poetry biography

"Qianlong wrote 40,000 poems in his life. The following is an appreciation of some of his poems: - [Reading Xiang Yu's Chronicle]: The poem sang about the Qin Dynasty losing its deer, and the world chasing it together. Xiang Yu pulled out the mountains and rivers but was defeated by the Wu River, expressing his regret for Xiang Yu. For example,"Where are the three families of my hometown?" The three families of the Chu State who had lost the Qin Dynasty finally submitted to Liu Bang, and the sorrow of the Wu River could not be washed away even after a thousand years. It was considered a masterpiece among many poems about Xiang Yu. - "Liaoyang nostalgic": It was a traditional nostalgic poem."Only the thousand-year-old crane, sometimes seen in the white clouds," had the charm of Tang poetry. - **< Imitation of the Ancient Meaning >**: This poem is about two neighboring women, one rich and one poor. With a peach tree flying to the east and west of the neighboring family as a guide, through the description of the different situations of the daughters of the east and west neighbors, there is a slight novelty. It is a reversal of the past habit of only describing the poor women's bitter lives. With the rich to reflect the poor, the fallen leaves are like people, leading to the cruel reality of the gap between the rich and the poor. - [Gao Qipei Painted a Tiger with His Fingers]: It was about the scene of Gao Qipei painting with his fingers. The poem used many images to describe the momentum of his painting process, some static and some moving. In addition, Qianlong also had a poem called Flying Snow: " One piece after another, two pieces, three pieces, four pieces. Six pieces, seven pieces, eight pieces, nine pieces, they flew into the reed flowers and disappeared." However, this poem was controversial. It was said that it was not recorded in Qianlong's "Complete Collection of Leshantang" and "Imperial Poetry Collection" and might be a fictional passage of later generations. Moreover, there was a point of view that this poem should not be used to conclude that Qianlong had no talent. After all, it was not easy to make an impromptu speech. At the same time, Zheng Banqiao also had a similar poem, Ode to Snow, but Qianlong's poem had become his poetry level positioning poem, which was not objective and comprehensive. In general, Qianlong's poems should be viewed objectively. Although he was highly sought after because of his identity as an emperor during his lifetime, many people ridiculed him after his death. However, there were also some works with charm and meaning in his poems. "Journey to Gaoyang" is equally exciting. Everyone is welcome to click and read it! "

Ming Zhuan referred to the legendary novels of the Ming Dynasty, also known as Romance of the Three Kingdoms and Water Margins. These novels were very popular during the Ming Dynasty and became an important part of Chinese culture.

Su Shi had many poems. From the information provided, His collection of poems includes "He Cai Zhunzhong invited to visit the West Lake.""There are people who use the official law wine to ask for the ancient rhyme to move the kitchen to drink on the lake","Huaixi Lake sent to Uncle Mei in the same year","Niannujiao·Red Cliff Memories","Water Melody Head·When is the Bright Moon","Jiangcheng Zi·Yimao Dream on the 20th day of the first month","Dingfeng·Don't listen to the sound of the forest hitting the leaves","Jiangcheng Zi·Mizhou Hunting","Butterfly Love Flower·Spring Scenery","Drinking on the Lake After the Rain of the First Clear Day"," Huanxi Sand·Youshui Qingquan Temple" Inscription of Xilin Wall, Bu Suanzi·Huangzhou Dinghui Courtyard Residence, Linjiang Immortal·Send Money Mu Fu, Wang Jiangnan·Transcendental Platform, Xijiang Moon·Mid-Autumn Festival and Zi You, Linjiang Immortal·Night Return to Lin Gao, Huichong Spring River Evening Scenery, Gift to Liu Jingwen, Spring Night, Dingfeng·South China Sea Return to Wang Dingguo's Attendant Mother, He Zi You Mianchi Nostalgia, Huanxi Sand·Xixi Rain Wind as Morning Cold, He Dong Biography, Xingxiang Zi·Shuhuai, Self-Inscription Jinshan Portrait, etc. These poems showed Su Shi's thoughts and feelings in different situations, such as thinking about life, missing his relatives and friends, and describing the natural scenery. As for Su Shi's biographies, there was no direct mention of a specific collection of works. However, the Biography of Su Dongpo was an important biography of Su Shi, and it might have quoted a lot of Su Shi's prose content.

There were two poetry novels that he could recommend. The first book was " The Supreme Saint of Confucianism ", and the author was Eternal Fire. This novel was about a world where scholars mastered the power of heaven and earth. The protagonist used poems and articles to improve his strength and change the development of the world. It was known as the pioneer work of the Confucian and Daoist scholars 'cultivation system. The second book was Legend of Ling Tian, and the author was Piercing Wind. In this novel, the protagonist used ancient poems to show off the 5,000-year-old cultural treasures of China. These two novels were highly recommended by readers. The plot was exciting and they were classic works in the world of poetry.

The formal form of Fengliu Zi Ci Pai was thirty-four words, eight sentences and six rhymes. With Sun Guangxian's "Fengliu Zi·Lou Yi Chang Qu Yu Mu" as the representative, its meter contrast word is: Ping Ze Zhong Ping Ze *. The middle is flat and the middle is flat. Ping Ze, Ze Ping Ze, Zhong Ze Zhong Ping Ze *. It's flat. It's flat. The middle is flat.

Tang poetry and Song poetry were an important branch of Chinese literature history, representing the peak of ancient Chinese literature. Tang poetry and Song Ci had extremely high artistic achievements. Their poetry language was concise, the rhythm was beautiful, and the artistic conception was far-reaching. They often showed strong emotions and philosophical thinking. In the history of China, Tang poetry and Song poetry were regarded as the treasures of literature and art, which had a profound influence on the literature of later generations. The representative works of Tang poetry and Song poetry include Li Bai's "Wine", Du Fu's "Ascending", Su Shi's "Water Melody", Xin Qiji's "Sapphire Case·Yuan Xi" and so on. These works not only have high artistic value in literature, but also have profound historical and social significance, becoming an important part of Chinese culture. The development and inheritance of Tang poetry and Song poetry was not only an important event in the history of Chinese literature, but also an important stage in the history of Chinese culture. Through studying Tang poetry and Song Ci, we can better understand ancient Chinese literature and culture, and feel its profound historical and cultural heritage.

Modern poetry and ancient poetry are two different types of literature, each with its own unique characteristics and development process. Ancient poetry originated from ancient Greek and Roman lyric poetry, which developed into modern poetry through medieval knight poetry, Renaissance essays, and romantic poetry. Modern poetry originated in the early 20th century in the United States, experienced the development of modern, post-modern and other schools, and finally reached its peak in the 1950s. The forms of modern poetry were more diverse, including free verse, short poem, long poem, narrative poem, lyric poem, etc. The theme of modern poetry was also more widely involved in society, politics, culture, nature, human nature, etc. In contrast, modern poetry developed even more rapidly. From the 1930s, many American poets began to try to create poems with more freedom in form and content. In the 1940s and 1950s, many modern poets created the new modern poetry school by praising the theme of selfishness, anti-culture, anti-utopia, etc. In the 1960s and 1970s, poetry began to reflect on social reality and the meaning of human existence, forming the post-modern poetry school. In the 1980s and 1990s, modern poetry became more diverse, including expressionism, symbolism, expressionism-regressionism, neo-expressionism, cultural poetry, electronic poetry, etc. Modern poetry and ancient poetry have great differences in form, content, theme and style, but they all reflect human thoughts and feelings about life, love, nature, society and so on.

Ancient poetry and modern poetry are both literary forms with different characteristics and development processes. Ancient poetry originated from China. After a long period of evolution and development, it formed a variety of different poetry styles, such as Tang poetry, Song poetry, Yuan poetry, etc. Ancient poems were usually beautiful in language, harmonious in rhythm, profound in thought, and far-reaching in artistic conception. They often expressed the author's feelings and values by describing the natural landscape, expressing feelings, and expressing the thoughts of the characters. Modern poetry originated in the early 20th century, after the New Culture Movement, the May 4th Movement and other periods of development and change, the form and style of modern poetry was formed. Modern poetry was featured by concise language, freedom of form, and creativity, focusing on expressing the author's feelings and thoughts. Modern poetry usually uses poetic forms such as modernism, post-modernism, symbolism, expressionism, etc. There are also different schools and styles such as lyric poetry, narrative poetry, philosophical poetry, etc. Both ancient poetry and modern poetry had their own unique characteristics and development process, each representing different literary schools and cultural traditions.

"Lin Huiyin's Biography of Poetry: A Poetic Waterfall in the Ancient World of April" is a book written by a famous modern Chinese architect and poet. This book shows Lin Huiyin's charisma and charm as an outstanding woman through her legendary life and literary achievements. In this book, readers will learn that Lin Huiyin is not only an excellent architect, but also a poet full of poetry and creativity. Her works were known as the classics of modern Chinese poetry for their unique style and profound meaning. At the same time, you will also learn about Lin Huiyin's in-depth research and thinking on Chinese traditional culture and philosophy, as well as her active promotion and contribution to the process of China's modernisation. This book is not only a biography of Lin Huiyin's personal life and literary achievements, but also an important document on the history of modern Chinese culture and literature. Reading this book will give you a deeper understanding of Lin Huiyin and the people and events related to her. It is of great significance to understand and pay attention to the development of modern Chinese culture.