eighty seven new threats old patterns

The following is the relevant information about "Eighty Feelings" found in the reference materials: Why sigh for white hair? The years are long, and the kinship is as strong as yesterday. Xincheng literature chanting poetry Fu, Chongxiao Garden Ren to stay. Manual silver plate connected to the five mountains, eyes watching the computer all over the world. Who said that 80 years old is considered old, a hundred years of life without hope? This poem expressed that although the poet was 80 years old, he did not sigh at the passage of time. His kinship was still strong, and he had made a difference in literary creation. In the modern scientific and technological environment, he could communicate with the outside world extensively, expressing a positive and optimistic attitude. He did not think that he would be old at 80 years old.

Chapter eighty-seven: Master and disciple went west to Fengxian County and met the county marquis praying for rain. Wukong went to the Heavenly Palace to ask for rain, but learned that it was the Marquis who had offended the Jade Emperor. It would only rain when the chicken finished eating the rice mountain, the dog licked the flour mountain, and the lamp burned the chain. Therefore, Wukong advised everyone in Fengxian County to do good deeds. After that, rain fell from the sky, and Fengxian County even built a shrine for Sun Wukong. Chapter 88: After Tang Sanzang and his disciples bid farewell to Fengxian County, they came to Yuhua County. Bajie and Monk Sand covered their faces and entered the city. The four of them went to the guest house to rest. Tang Sanzang entered the palace to exchange notes. The king entertained Tang Sanzang and promised to call his disciple. The king's three sons entered the palace. When they saw that the weapons of Wukong and the other two were similar to their own, they went to snatch them, but they could not move them. After the three of them flew into the air and played a few moves, the three princes acknowledged them as their masters. Wukong and the other two taught their disciples the power of divine power and weapon moves, but because their disciples were not strong enough and they had to protect Tang Sanzang, they could not give them weapons, so they asked the blacksmith to make a miniature version of the weapon. When the blacksmith was forging weapons, the demon stole the weapons of Wukong and the others. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>

There were four types of qilu: 1. ** Rhyme from the beginning **: - The sky was flat, the sky was flat, the sky was flat. - He was flat and flat, flat and flat. - The sky was flat, the sky was flat, the sky was flat. - He was flat and flat, flat and flat. (0 indicates that it can be leveled or leveled) 2. ** The first line of the sentence does not rhyme **: - The sky was flat, the sky was flat, the sky was flat. - He was flat and flat, flat and flat. - The sky was flat, the sky was flat, the sky was flat. - He was flat and flat, flat and flat. 3. ** Rhyme from the first sentence: - He's flat, he's flat, he's flat. - The sky was flat, the sky was flat, the sky was flat. - He was flat and flat, flat and flat. - The sky was flat, the sky was flat, the sky was flat. 4. ** The first sentence doesn't rhyme **: - He was flat and flat, flat and flat. - The sky was flat, the sky was flat, the sky was flat. - He was flat and flat, flat and flat. - The sky was flat, the sky was flat, the sky was flat. The basic sentence patterns of the seven rhythms were Ping Ze Ping Ze (Ping Ze Jiao), Ze Ping Ze Ping Ze (Ze Ping Jiao), Ze Ping Ze Ping Ze (Ze Ping Ze Jiao), Ping Ze Ping Ze (Ze Ping Ze Jiao), and Ping Ze Ping Ze (Ping Ping Ze Ping). These four sentence patterns were the basis for the change of the format of the regulated poems. At the same time, the couplet and the neck couplet of the regular poem must be opposite, and the last word of the second, fourth, sixth, and eighth sentences must have the same rhyme (generally, the couplet of the couplet must have the same rhyme, but the first sentence can be used or not).

The pattern of tones in a seven-character quatrain can be divided into the following four situations according to the difference in the first sentence: 1. The first sentence of the rhyme: The law of the level is the level of the level. 2. The first sentence of the rhyme: The law of the level is the level of the level, the level of the level. 3. The law of the rise and fall of the tone is that the tone is flat and flat, flat and flat. 4. Ping Qi Ze Shou: The rule of Ping Ze is Ping Ze Ping Ze, Ze Ze Ping Ze Ping Ze, Ze Ping Ze Ping Ze, Ping Ze. As for the rhyming formula, because the rhythmic poem was based on the flat tone rhyme, the last word of each sentence needed to rhyme if it was a flat tone word. However, there was no seven-character quatrain rhyme formula that was specifically expressed in a very concise and unified manner. The overall rhythm followed a certain alternating law of level and tone, which made the poem harmonious in temperament and sound.