The author of this poem was the Tang Dynasty poet Wang Zhihuan (688 - 742), who titled it "Climbing the Stork Tower." The meaning of this poem was that Bodhi (the "Buddha" in Buddhism) was not a tree or a mirror. There was nothing to begin with, so how could there be dust? This poem expressed the poet's deep understanding and comprehension of Buddhism and his open-mindedness towards the natural universe.
The name of this poem was 'Mirror Terrace'.
This was an ancient poem called " In a Bright Mirror " from the Tang Dynasty poet Bai Juyi's " Farewell to Ancient Grass." The meaning of this poem was: the mirror itself had no physical body, it was just a reflection of light, so it did not contain any substance, dust or other impurities, so it did not have dirt.
This was the Tang Dynasty poet Wang Wei's " On the Ground of Yogas." This poem came from the Yogist's Ground, which described the state of yoga practice. Yoga was a practice that originated in India. It emphasized the balance and tranquility of the body and mind through meditation and posture practice. The meaning of this poem is that when we achieve inner peace and awakening, we will find that the world and ourselves are originally illusory without any physical existence, and dust is no exception. This realm was known as the Yogi's Land, and it was also one of the highest realms in yoga practice.
This sentence came from the Tang Dynasty poet Xuanzang's "Records of the Western Regions of the Great Tang." The original text was: "Bodhi is neither a tree nor a platform. The mirror is neither a platform nor a stone. There's nothing to stir up dust." It meant that Bodhi was not a tree or a platform, but a spiritual realm. The mirror was neither a platform nor a stone, but a kind of superb wisdom. How could there be dust when there was nothing that could be seen in its essence?
This was a famous line from the Tang Dynasty Zen master Xuanzang's "Records of the Western Regions of the Tang Dynasty." The original text was: "Bodhi is not a tree, nor is a mirror a platform." There's nothing to stir up dust." This sentence was used to describe the magical natural landscape that Xuanzang passed through when he went to India to obtain Buddhist scriptures. It expressed the pure, concise and transcendental relationship between man and nature. The background of this sentence was that Xuanzang went to India to learn the scriptures. He had experienced a long journey. The places he passed were desolate deserts, snowy mountains and highlands. However, he always believed that his journey was worth it because he wanted to spread human civilization and wisdom so that more people could understand and pursue the truth. As for the author of this sentence, it was Xuanzang, the author of Records of the Western Regions of the Great Tang Dynasty. As a Buddhist scholar in the Tang Dynasty, Xuanzang went to India to learn Buddhist ideas and culture and recorded the rich Buddhist culture and history of India. His Records of the Western Regions of the Great Tang was one of the most important Buddhist documents in ancient Chinese history, which had a profound impact on the Buddhist culture of ancient China and later generations.
The name of this poem was 'On the Bodhi Mirror.'
This poem was called Tao Te Ching.
The full text of the Diamond Sutra by Wang Wei, a poet of the Tang Dynasty, is as follows: There should be no place to live and no place to live. Everything is like a dream Like dew, like lightning, I should look at it like this. There should be no place to live. If there is something in the heart, it is not true. All Tathagata follow this law The saying is like a raft, and the law should still be abandoned Why do you need to wear things?
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This is a poem written by the Tang Dynasty poet Brahma-Shatiya. The whole poem is: The body is like a bodhi tree, and the heart is like a bright mirror. Always wipe the dust away. ”。 The meaning of this poem is that our body is like a bodhi tree, and our mind is like a mirror. We must always diligently wipe our hearts and souls so that those impurities and dust will not pollute this mirror. This poem is widely cited and considered one of the classics of Buddhist philosophy. It emphasized the importance of Buddhist practice, that is, through constant practice and cleansing of the mind, we can find our true self and inner peace.