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Lady with a Lot of Sock Puppets, Please Bear with It, Mr. Smith
Author: Xuanting_Official
Ongoing · 38.2K Views
Synopsis
Her mother was killed by her father. She had to use another woman's identity and marry a man. This man happened to sleep with her for one night. What would she encounter next? How should she take revenge on those people?
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House Of Puppets

Arthur Moreau disappeared during a live broadcast. No warning. No transition. No last words. One moment he was finishing a world event in front of fifty thousand viewers. The next, he was gone — and what arrived somewhere else was Gepetto: his character, his creation, the identity he had spent years building inside a game that no longer contained him. The world that received him has existed through dozens of eras. Civilizations rose and collapsed long before humanity had a word for either. What walks its roads now — human and elf and dragon and beast-kind and peoples whose names don't translate — are the living residue of everything that already happened here. The gods who shaped the early eras did not all survive them. The world doesn't advertise how much of it is arrangement of ruins. Elysion is a Republic in the way that a cracked foundation is still a building. Beneath the gas lamps and the elevated rails, the actual structure is simpler: those with enough weight act as though permission doesn't apply to them. The working class breathes chemical residue and calls it employment. There is no king. There are only consequences. The Church of the Solar God holds it together, which is not a metaphor. The Solar God is not a symbol. He walks. He acts. He has reasons of his own. Nine others arrived the way Gepetto arrived — carrying what they built inside the game, now operating in a world where what they touch does not reset. They are not heroes. They are ten people who understood a system well enough to reach its limits, placed inside a reality where the limits are elsewhere and the other Players have their own intentions. Gepetto does not try to fight it. He studies it. While others assert themselves through force or faith or the assumption that visibility equals strength, he builds something quieter. A structure: distributed, patient, invisible until it is not. The story that begins with one man in one city does not stay there. The skills are real now. The strings are real. And what they touch does not reset. Because the puppeteer pulls the strings. But in a world this old, someone is always watching. AUTHOR'S NOTE: House of Puppets is not a power fantasy. It's slow by design — the kind that accumulates, not the kind that stalls. The story starts small and expands aggressively. The pacing shifts across volumes. It will surprise you in directions you didn't see coming. Tonal influences: Lord of Mysteries, Reverend Insanity, the Soulsborne tradition, Dostoevsky. Not references — register. I'm a reader who started this by studying what great work does and trying to do that. The story is strange and volatile partly because of that, and I think that's also why some of it works. The ambition is real. The reading will tell you if it got there. [This work is currently on hiatus. I'm not sure when I'll be back, but I haven't abandoned it (at least not forever!). I promise to come back and continue the story later on.]

MisterElegance · Fantasy

The Names... RIYURA SHIKO! - 名前は…リユラ・シコ!

Some people perform joy so completely that nobody notices they’re drowning until the water is already over their head—and Riyura Shiko has turned that performance into an art form. Fifteen years old, purple-haired, red bow-tied, and explosively cheerful in the specific way of someone who learned early that being cheerful was safer than being honest, Riyura arrives at Jeremy High not as a normal transfer student—but as a walking thunderclap in a school uniform. Officially, he’s there for a “fresh start” after an incident involving pudding, a ferret, and one tragically heroic trampoline. Unofficially, he’s there because wherever Riyura goes, normality quietly packs its bags and leaves. Jeremy High is no ordinary school. Founded in 1876 under impossible circumstances—three suicidal teenagers, letters from a descendant who wouldn’t exist for a century, and a foundation built as much on suffering as it is on survival—it attracts the broken, the chaotic, and the unexplainable. Riyura fits in immediately… and completely disrupts everything anyway. From shouting greetings at trees to challenging athletes to dribble pineapples, from staging lunchtime operas about dumplings to turning every hallway into a stage, he floods the school with a kind of absurd, relentless energy that feels almost supernatural on its own. But beneath the chaos is something quieter. Something fragile. Because Riyura isn’t just trying to be seen—he’s trying not to disappear. Over the next four years, what unfolds is everything. Not just the ridiculous, high-energy nonsense of flying fruit and social disasters, but corruption networks, government conspiracies, psychic abilities tied to Edo-period bloodlines, time manipulation, preserved souls, and a brother who dies… and comes back? Government agents become allies. Truths unravel. The very sanctuary that saved them reveals the cost of its existence. And still—beneath all of that—the people matter most. Yakamira, sharp and analytical, alive against all odds. Miyaka, opening her pencil case every morning as an act of quiet defiance. Subarashī, scars catching the light as he declares himself to the world. Jisatsu, holding steady, fourteen months without a crisis. Pan, baking at 4 AM not because he has to—but because he chooses to. None of them are whole. All of them are trying. And together, they form something stubborn and unbreakable: a family built not from perfection, but from the refusal to let each other drown alone. Then comes graduation. Osaka. Cherry University. Cherry blossom seasons that feel too soft for everything they’ve survived. And the slow, difficult realization that surviving and living are entirely different skills. And many more characters in the main stage at that as per-usual. Riyura Shiko isn’t just the loudest person in the room. He’s the one most afraid of silence. His absurdity isn’t there to make you laugh—it’s there to overwhelm you, to push past the limits of what “normal” even means, to prove that being alive isn’t about fitting in, but about refusing to disappear. The humor isn’t clean, or even traditionally funny—it’s chaotic, excessive, and sometimes deliberately irritating. Because this story doesn’t aim to be funny. It aims to feel. Loudly. Uncomfortably. Honestly. This is the complete story of Riyura Shiko. From a teenager hiding behind a crooked bow tie and a perfectly rehearsed smile… to someone who slowly, painfully learns what genuine laughter actually feels like. From impossible walls to open skies. It costs something. It leaves something behind. Neither cancels the other out. THE NAMES… RIYURA SHIKO! - RATED MA26+. Still here. That’s always been enough. Because this series has the worst humor you could ever wish for. >;)

Shyzuli_Lolz · Horror

Metal Puppets

The global war ended two hundred years ago, not with a bang, but with a whimper. Nations fought until resources were almost completely exhausted. By the time a cease-fire was called, the ability to return to the pre-war industrial era was nearly impossible. With the lack of resources, humanity declined to a quasi-medieval society of city states. Now 200 years later "Metalmancers" or those with the ability to control and shape metal have started to appear. With these Metalmancers and their abilities to salvage and possibly operate pre-war technology, forces have started to come into play to vie for control, once again sending this scarred planet into war. Mand and Val are two such Metalmancers who have been living on their own for the past several years. With new forces in play and old enemies on their trail, will they be able to lean on each other to survive this new emerging world? ** It's really hard to fly a dragon made of metal. They could of made a bull, a horse, or really any simple device that could haul a wedge-shaped plow, but someone insisted that they try and build a bloody dragon. That someone now had her hands wrapped around Mand's waist and was having the time of her life. "See, I told you this was a great idea," Val exclaimed. "We'll have that field done in no time!" "You're not the one trying to steer this thing," Mand returned. "Now be a good sister and lower the tail so we can get to work." Mand felt Val shift her weight and suddenly become very still as she began to concentrate. Inside the shell of the dragon, a complex system of gears began to whirr and rotate. The dragon's tail began to curve beneath the belly of the construct, until the wedge-shaped tip curved towards the ground. Mand had her work cut out for her as well. She focused her mind on pumping the dragon's wings to keep aloft. The descended tail made the whole operation twice as taxing as it was before. The tail clicked in place and Mand began their pass towards the field below. "Are you sure this will work?" she questioned her sister. "It's my butt too," Val pouted. "You should have more faith in my plan!" Mand brought the dragon closer and closer to the earth. She began to sweat as the ground inched closer. Finally, at the edge of the field, the tip of the tail sunk into the soft earth, plowing a furrow as the dragon swooped along. When the dragon reached the far end of the field, Mand pumped the wings to get them back in the air. It was only when she brought the dragon around for another pass that she realized how hard she was breathing. "See, I told you this would work!" Val shouted happily, kicking her legs out as they approached the field once again. Mand felt darkness overtake her.

durinde · Sci-fi
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Related Questions
What are the characteristics of Jeff Dunham's caricatures?
1 answer
2025-08-14 08:40
The main features of Jeff Dunham's caricatures are their bold lines and vivid depictions. They manage to make the characters look larger than life and very amusing. Moreover, they frequently incorporate elements that relate to the specific performances or acts of the puppets, adding an extra layer of charm and entertainment.
How is Jeff Dunham's comic style characterized?
3 answers
2025-06-12 08:55
Jeff Dunham's comic style is known for its blend of ventriloquism and witty banter. His characters have distinct personalities that bring a lot of laughter.
Tell me about Jeff Dunham and Peanut doing the Christmas story.
3 answers
2024-11-30 09:43
Jeff Dunham and Peanut's take on the Christmas story is really entertaining. Peanut, with his sassy and comical character, adds a lot of humor to the traditional Christmas story. It's a unique way to present the well - known tale, making it fresh and funny.
What makes Jeff Dunham and Peanut's Christmas story special?
1 answer
2024-11-16 01:38
What makes it special is that Peanut has his own distinct personality. In the Christmas story, he can add a touch of zaniness to the holiday spirit. Jeff Dunham's ability to make Peanut seem so real and interact with the Christmas elements in a funny way is what sets it apart. For example, Peanut might comment on the Christmas lights in a way that no one else would, making the audience see the Christmas setting from a whole new and humorous perspective.
Tell me about Jeff Dunham and Peanut's Christmas story.
3 answers
2024-11-16 00:19
Jeff Dunham and Peanut's Christmas story is likely full of their unique humor. Peanut, being one of Dunham's most popular characters, probably gets into all sorts of comical situations during Christmas. Maybe they go on an adventure to find the perfect Christmas present or have a hilarious encounter with Santa Claus. Dunham's ventriloquism skills bring Peanut to life in a way that makes the Christmas story both entertaining and memorable.
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