Chapter 36

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"Mr. Harsh, this discussion has been truly inspiring. Once the script is finalized, you will be officially credited as a contributor."

"You've done the heavy lifting with the script; I've only made a suggestion," Harsh replied modestly.

"No, your concept is central to the project. The film will be much more profound and not just a typical commercial film," Nolan insisted.

"I'm glad we're on the same page," Harsh said with a nod.

"This is an honor for us. We'll need to finalize shooting dates with Warner Bros. We'll start with the first part, and once the script for the Joker is ready, we'll be in touch," Nolan explained.

"Sounds good. Feel free to call me anytime about the script. See you on set," Harsh agreed.

"See you on set."

Harsh and the Nolan brothers had been in discussion for nearly an entire day, from morning until dusk. Harsh's insights on the "Dark Knight" trilogy had impressed them greatly.

Originally, the first "The Dark Knight" film, "Mystery of Shadows," had been released around this time. However, due to delays in adapting the comic book in this parallel world, the Nolans had only completed an early draft of the script. Harsh's input made them realize the need to revise their approach.

Once Warner's funding is secured, the trilogy will proceed with auditions, casting, and filming. The plan is to shoot all three parts simultaneously, similar to the "Lord of the Rings" trilogy, and release them annually based on production schedules.

"Beginners" is set to release at the end of 2007, and "The Dark Knight" is scheduled for 2008, aligning with the original timeline.

"By the way, Harsh, one last question: Do you have any suggestions for Batman?" Nolan asked.

Harsh smiled mysteriously, not giving a direct answer. "I believe you already know the right choice. You're right to choose him. Don't rely on others' opinions."

Nolan pondered this as Harsh left his house. Afterward, Harsh was heading to London Heathrow Airport to return to Los Santos.

The advice Harsh gave Nolan was regarding the original choice for the Batman villain. Warner executives and co-writer David Goyer had initially considered Jake Gyllenhaal for the role, who later became known for "Mysterio" in the "Spider-Man" series. At Nolan's insistence, they abandoned this idea and decided to remove the Riddler character from the script.

Harsh was committed to making the "Dark Knight" trilogy a success. If "John Wick" performed well at the box office, he was also contemplating investing in "The Dark Knight."

Given the trilogy's expected success, it was a worthwhile investment, provided "John Wick" did well.

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Back in Los Santos, Harsh immediately went to the studio to oversee the post-production team working on special effects and editing. The film's realism was paramount, with no excessive action designs or wild scenes. All combat moves needed to be practical and believable.

The editing team from Columbia Pictures, renowned for its quality, was working on the film. Director David Leitch's precise editing elevated the film's tone beyond the original, adding a unique flair.

Harsh reviewed the final cut and was confident that "John Wick" in this parallel world would stand up to the original version.

The film was expected to be submitted for review by the end of February. With its intense violence, it was anticipated to receive an R rating. If all went well, the release was planned for May or June.

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While overseeing post-production, Harsh was also involved in two other major projects.

Firstly, he had reached a preliminary agreement with Marvel. Harsh would join Marvel Entertainment as Chief Operating Officer, working closely with Marvel President Kevin Feige on the MCU's development. Though he would not be under the direct leadership of Marvel's CEO, Perlmutter, his role would be that of a senior consultant, crucial for shaping the next phase of the Marvel universe.

Marvel was heavily in debt, having borrowed $500 million, with its future dependent on the success of upcoming films. Harsh's involvement provided stability to the project.

Harsh planned to use the proceeds from "John Wick" to buy Marvel stock. Marvel's stock price had been fluctuating but was expected to rise once "Iron Man" was released.

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Harsh also had another significant plan. He had registered a new record company called "Galaxy Music," part of Galaxy Entertainment. Harsh was now the chairman of Galaxy Entertainment, with Happy promoted to CEO of Galaxy Pictures.

Doug Morris, a veteran from Sony Music known for his work with top artists like Adele and Beyoncé, was hired as CEO of Galaxy Music. Morris had been highly sought after by Sony, but Harsh's vision and the challenge of building something new had persuaded him to join Galaxy Music.

Harsh's first major move with the new label was signing Taylor Swift. 

"Really? You actually created a record label for me?" Swift couldn't believe it. "Why did you do this for me?"

"Of course. Not only did I start a company, but I also hired a top producer to help you with your new album. When are you coming to Los Santos?" Harsh asked.

"Now!!!" Swift's excitement was palpable through the phone.

She was thrilled to have a new opportunity and no longer be under the control of her previous management.

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