The Allusion of Wa Ou Winning Jin Ou"Wa Ou wins Jin Ou" involved the content of China ceramic art. In China ceramic culture, mau had many meanings, such as gold basin, bowl, etc. It was also a metaphor for the integrity of the territory or as a good name for the wine cup. "Tile Ou wins gold Ou" may be from the perspective of ceramic art value, expressing that tile Ou is better than gold Ou in a sense, but the specific need to be further interpreted according to more cultural and artistic content. In the course of the development of ceramic art, there were many types of porcelain in China with their own characteristics, such as celadon in the Eastern Han Dynasty (including the different types of "Diyao" and "Ge Yao" in Longquan celadon), the situation of "South Green and North White" in the Tang Dynasty, and the unique blue and white porcelain, red glazed porcelain, famille rose porcelain, and glazed porcelain in the Yuan, Ming, and Qing dynasties. These rich porcelain cultures may also reflect the ceramic culture contained in "Wa Ou wins Jin Ou".
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Ou photographyLotus roots were a unique theme in photography. Unique scenes related to lotus roots could be filmed in lotus root fields in different regions.
In Baoying, the famous "hometown of lotus roots", the blooming season of lotus flowers attracted many film friends to Sheyang Lake to shoot. Even if they missed the best time to shoot lotus roots, they might still be able to shoot lotus roots picking, transporting lotus roots, and processing lotus roots. They could shoot the lotus root farmers loading lotus roots by the boat and carrying loads on the lifting board. They could also go deep into the lotus root field to shoot the lotus root farmers digging lotus roots. They could show the lotus root farmers working and harvesting lotus roots from different scenes such as big scene, medium scene, close-up, and close-up.
In Weishan Lake, the daily work of the lotus root digger could be filmed. For example, the lotus root digger wore thick waterproof clothes, held a water gun in one hand to blow away the mud at the bottom of the pool, and the other hand groped for the direction of the lotus root stem underwater to harvest the lotus root. The lotus root collector could also be filmed sorting the lotus roots into trucks.
The lotus root planting in Taishan was large-scale and of good quality. At the lotus root picking site in Haiyan Town, Wencun Town and other places, the lotus root digger could judge the position and direction of the lotus root by the position of the lotus stem, wash the lotus root with high-pressure water gun, pick up the lotus root and put it into the rubber bucket, and then wash, weigh and load the lotus root.
In addition, scenes of digging wild lotus roots could also be filmed in some places. For example, in the East Lake Greenway, someone filmed digging wild lotus roots. The process included finding the location of the lotus roots, surrounding and draining the water, identifying the traces of the lotus roots, shoveling the mud, digging the mud by hand to find the location of the lotus roots, and so on.
Different scenes and processes could be shot from different angles and at different times (such as early morning, noon, and sunset). Through the language of photography, the hard work of lotus root farmers, the process of harvesting lotus roots, and the unique customs of Lotus Root Village could be shown.
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Gostei muito, tem um ótimo desenvolver da historia, espero que tenha sucesso como autor, desejo boa sorte e sua carreira. Gostei muito e espero ler outra de suas obras.