"Beijing School" and "Shanghai School" are two important schools in the history of Chinese literature, each with its own unique artistic features. Beijing School novels were also known as "Beijing School Literature", which originated from the main representatives of the late Qing Dynasty, such as Cao Yu and Zhao Shuli. The characteristic of the Beijing School novels was that they focused on the social reality and people's lives in Beijing, emphasizing realism and naturalism. The language of the novels of the Beijing School was concise, humorous, and simple. The description of the characters paid attention to the psychological description and the details. At the same time, it also paid attention to the study of Beijing's urban culture and history. Shanghai-style novels, also known as Shanghai-style literature, originated from the main representatives of the 1930s, Zhang Ailing, Hu Shi, etc. The characteristic of Shanghai-style novels was that they focused on the social reality and people's lives in Shanghai, emphasizing realism and naturalism. The language of Shanghai-style novels was gorgeous, delicate, and tactful. They focused on the psychological description and image-building of the characters, as well as the study of Shanghai's urban culture and history. The novels of the Beijing School and the novels of the Shanghai School have their own unique artistic features in terms of theme, language style, literary form, etc. They are two important schools in the history of Chinese literature and have made important contributions to the development and prosperity of Chinese literature.
Beijing School novels referred to novels written by the Beijing literary world from the 1930s to the 1950s. They had the following artistic features: 1. Realism: The novels of the Beijing School mainly describe the lives, feelings, and contradictions of ordinary people living in Beijing. They focus on reflecting social reality, especially some major contradictions and conflicts in society at that time. 2. Language characteristics: The language of the Beijing style novels has a unique style. It pays attention to the accuracy, norms and fluency of the language. It pays attention to the use of modern Chinese and uses some Beijing dialect and spoken language. 3. Character image: The characters in the novels of the Beijing school have distinct personality characteristics. They mostly describe the image of ordinary people and pay attention to depicting the inner world and emotional changes of the characters. 4. Plot structure: The plot structure of the novels of the Beijing school mostly takes events and contradictions as clues, pays attention to the ups and downs of the plot and tension, and uses some complicated plot twists and conflicts to promote the development of the story. 5. The theme of the Beijing School's novels was more concerned with the class struggle, political situation and historical changes of the society at that time, showing the reflection and reflection of traditional culture and human nature.
Beijing School, Shanghai School, and New Sensation School were the general names of Chinese literary schools. The Beijing School referred to the school of literature that originated in Beijing, mainly including the realistic literature represented by Lao She and Cao Yu; the Shanghai School referred to the school of literature that originated in Shanghai, mainly including the modern literature represented by Lu Xun, Zhang Ailing and Shen Congwen; the New Sensation School referred to the literary school that rose in the United States in the 1950s, emphasizing the realism and directness of literature. The New Expressionism literature represented by Jia Pingao and Mo Yan was its representative works. These literary schools had a profound influence on Chinese literature.
"Shanghai School" refers to a literary and artistic school that rose in Shanghai in the early 20th century. Its main representatives include Zhang Ailing, Hu Lancheng, Huang Qianshan and others. The characteristics of Shanghai-style literature were the emphasis on female independence and female literature, as well as the depth of reflecting social reality and human nature. The characteristics of Shanghai style painting included: 1. Female characters: The female characters in Shanghai-style literature and paintings often have the characteristics of independence and self-reliance, emphasizing women's self-worth and independence. 2. Pay attention to realism: The painting art of the Shanghai School pays attention to reality and the depth of human nature. The performance of the painting is often more realistic and delicate. 3. Use of color: The painting art of the Shanghai School is good at using bright colors to highlight the image and atmosphere of women. 4. Method of expression: The art of Shanghai style painting usually uses realism to emphasize the details and light and shadow effects to express the posture, expression and psychological state of the characters. The rise of the Shanghai-style art school reflected the changes in Shanghai society and the status of women at that time, as well as the influence of the New Culture Movement. His works of art had strong local characteristics and cultural implications, which had a profound impact on the development of modern Chinese art.
The Western Modern School was an artistic trend that rose in the early 20th century. It was based on the elements of various schools and artistic styles to create a new artistic style. The main artistic features of the Western modern school included: Opposing traditional aesthetics: Western modern artists no longer limited their aesthetic concepts to traditional rules such as symmetrical, proportional, and formal. Instead, they pursued an innovative and abstract aesthetic form. 2. Pay attention to expressionism: Western modern artists began to integrate expressionism into art forms such as painting, sculpture, and architecture to express their inner feelings and thoughts through strong light and shadow effects, colors, and lines. 3. Pay attention to functionality: Western modern artists no longer regard art as a simple means of expression, but as a practical tool to solve practical problems through art, such as expressing social reality, exploring human survival, etc. 4. Pay attention to new materials and new techniques: Western modern artists began to try to use various new materials and techniques such as watercolor, oil painting, gouache, sketch, sculpture, etc. to create new art forms. 5. Pay attention to innovation and experimentation: Western modern artists constantly explore new art forms and techniques, and dare to experiment and challenge in order to create unique artistic styles and forms of expression.
The western modern style was an artistic style that rose in the early 20th century. Its main characteristics were innovation, abstractedness, and expressionism. The following are some of the main artistic features of the Western modern school: 1. Creation: Western modern artists opposed the constraints of traditional art forms and advocated new and unprecedented ways to express their thoughts and emotions. 2. abstract: Western modern artists began to abstract elements such as colors, lines, and shapes, no longer using specific images to express emotions and topics. Expressionism: Western modern artists emphasize the expression of emotions and humanity through exaggerated expressions, body language and other means to express their emotions and thoughts. 4. Freedom of form: Western modern artists were no longer limited to traditional art forms, but pursued freedom and variety of forms and constantly explored new forms of expression. 5. Oppose Symmetries: Western modern artists oppose the traditional symmetrical composition and aesthetic concept of seeking to break the balance of the form effect. 6. Pay attention to social reality: Western modern artists began to pay attention to social reality to express their concern and thoughts about the problems of human existence. These characteristics became the creative principles and artistic style of western modern artists, which influenced many later artistic styles and movements.
The "Beijing School" was a literary school in the history of Chinese literature that originated in Beijing in the early 20th century. The main feature of this genre was to describe the lives and fates of Beijing citizens and the difficulties and challenges they faced in social, political, and cultural aspects with Beijing as the background. The "Beijing School of Fictions" was an important part of the "Beijing School of Literature". It referred to the works of novelists who mainly wrote in Beijing and its surrounding areas. The characteristics of Beijing novels included: 1. Using Beijing as the background to describe the lives and fates of Beijing citizens. 2. Pay attention to the description of social reality and human nature to reveal the dark side of society and the weakness of human nature. 3. The language is concise and bright, with strong local characteristics and cultural implications. 4. Pay attention to the artistic quality and literary value of the novel, pursue the artistic quality and ideology of the novel. Lao She was a representative figure of the "Beijing School of Fictions". His representative works included Camel Xiangzi and Teahouse. Lao She's works focused on the life and destiny of Beijing residents, focusing on social reality and human nature. The language was concise and bright, with strong local characteristics and cultural implications. Therefore, Lao She was regarded as the representative of the "Beijing School of Fictions" and was also praised as an outstanding figure in the history of modern Chinese literature.
The "Beijing School" referred to the literary schools formed in Beijing from the 1920s to the 1940s, represented by Lu Xun, Mao Dun, Lao She and others. The characteristics of the novels of the Beijing school were that they described real life, emphasized human nature and social problems, paid attention to social changes and the sufferings of the people, and used concise and bright language with strong local characteristics. Beijing novels had the following characteristics: 1. Focus on realism. Most of the Beijing novelists were born in the old cultural circle and had a deep understanding of traditional culture and customs, so they could accurately reflect real life. 2. emphasize human nature and social issues. The novels of the Beijing School focused on social changes and the sufferings of the people, describing the good and evil of human nature, and revealing social problems and contradictions. 3. Pay attention to language features. The language of the novels of the Beijing School is concise and bright, with strong local characteristics such as spoken language, slang, humor and so on. Lao She was one of the important representatives of the Beijing School of Fictions. His works such as Camel Xiangzi, Teahouse, Four Generations Under One roof, etc. deeply reflected the characteristics of the society and the living conditions of the people at that time, with distinct characteristics of the Beijing School of Fictions. Therefore, Lao She could be regarded as one of the representatives of the Beijing School of Fictions.
Beijing School and Beijing School novels were two concepts in the history of Chinese literature. They referred to the Beijing cultural circle (or "Beijing circle") and the Beijing circle literature (or "Beijing school literature"). The Beijing School was a literary school active in Beijing and its surrounding areas. Its creation began in the 1920s with the main goal of describing urban life, reflecting social reality, and shaping characters. The Beijing style was varied. Some described the bustling city, some described the poor rural areas, some revealed the dark side of society, and some showed the beauty of human nature. The novels of the Beijing School have become an important part of modern Chinese literature with their distinctive local characteristics and unique artistic style. The characteristics of the novels of the Beijing School included: emphasis on realism and realistic descriptions, deep portrayals of characters, exquisite descriptions of the authenticity and true sexiness of urban life, and distinctive regional characteristics. The novels of the Beijing School and the culture of the Beijing School are closely related. The culture of the Beijing School is the source and driving force of the creation of the novels of the Beijing School. The creation of the novels of the Beijing School was also influenced by the culture of the Beijing School, such as the inheritance and development of traditional culture, the deep description of local folk customs, etc. Beijing School and Beijing School novels are two indispensable concepts in modern Chinese literature. They not only represent the creative characteristics of the Beijing cultural circle, but also reflect the development of modern Chinese literature.
It was a pity that she could not find any recommendations for school novels with artistic topics.
The Beijing School referred to a school of Chinese martial arts novels that originated in Beijing. The main characteristics of this genre were some famous martial arts novels. Their works had a unique style that described the grievances of the martial arts world and the spirit of chivalry. The Wuxia novels of the Beijing school had a profound influence on the creation of Wuxia novels.