julius shulman architecture and its photography

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Here are some photography tips for ancient European architecture: - ** In terms of camera selection **: - [Telephoto lens: Able to distinguish specific segments of buildings to express uniqueness.] If the building is tall, the highest point (top view) can be taken from the window of the opposite building or from a higher point on the street. - [Wide-angle lens: Used to show the overall volume of the building and its surrounding objects (such as lawns, trees, etc.), but there may be limitations to fit the entire building into the picture.] - ** In terms of technical features **: - Light and shadow contrast processing: When shooting on sunny days or at dawn/sunset, the light and shadow contrast is strong. You can use exposure bracketing and HDIR-style photo post-processing. You can also choose to shoot in the morning or evening when the light is softer to avoid shadows and lighting problems. - Perspective correction: When shooting with a wide-angle lens, perspective correction may be required. The converging lines in the urban environment will be distorted by the camera equipment. You can use the "lens correction" filter in the "filter-" Distortion "menu of the Photoshop. - ** In terms of composition skills **: - Geometries: Geometries, diagonal lines, and grids in an urban environment aid in composition. You can use the telephoto lens to select the outer wall elements of the building into the picture, and at the same time use the symmetrical elements of the building. - Use reflection: Modern cities have many glass structures, and windows can be used as reflective surfaces to reflect the city. In addition to the reflection of the building itself, other reflective elements (such as puddles, water droplets, sunglasses, and transportation windows) could also be used to reflect the building. - Comparisons: Use color, texture, and lighting to contrast, such as new buildings against an old background, bright walls against a neutral background, or glowing buildings against a house under a tree. - Scale: You can use ordinary objects in the urban environment (such as traffic lights, cars, people, trees, etc.) to reflect the scale of the building. You can also avoid using these elements in the image to change the viewer's sense of space. - Silhouette: To create a silhouette shot of a building, place the sun's rays behind the building, choose exposure in the sky, and disable flash. - Night view: The night lighting of modern buildings provides creative opportunities. The best time to shoot is after sunset. At this time, the sky is not completely dark, the walls and windows of the buildings have reflections, and the city lights and the lights of the buildings themselves are already lit. Night shooting requires a tripod or other support. If you want to blur people and car lights, you can set the shutter speed to a few seconds. A slow shutter speed will also blur the clouds. At this time, you need to close the aperture to avoid the picture being too bright. It is recommended to use the camera or remote control built-in delay release to release the shutter. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>

The following are some tutorial points for indoor architecture and furniture photography: ** 1. Equipment Selection ** 1. ** Cameras ** - If you use a single-lens reflex camera or a micro-camera, a camera with a high resolution (high million-pel count) would be better to ensure that the image is clear and delicate, making it easy to capture the details of buildings and furniture. A camera with a full-frame sensor would have better low-light performance and a wider dynamic range, allowing clear and low-noise images to be taken under different lighting. It would be best to have a tilted screen or a hinged LCD screen to facilitate multi-angle composition. There was a wireless connection (Wi-Fi or Bluetooth) function to facilitate the transfer of images for sharing and editing, and the ability to shoot in RAW format would provide greater flexibility in post-processing. - If it was mobile phone photography, different phone lenses had different usages in the shooting. For example, a 0.5x scope could be used to surround and push forward the lens to shoot the main body of the furniture. 2. ** Shot ** - For indoor architecture and furniture photography, wide-angle lenses were more commonly used. On a full-frame camera, a wide-angle lens with a focal length of 14 - 24mm was suitable for indoor shooting. The focal length of 14 - 16mm was suitable for narrow spaces (such as narrow corridors or small rooms), and the focal length of 20 - 24mm was suitable for larger rooms. If someone who had just come into contact with a non-full-frame camera, the entry-level lens 18 - 55mm could be tried. If the lens was seriously deformed, the 50mm lens could be used to shoot multiple parts and then combined. - The shift-axis lens helped to correct perspective distortion and kept parallel lines unconverged when shooting in a compact indoor space. ** 2. Picture composition ** 1. ** Law of Penetration ** - One-point perspective was commonly used in home space photography. Its characteristics were that it was flat and stable, with the center point in the middle. It had a sense of steadiness and was suitable for expressing the sense of space. All the lines were concentrated on the vanishing point. There were also two-point perspective and three-point perspective, but one-point perspective was more commonly used in home space photography. - Every inch of distance should be cherished when composing a picture. Retreating to make space could improve the sense of space in the photo, and the flipping viewfinder screen could help with composition. 2. ** Other composition points ** - The classic rule of thirds composition could place the subject at the intersection of the four points of the rule of thirds, but sometimes it was not necessary to follow this rule in order to convey special emotions and artistic conception. - The key composition technique of indoor space photography was horizontal and vertical. It was necessary to ensure that the camera did not tilt, tilt, and rotate. This way, the photos of the open scene would not have obvious "distortion." In addition to balancing the picture and setting off the theme, the large aperture could create a combination of virtual and real effects. ** 3. Light and exposure ** 1. ** Light usage ** - Light and darkness were very important in indoor space photography. The indoor space had to be presented in a three-dimensional and complete manner in the picture, with clear primary and secondary levels. If you want to highlight a certain subject, you can achieve this by adjusting the surrounding light to make it darker. - In the face of a large indoor and outdoor light ratio (such as indoors being too dark or windows being exposed), you can use HPR technology to take 7 - 9 photos on a tripod for surround exposure. Later, the synthesis will solve the problem of excessive contrast. 2. ** Exposing parameters ** - In terms of aperture selection, it is recommended to use F8 - F11 or other small apertures when shooting indoor buildings and furniture to ensure that every detail is clearly visible. If the camera was used to capture the atmosphere of the furniture, such as the Canon 5D Mark IV camera, the aperture f/5.0, exposure time 1/125, and the parameters such as the Iso100 could be used as a reference. Different focal lengths (such as 47.0 or 70.0) could be selected according to the specific shooting effect. ** 4. Shooting Operation and Techniques ** 1. ** Using a tripod ** - A tripod was essential when taking home photos. In addition to maintaining stability when taking slow shutter shots, it could also check if the camera was level. 2. ** Shutter Release Usage ** - In daily shooting, if you use f18 and Iso100, you need to expose for 10 - 30 seconds. At dusk, the sky may be dark and you may need 45 seconds or more of exposure. At this time, you need to use the shutter release with the B shutter. 3. ** Cell phone shooting technique (for furniture)** - For example, you could choose a 0.5x scope to surround and push forward to shoot the main body of the furniture. You could also choose a 1x scope to shoot the character walking forward and other different lens times to combine the split-lens shooting idea. For example, the first shot used a 1x scope, the second shot used the character to pick up something, the third shot used a 0.5x scope to start shooting, the phone was placed somewhere and then thrown, and the fourth shot was pulled out from the back of the character. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>

Modern architecture was a broad concept. In English literature, the term " modern architecture " was often used to refer to modern architecture in a broad sense. Modern architecture involved many aspects such as function, technology, industry, economy, culture, and art. Its innovation was also in many aspects. In the first half of the 20th century, many schools and different styles of architecture appeared. The urban architecture was the embodiment of modern architecture in the urban environment. There were many types of modern buildings in the city. For example, the Shanghai Central Building, with a total height of 632 meters, 127 floors above ground and 5 floors underground, was a landmark building in Shanghai. The Guangzhou Tower, with a total of 39 floors and a height of 600 meters, was a radio and television tower and landmark building Guangzhou City with many functions. There was also the Beijing Galaxy SOHo, which was composed of four domed buildings. It was a large-scale complex that included office buildings and shopping malls. Its shape was unique and full of curve beauty. The modern buildings in these cities not only met the needs of practical functions, but also showed unique artistic charm and cultural content. They were integrated with the urban environment and influenced each other.

In 'Love is a Fallacy', Max Shulman uses humor to explore the concept of love and logic. The narrator tries to use logical reasoning to win a girl's love but fails miserably. It shows that love doesn't always follow logical rules.