in order to appreciate them. He wrote more poems to entertain and accompany them. However, there were also opinions that Su Shi's evaluation of Meng Haoran was inappropriate. Meng Haoran's poems were naturally perfect, and his artistic achievements were higher than Wang Wei's. Su Shi belittled Meng Haoran probably because Meng Haoran's poems had a sense of nature and perfection that Su Shi could not reach. Su Shi was self-reliant on omnipotent, so it was meaningless to evaluate Meng Haoran with talent.
The Poetry of Su Shi and Du Mu
Du Mu was a poet in the late Tang Dynasty, and Su Shi was a poet in the Northern Song Dynasty. Their poems had their own characteristics. Du Mu was good at seven-character quatrains, especially poems on history, such as "Red Cliff","Broken halberd sinking sand iron has not been melted, will be washed to recognize the previous dynasty." The poet lamented that if the east wind did not give Zhou Yu convenience, Cao Cao would win and the two Qiao would be locked up in the Bronze Sparrow Terrace. This poem placed the hero and the beauty in the tide of history, both vigorous and tactful. Su Shi's "Nian Nujiao·Remembering the Ancient Red Cliff":"The Great River East, the waves washed away, the ancient heroes." On the west side of the old camp, people said: Three Kingdoms Zhou Lang Red Cliff. Rocks and clouds were scattered, the waves cracked the shore, and thousands of piles of snow were swept up. The landscape was like a painting, and there were many heroes at that time. Thinking back to the time when Gongjin first married, Xiao Qiao was a heroic figure. With feather fan and turban, when talking and laughing, the oars were reduced to ashes. I'm lost in my own country. I'm so sentimental that I should laugh at me. I've long had gray hair. The world is like a dream, and a bottle of wine is still in the river and the moon."Through the description of the magnificent scenery on the river on the moonlight, the ancient battlefield, and the reminiscence of the talent, bearing, and achievements of the heroic figures, it expressed the sorrow and anger of not being recognized and not being able to achieve success. At the same time, it showed a broad-minded heart. Du Mu's "Early Winter Night Drinking""Huaiyang sick occasionally seek pleasure, guests sleeve invasion frost and candle plate." He wrote it when he was banished to express his sorrow of being ostracized because of his outspoken remonstrance. Su Shi's poems were open-minded, but they also contained feelings about life circumstances, such as " Misty rain on Lushan, Zhejiang tide, not to a thousand hate. When you arrive, there's nothing else to do. The misty rain on Mount Lu and the tide in Zhejiang." In addition, Du Mu had a poem that Su Shi admired very much. Su Shi had almost "plagiarized" this poem. In short, Du Mu's poems mostly reflected the charm of the late Tang Dynasty and his personal situation. Su Shi's poems also contained deep thoughts on life in addition to being bold and unconstrained. Their works all had high literary value. The novel "Listening to the Rain in Green Bamboo and Watching the Egrets" is equally wonderful. Everyone is welcome to click and read it!
Meng Haoran, is Haoran his word?
Not Meng Haoran was indeed his real name. Haoran was a poet of the Tang Dynasty. His real name was Meng Haoran.
Meng Haoran, is Haoran his word?
Not Meng Haoran, his full name was Meng Haoran. His name was Meng Haoran, a common Chinese surname.
Meng Haoran, the word Haoran, read the answer
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"Out of the Fortress" Wang Changling
"Leaving the Fortress" was a frontier fortress poem written by Wang Changling, a poet of the Tang Dynasty. This poem expressed the poet's grief and indignation about the war at the border and his hope for a good general. The poem depicted the bright moon and the border pass of the Qin and Han Dynasties still existed, but the soldiers who had marched thousands of miles did not return. The poet hoped that if there were brave generals in Dragon City, they would be able to stop Hu Ma from crossing Yin Mountain. This poem showed the poet's artistic talent and thoughts on war through describing the scenery and expressing his emotions. "Leaving the Fortress" was regarded as a masterpiece of the frontier fortress poems of the Tang Dynasty. It had a tragic but not desolate momentum and was deeply appreciated.