Chapter 858: A Thrilling Action Movie!

El Capitan Theatre, Hollywood, Los Angeles.

The giant poster dominated the wall of the theater, depicting Martin with a gun in hand, his eyes coldly scanning the world as if daring anyone to challenge him. Beneath this striking image, the crowd swarmed in waves of black and red.

The sea of black was formed by fans of the "John Wick" series, who had become so absorbed in the world of the suited assassin that they donned sleek black suits and crisp white shirts in homage to their hero. The idea of the stylish, relentless hitman had become more than a character, it was a symbol, a lifestyle etched in the minds of millions. These dedicated fans had gathered for the film's premiere, embodying the essence of John Wick with every tailored suit and steely gaze.

Amongst them surged flashes of crimson, the devoted members of the Church of Coca-Cola. This sprawling, pan-religious movement boasted tens of millions of followers across America. Whenever Martin, the charismatic leader and star, released a new film, they rallied as his most fervent supporters. Their presence was felt both in numbers and in passion, guaranteeing a significant boost at the box office. Even if only a fraction of them watched the film, it would still rake in close to $100 million in North America alone.

Martin's triumphs had long surpassed mere cinematic achievements; they were cultural phenomena. He wasn't just winning accolades, he was shaping pop culture. It was no surprise, then, that every male crew member gracing the red carpet was clad in the unmistakable black suit, echoing the style that had come to define a generation of action cinema.

When Martin himself stepped onto the red carpet, dressed in full Jonathan Wick attire, the crowd roared in approval. He looked as if he had just stepped out of the screen cool, composed, and deadly. The chants from the Coca-Cola faithful echoed through the air: "Eternal Coke Cult, Eternal Coke God of War!"

After taking a long sip of Coke, Martin exchanged a few words with Mene, an old friend and co-star, while waiting at the theater entrance. Moments later, director Chad Stahelski joined them, and the trio walked together toward the press area, where the media buzzed in anticipation.

Blake Lively had just finished an interview, enthusiastically discussing both "John Wick 3" and her upcoming thriller with Martin. Her words painted the new project as one that would chill audiences to their core. But the attention quickly shifted as Martin, Mene, and Chad approached, drawing every eye and camera in their direction.

The host kicked off the interview with a familiar question: "I heard there are plans to expand the John Wick universe. When did you first start exploring these ideas?"

Martin, ever the showman, nudged Chad forward with a grin. "Our visionary director here had this brewing for quite some time," he said.

Chad smiled, delivering his well-rehearsed lines with ease. "The success of the first film caught us by surprise and opened doors we hadn't anticipated. After that, it was only natural to ask: 'How much further can we take this world? Beyond Jonathan, what other stories are waiting to be told?'"

The host nodded, pressing on. "So, was Winston always part of that bigger picture?"

"Not right away," Chad admitted before pulling Mene closer. "It was really the audience that made the difference. Mene's portrayal of Winston resonated with fans in a way we didn't fully expect. Their love for the character inspired us to dive deeper, leading to the creation of 'The Continental: New York.'"

The host turned to Mene with a knowing smile. "You've been called Martin's most loyal fan. Is that true?"

"Absolutely," Mene replied, his voice warm and sincere. "I've known Martin for a decade now. We're not just colleagues, we're friends. I was his first fan, and it's because of him that I joined this series. Working alongside him has been a dream, pushing me to explore new physical limits and match the dedication he brings to every role."

Mene's admiration was palpable, and he continued to sing Martin's praises. "In every action scene, Martin does over 95% of the stunts himself. In an era where CGI can easily do the work, Martin refuses to take shortcuts. He's redefining what it means to be an action star, making every punch, kick, and fall feel real and earned."

The host's final question was for Mene. "Are you prepared for what's next?"

Mene's smile was determined. "I've been preparing for this role for years. It's more than just action training; I need to merge drama and physicality seamlessly. This has been the most challenging preparation of my career. My hope is to reach even half of what Martin has achieved."

As the interview drew to a close, it was clear that the anticipation surrounding the film extended beyond the screen. It was about a universe that had captured imaginations, a star whose influence crossed boundaries, and a team determined to push the limits of what action cinema could achieve. The night was electric, a celebration not just of a movie, but of a cultural movement led by the unstoppable force that was Martin and the world of John Wick.

The trio concluded their interview and made their way to the sponsor's backdrop for a photo op with the rest of the film's key creative team. As they gathered for the group shot, Clara naturally drifted toward Martin, slipping her arm through his without hesitation.

On the other side, Blake Lively noticed and silently muttered to herself, "Bitch," before sidling up to Martin's right side, her presence deliberate and possessive.

But in Hollywood, this was nothing out of the ordinary. The dynamics between actors, their relationships, and the quiet rivalries were all part of the fabric of the industry. The media and crew members observing this little dance of competition barely raised an eyebrow, they'd seen it all before.

After the photos, the group headed into the theater, the atmosphere buzzing with excitement. Clara, ever intent on staying close to Martin, leaned in and whispered as they walked, "How about coming to my place tonight?"

Martin thought for a moment before responding coolly, "Go to the Ritz-Carlton instead, same room as last time."

Clara nodded, understanding the arrangement. Satisfied, Martin asked casually, "You wrapped up filming on 'Avengers 2' yet?"

"Yeah, it's done," Clara answered briefly. "Dr. Zhao doesn't have many scenes, but they've confirmed she'll be a key character in the new season of 'Agents of S.H.I.E.L.D.' Both Marvel and Disney want me to continue in the role."

Martin's tone was firm, almost managerial. "I've spoken to Disney Pictures. Just focus on the work and steer clear of the drama with the crew."

Tensions were high at Marvel and Disney, with ongoing conflicts between them and Joss Whedon, the director of *The Avengers*. Both sides were embroiled in disputes over creative and financial control, and the situation could escalate at any moment.

Clara had already been briefed by her agent, Natasha, so she responded promptly, "Got it. I'll keep things professional."

Meanwhile, Blake, who had been trailing slightly behind while chatting with her own agent, noticed the conversation and quickly hurried forward, sliding her arm around Martin's. "We need to talk; alone," she said pointedly.

Clara recognized the cue and, understanding her role, gracefully stepped back. "I'll go ask the director if there's a part for me in the next film," she said, leaving Blake and Martin alone.

Once they had some space, Blake shifted her tone from business to personal. "Babe, do you think my character can hold her own in a standalone movie?"

In the film, Blake played a fierce female assassin, the head of the Continental Hotel in Casablanca, who fought alongside Martin. It was a significant role, and one she was eager to expand.

Martin considered the possibilities. Blake was different from someone like Halle Berry, who despite her Oscar win, was struggling to maintain a strong presence in Hollywood outside of her iconic role as Storm. By now, Berry's appeal had waned, and several flops had proven she could no longer carry a film on her own. The expanding 'John Wick' universe had no room for missteps, and Halle's character wouldn't be part of those future plans.

But Blake's situation was more promising. At 27, she was in the prime of her career, Hollywood's golden age for actresses. She also had a massive following online, something increasingly crucial in driving box office numbers. With the right management, her films could have a solid commercial base. Her biggest challenge, of course, was her average acting ability, but in action films, that was less of an issue. A good figure and a commanding screen presence often mattered more than nuanced performances.

Thinking it over, Martin replied thoughtfully, "If your character in 'John Wick 3' gets a strong response, I'll definitely consider spinning her off into her own movie."

Blake's eyes lit up, and she leaned in with a playful smile. "I knew you were the best."

As they walked, Martin continued, more seriously this time. "You know, there's a growing trend of Hollywood movies led by strong female protagonists, especially in the action genre. Given that your acting isn't really suited for dramatic, artistic roles, maybe positioning yourself as an action star is your best move. It's where your strengths lie, and you could really own that space."

Blake's expression shifted to one of determination as she considered his words. She knew Martin was right, her future in Hollywood would be defined by how she played to her strengths. The world of John Wick might just be the perfect stage to take her career to the next level.

Blake didn't mince words as she spoke to Martin, her eyes sparkling with ambition. "I don't care about awards or accolades. All I want is to be a star, to shine brighter than anyone else, to rake in tons of money, and live life at the top."

Martin couldn't help but respect her blunt honesty. "You're on the right path," he said, a hint of amusement in his voice. "You're going to be even bigger in the future."

Blake's smile grew wider, a mix of playfulness and longing flashing in her gaze. "If you and Elizabeth ever split up, could you pick me to be your official girlfriend again? I won't mind how many other women you have. Hell, if you want to invite them along, I'm game."

Martin's reply was brief, almost dismissive. "Things are fine the way they are now."

Blake let out a wistful sigh. She couldn't help but think back to their history. She was there, too, a part of the crazy whirlwind that was the Burbank Middle School scandal. How had they drifted apart? Back then, the thrill of young love seemed like everything. But now, with the clarity of time, she realized that chasing after the rush had cost her something real. And by the time she understood how much fame and fortune truly mattered, someone else had taken her place by Martin's side.

As the premiere audience filed in, the energy in the room grew electric. VIPs, guests, and media representatives filled the front rows, while the creative team, led by Martin, made their grand entrance last. The crowd erupted into applause as they took their seats in the first row.

Tonight's event had drawn some serious industry heavyweights. Disney Studios wasn't playing around; Alan Horn, the co-chairman, had walked the red carpet himself, and even Robert Iger, the CEO of Walt Disney, was present. When Iger approached Martin, he greeted him with a firm handshake. "I've read Alan's report on your involvement with 'Beauty and the Beast'. Your insights were spot on."

Martin smiled, ever the strategist. "I think there's a lot more we could do together with live-action fairy tales. There's huge potential."

Alan Horn nodded, clearly influenced by Martin's thoughts. After the disastrous performance of 'Into the Woods', a high-budget live-action fairytale that crashed at the box office, Disney had been hesitant to touch the genre again; until 'Beauty and the Beast' proved there was still magic left to be captured.

Iger, ever the shrewd executive, didn't commit immediately. His gaze shifted to Alan, letting him take the lead. "We're planning a critical meeting on 'Beauty and the Beast' in a few days," Alan said. "As the producer and the second-largest investor, we'd love to have you there, Martin. We can go over all the details."

"Count me in," Martin replied with a nod. He knew that Disney's major projects often relied on external financing, and with Davis Studio being one of Disney's favored partners, he was in a good position.

One of Iger's strengths had always been his willingness to let professionals do what they do best without micromanaging. Whether it was Disney Studios or Marvel Studios, he trusted the experts to handle their own business as long as they stayed within Disney's guidelines. That hands-off approach was part of why the company thrived under his leadership.

As the movie was about to begin, the theater lights dimmed, and everyone settled into their seats. Blake, still craving Martin's attention, leaned in close, whispering something about her future collaborations with Disney. Martin gave her a polite but brief response, then gently reminded her, "Let's focus on the movie."

With that, the premiere of 'John Wick: Chapter 3' kicked off, plunging the audience into a heart-pounding spectacle. The film delivered exactly what fans had come for, a masterclass in action. Martin's impeccable choreography and stunt work ensured that every fight, gun battle, and even the horse chase felt visceral and exhilarating. Unlike many action flicks that rely on quick, choppy editing to create excitement, 'John Wick' remained true to its style, smooth, long takes that let every move breathe. The result was a film that flowed effortlessly, giving viewers the thrilling yet immersive experience they craved.

As the credits rolled, the applause was thunderous, echoing the success of not just a film, but a franchise that had become a defining moment in action cinema.

Long shots in action films are a true test of the director's choreography skills and, more importantly, place significant demands on the actors. Unlike traditional Hollywood action flicks that rely heavily on shaky handheld cameras, rapid cuts, and ultra-short shots to create a false sense of intensity, the 'John Wick' series takes a different approach. Those quick cuts aren't inherently bad, but they're often used to mask the actors' limited fighting abilities or to compensate for their lack of physicality.

This is where Martin stands apart. His mastery of action and choreography allows the 'John Wick' films to embrace the long take, a style that demands precision, stamina, and relentless energy. In the third installment, there's even a jaw-dropping, nine-minute single-shot action sequence that left the audience breathless. The impact of this scene far surpasses those sharp, fragmented edits typically seen in Hollywood. Instead of a chaotic blur of punches and kicks, the long take immerses viewers in every strike, every dodge, every bullet fired, making the experience visceral and exhilarating.

Of course, this technique isn't groundbreaking in a historical sense. Chad Stahelski, the director, took cues from the golden era of Hong Kong cinema, where actors like Jackie Chan and Donnie Yen delivered complex fight choreography with minimal reliance on cuts. Back in the 1980s and 1990s, Hong Kong action stars were often martial artists or acrobats by trade, meaning they didn't need the crutch of fast editing. Their raw skills dictated the flow of the scenes.

The quality of the actors drives the style of the action. In 'John Wick', it's not just the close-quarters combat that stands out; the gun battles are equally refined, showcasing Martin's personal proficiency with firearms. Every move, every shot, is calculated. He's a one-man army, dispatching enemies with ruthless efficiency, each step forward marked by another body hitting the floor. The choreography is designed to thrill: fists connecting with bone, bullets tearing through flesh, blood splattering with every shot.

As for the plot, it's intentionally kept straightforward. The narrative just needs to provide enough logic to hold the action together. The real draw is the ever-escalating fights, the spectacle of combat that leaves audiences at the edge of their seats. No one goes into a 'John Wick' movie expecting to ponder the meaning of life or engage in deep philosophical musings. In fact, injecting those elements would likely ruin the film's appeal. People want raw, unfiltered adrenaline, and that's exactly what 'John Wick 3' delivers.

The vibe of the film is best summed up in one word: awesome. When John Wick takes on his enemies, he doesn't just defeat them, he annihilates them. Whether he's slashing with knives in a flurry of strikes or turning assassins into human pincushions, the brutality is relentless. The film even revisits the infamous pencil-killing technique, taking it up a notch by having John dispatch three men with just a pencil. And then there's the horseshoe kill swift, efficient, and so uniquely stylish that it instantly became an audience favorite.

For American viewers, this kind of thrill ride is like a shot of pure adrenaline straight to the veins. It's an instant high, transporting them into a world of hyper-violence and cool elegance. By the time the film ended and the credits began to roll, the audience was so fired up that they could barely contain themselves. The applause was thunderous, crashing like waves in a raging storm, both wild and unrelenting.

While this movie might not linger in people's minds as a deep or timeless classic, the experience of watching it is unforgettable. The sheer exhilaration during and after the film leaves the audience buzzing with excitement, it's just that cool.

As the house lights came up, the main creative team of the film rose to a standing ovation. Martin turned to Chad with a grin, "See? They're obsessed with your movie!"

Chad, beaming but still level-headed, shook his head. "No, they're obsessed with you!"

As the director and producer, Chad took a moment to embrace each key member of the crew, expressing his gratitude aloud for their hard work. Meanwhile, Martin rallied everyone to step on stage for a collective bow.

The cast and crew took three deep bows, soaking in the applause until it finally began to subside. But this was just the beginning, the North American journey for 'John Wick: Chapter 3' was only getting started, and the buzz was about to reach a fever pitch.