In the dark corner of the Coburg Theatre's grand hall, Victor reached into his bodice to pull out his pocket watch, opened the gilded cover, and saw the hour hand pointing exactly at eight o'clock.
He looked up at the already overcrowded and fully seated theatre hall, occasionally hearing the sonorous and mournful sounds of orchestral music playing in his ears.
In the center of the stage, the musicians from the London Philharmonic Association played their orchestral instruments—organs, string instruments, flutes, oboes—shining a golden brilliance under the chandeliers above the hall.
And in the lounge next to the aisle, several priests dressed in religious attire could be seen; they would pray and preach between the first and second parts of the "St. Matthew Passion."