The name of this poem was 'Mirror Terrace'.
This was an ancient poem called " In a Bright Mirror " from the Tang Dynasty poet Bai Juyi's " Farewell to Ancient Grass." The meaning of this poem was: the mirror itself had no physical body, it was just a reflection of light, so it did not contain any substance, dust or other impurities, so it did not have dirt.
The author of this poem was the Tang Dynasty poet Wang Zhihuan (688 - 742), who titled it "Climbing the Stork Tower." The meaning of this poem was that Bodhi (the "Buddha" in Buddhism) was not a tree or a mirror. There was nothing to begin with, so how could there be dust? This poem expressed the poet's deep understanding and comprehension of Buddhism and his open-mindedness towards the natural universe.
This was the Tang Dynasty poet Wang Wei's " On the Ground of Yogas." This poem came from the Yogist's Ground, which described the state of yoga practice. Yoga was a practice that originated in India. It emphasized the balance and tranquility of the body and mind through meditation and posture practice. The meaning of this poem is that when we achieve inner peace and awakening, we will find that the world and ourselves are originally illusory without any physical existence, and dust is no exception. This realm was known as the Yogi's Land, and it was also one of the highest realms in yoga practice.
This poem was called Tao Te Ching.
The name of this poem was the Vajra verse from the Bodh Gaya Sutra.
The name of this poem was 'Patriarch Bodhi'.
The name of this poem was 'On the Bodhi Mirror.'
This poem was written by the Tang Dynasty poet Huineng,"Bodhi is not a tree, nor is it a mirror." The first two lines of the poem described his body as a bodhi tree and his heart as a mirror. They needed to be wiped every day to avoid being contaminated by dust. The last two sentences expressed the author's philosophy that true existence was not the external material world but the essence of the heart. The mirror platform itself did not really exist. It was just a medium that reflected the outside world. Therefore, there was no need to rely on the external material world to pursue true existence. This poem profoundly expressed the author's thinking and exploration of the true existence and the essence of the material world. It was also widely used in philosophy, religion, and art as a profound artistic expression.
The full text of the Diamond Sutra by Wang Wei, a poet of the Tang Dynasty, is as follows: There should be no place to live and no place to live. Everything is like a dream Like dew, like lightning, I should look at it like this. There should be no place to live. If there is something in the heart, it is not true. All Tathagata follow this law The saying is like a raft, and the law should still be abandoned Why do you need to wear things?
This sentence came from the Tang Dynasty poet Xuanzang's "Records of the Western Regions of the Great Tang." The original text was: "Bodhi is neither a tree nor a platform. The mirror is neither a platform nor a stone. There's nothing to stir up dust." It meant that Bodhi was not a tree or a platform, but a spiritual realm. The mirror was neither a platform nor a stone, but a kind of superb wisdom. How could there be dust when there was nothing that could be seen in its essence?