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November 11, 2023 | Part II

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Hornaday, Ann (December 8, 2006). "The Many Facets of 'Diamond' Gripping Thriller Packs a Wallop Amid a Landscape of Chaos and Civil War". The Washington Post. Archived from the original on March 5, 2022. Retrieved October 8, 2019.

 

Scheck, Frank (April 26, 2007). "The Gardener of Eden". The Hollywood Reporter. Associated Press. Archived from the original on December 22, 2015. Retrieved December 20, 2015.

 

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Carroll, Larry (August 15, 2007). "Leonardo DiCaprio and Russell Crowe Will Be a Good 'Fit' in CIA Flick, Ridley Scott Hopes". MTV News. Archived from the original on March 12, 2009. Retrieved November 30, 2007.

 

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Bacardi, Francesca (January 22, 2014). "Jonah Hill Was Paid $60,000 for Wolf of Wall Street". Variety. Archived from the original on July 11, 2015. Retrieved July 30, 2015.

 

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Judge, Michael (January 29, 2011). "A Hollywood Icon Lays Down the Law". The Wall Street Journal. Archived from the original on January 25, 2015. Retrieved February 18, 2011. (subscription required)

 

Ebert, Roger (November 8, 2011). "J. Edgar". RogerEbert.com. Archived from the original on May 1, 2013. Retrieved November 9, 2011.

 

Pols, Mary (December 7, 2011). "The Top 10 Everything of 2011 – Red Riding Hood". Time. Archived from the original on December 20, 2011. Retrieved October 7, 2019.

 

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Blake, Meredith (February 12, 2013). "Beau Willimon's Political Work is Foundation for House of Cards". Los Angeles Times. Archived from the original on April 19, 2023. Retrieved April 19, 2023.

 

Flynn, Fiona (December 18, 2012). "Leonardo DiCaprio Talks Django Unchained: It Was Disturbing". Entertainment.ie. Archived from the original on October 7, 2019. Retrieved October 7, 2019.

 

Appelo, Tim (December 20, 2012). "Quentin Tarantino's Django Unchained: How Panic Attacks and DiCaprio's Real Blood Made a Slavery Epic Better". The Hollywood Reporter. Archived from the original on March 9, 2016. Retrieved February 28, 2016.

 

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Dibdin, Emma (May 17, 2013). "Leonardo DiCaprio: 5 Best Movie Roles". Digital Spy. Archived from the original on May 14, 2021. Retrieved April 11, 2022.

 

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Lee, Ashley (December 17, 2013). "Leonardo DiCaprio Talks 'Flopping Around' in Wolf of Wall Street Sex Scenes (Video)". The Hollywood Reporter. Archived from the original on October 6, 2019. Retrieved October 6, 2019.

 

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Fleming, Mike Jr. (October 17, 2014). "Netflix & Leonardo DiCaprio Team On Virunga Documentary Release". Deadline Hollywood. Archived from the original on June 27, 2022. Retrieved April 11, 2022.

 

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Setoodeh, Ramin (December 15, 2015). "Leonardo DiCaprio, Alejandro G. Inarritu Open Up About The Revenant's Brutal Shoot". Variety. Archived from the original on October 5, 2019. Retrieved October 5, 2019.

 

Zakarin, Jordan (October 19, 2015). "Leonardo DiCaprio on Fighting a Bear in The Revenant and Film vs. TV". Yahoo!. Archived from the original on January 6, 2020. Retrieved October 5, 2019.

 

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Fleming, Mike Jr. (December 19, 2019). "Leonardo DiCaprio on Once Upon a Time in Hollywood and Looking For Positives in Disruption That Has Turned the Movie Business on Its Ear – the Deadline Q&A". Deadline Hollywood. Archived from the original on May 21, 2021. Retrieved April 11, 2022.

 

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Mooney 2021, p. 249.

 

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Cited sources

Block, Alex Ben; Wilson, Lucy Autrey, eds. (2010). George Lucas's Blockbusting: A Decade-By-Decade Survey of Timeless Movies Including Untold Secrets of Their Financial and Cultural Success. HarperCollins. ISBN 978-0-061-77889-6.

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Hammond, Michael K. (2012). "Leonardo DiCaprio and Sean Penn: Acting Authentic". In Pomerance, Murray (ed.). Shining in Shadows: Movie Stars of the 2000s. Rutgers University Press. pp. 166–181. ISBN 978-0-81355-216-3.

Mooney, William H. (2021). "Citizen Kane (1941) and Baz Luhrmann's the Great Gatsby (2013)". Adaptation and the New Art Film. Palgrave Studies in Adaptation and Visual Culture. Palgrave Macmillan. pp. 237–268. doi:10.1007/978-3-030-62934-2_9. ISBN 978-3-030-62933-5. S2CID 238014709.

Muir, John Kenneth (2004). The Unseen Force: The Films of Sam Raimi. Applause: Theatre & Cinema Books. ISBN 978-1-55783-607-6.

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Nash, Melanie; Lahti, Marti (1999). "The Paradoxes of Girls' Fandom". In Sandler, Kevin S.; Studlar, Gaylyn (eds.). Titanic: Anatomy of a Blockbuster. Rutgers University Press. pp. 64–88. ISBN 978-0-8135-2669-0.

Neibaur, James L. (2016). The Essential Jack Nicholson. Rowman & Littlefield. ISBN 978-1-4422-6989-7.

Ochoa, George (2011). Deformed and Destructive Beings: The Purpose of Horror Films. McFarland & Company. ISBN 978-0-7864-8654-0.

Pomerance, Murray (2012). "Leonardo DiCaprio: King of the 'World'". In Everett, Anna (ed.). Pretty People: Movie Stars of the 1990s. Rutgers University Press. pp. 103–122. doi:10.36019/9780813553252-007. ISBN 9780813553252. S2CID 225038492.

Romney, Jonathan (2014). "The Man Who Sold the World". Film Comment. 50 (1): 22–27. JSTOR 43459881.

Schwartz, David; Ryan, Steve; Wostbrock, Fred (1999). The Encyclopedia of TV Game Shows, 3rd Edition. Checkmark Books. ISBN 978-0-8160-3847-3.

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External links

Leonardo DiCaprio at Wikipedia's sister projects

 Media from Commons

 News from Wikinews

 Quotations from Wikiquote

 Data from Wikidata

Leonardo DiCaprio Foundation

Leonardo DiCaprio at IMDb

Leonardo DiCaprio at Rotten Tomatoes

Leonardo DiCaprio on Instagram

 

 

 

 

Last edited 49 minutes ago by That'sHedley

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The Cenotaph is a war memorial on Whitehall in London, England. Designed by Sir Edwin Lutyens, it was unveiled on 11 November 1920 as the United Kingdom's national memorial to the British and Commonwealth dead of the First World War. It was rededicated in 1946 to also commemorate those who had fallen in the Second World War, and has since come to additionally represent British casualties from later conflicts. The word cenotaph is derived from Greek, meaning 'empty tomb'; the monument symbolises the absence of the dead and is a focal point for public mourning. The original temporary Cenotaph was erected in 1919 for a parade celebrating the end of the First World War; calls for it to be rebuilt in permanent form began almost immediately. The permanent Cenotaph was unveiled by George V on 11 November 1920 in a ceremony combined with the repatriation of the Unknown Warrior. The National Service of Remembrance is held annually at the site on Remembrance Sunday. This sketch by Lutyens of the Cenotaph's front and end elevations was published in The Illustrated London News two days after it was unveiled.

Sketch credit: Edwin Lutyens; restored by Adam Cuerden