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I'm not sure where you can specifically find it. You could try searching on major music platforms like Spotify, Apple Music, or YouTube. Maybe search for it using the full name 'lagu ost new gisaeng story' and see if it pops up.

You could also check on social media platforms. There might be fan pages or groups dedicated to 'ulala session' where fans share and discuss things related to the band, including the lyrics of 'love fiction'. Additionally, YouTube music videos of the song may have the lyrics in the description or as captions, which can be a convenient way to access them.

Sorry, I'm not very familiar with the specific 'ulala session love fiction' song lyrics. You can try to search for it on music platforms where you might find detailed lyrics explanations.

He didn't quite understand the exact meaning of the phrase "Earth is a safe house after the apocalypse". If one were to take it literally, in the context of the apocalypse, Earth had become very dangerous and did not look like a safe house. However, from the perspective of building a safe house to resist the dangers of the apocalypse, the reference materials mentioned some key points in building a safe house, such as choosing the right materials to ensure structural strength.(such as reinforced concrete or reinforced steel) to solve the energy problem (Using solar panels and wind generators equipped with battery storage systems), ensuring water resources (through rainwater collection systems and air moisture extraction technology with filtering and disinfection facilities), providing food supply (indoor farms, aquatic plants or mushroom cultivation), and adding medical facilities, communication systems, entertainment facilities, etc. to improve the quality of life. As well as adopting measures such as recycling materials to achieve sustainable development, they could build a relatively safe "safe house" on Earth.

The following is a portion of Wang Zhaojun's poetry appreciation: ** 1. Li Bai's Wang Zhaojun ** 1. ** Imagery and artistic conception ** - In the poem,"The moon shines on the Qin land of the Han family, and the flowing shadow shines on the imperial concubine." Once on the Jade Pass Road, the ends of the world will never return."It began with the image of" Qin land and moon."Qin land was an important area of the Han Dynasty. The moon often symbolized feelings such as longing and reunion in ancient China poetry. Here, the moon shone on Wang Zhaojun, who was about to leave. Once she set foot on the Jade Pass, she would never be able to return. The phrase "go to the ends of the world and never return" created a lonely and desolate mood, hinting that Wang Zhaojun's fate was irreversible after she left the frontier fortress. She was far away from her homeland and drifted in the distant frontier. - "Hanyue is still coming out from the East Sea. He continued to use the image of the Han Moon. The Han Moon still rose from the East China Sea, but Wang Zhaojun did not return after marrying to the West. "Yanzhi" was Yanzhi Mountain. It was supposed to be a place full of vitality. However, it was always cold here. Snowflakes replaced flowers. Wang Zhaojun's beautiful face gradually withered in the sandstorm of Hu Land. Through this sharp contrast, Wang Zhaojun's miserable situation in the harsh environment of Hu Land was revealed. 2. ** Thesis and Emotions ** - The theme reflected the tragic fate of Wang Zhaojun marrying the Xiongnu. From an emotional point of view, the poet was full of sympathy for Wang Zhaojun. This sympathy was expressed through the description of Wang Zhaojun's living environment after she left the frontier fortress and her regret that she could not return to her hometown. At the same time, it also contained a criticism of the feudal emperor's policy of using women to marry. ** II. Du Fu's "Ode to Historical Places, Part 3"** 1. ** Imagery and artistic conception ** - "Mountains and ravines go to Jingmen, and there is still a village where the imperial concubine grew up." The poet began with the magnificent scene of mountains and ravines rushing to Jingmen, and then led to the village where Wang Zhaojun grew up. This grand scene was in stark contrast to Wang Zhaojun's tragic fate, which highlighted the insignificance and sadness of her fate. - "Once you go to the Purple Terrace, you will connect the desert, leaving only the Qingzhong to the evening." The Purple Terrace symbolized the Han Palace. Wang Zhaojun left the Han Palace to the desert, leaving only the Qingzhong in the evening. The image of "dusk" added a kind of desolate and sad atmosphere. Qingzhong looked particularly lonely in the evening, as if it was telling Wang Zhaojun's endless sorrow. 2. ** Thesis and Emotions ** - The theme was also a lament for Wang Zhaojun's fate. The poet expressed his feelings about his life experience by paying homage to Wang Zhaojun's historical site. They were filled with deep sympathy, but at the same time, there was also a feeling of sympathy for the same illness. Du Fu himself was a wanderer, while Wang Zhaojun married far away and could not return. The two had something in common in their fate of wandering. ** 3. Yu Xin's Wang Zhaojun ** 1. ** Imagery and artistic conception ** - "Wiping away my tears, I bid farewell to my relatives. I look back at the bright sun. the mirror loses the shadow of the caltrop flower. In the poem,"Qili" was where Wang Zhaojun's hometown and relatives were, and "Zhaoyang" represented the Han Palace. She tearfully bid farewell to her relatives and the Han Palace. The mirror lost her beautiful face (the shadow of the water chestnut) and took off the hairpin on her head (the moon beam). These images depicted the scene of Wang Zhaojun's departure in detail, creating a sad and reluctant mood. - "There's not a foot around the waist. I shed a thousand lines of tears. my green robes bear the sweat of my horse. Red sleeves brushing autumn frost ", through the description of Wang Zhaojun's body emaciation (less than a foot around the waist) and endless tears (thousands of lines of tears), as well as the difficult life in Hu land (green shirt Cheng Ma Khan). Red sleeves brushing the autumn frost), showing her hardship and sadness in Hu land. 2. ** Thesis and Emotions ** - The theme revolved around Wang Zhaojun's miserable life after she left the frontier fortress. He expressed his deep sympathy for Wang Zhaojun and his pity for her hard life in a foreign land. ** IV. Bao Zhao's Wang Zhaojun ** 1. ** Imagery and artistic conception ** - "Things have changed. my heart follows the path cut off. frost and frost, I'm alarmed by morning and evening. The word "Zhuanpeng" was a kind of grass that drifted with the wind. It was often used to describe a wandering life. Here, Wang Zhaojun's fate was compared to turning the grass and leaving her hometown. The path was a channel to transmit information, and Wang Zhaojun's heart was cut off along with the path, which meant that her connection with her homeland was cut off. "Frost" and "Bian Jia" were both things in the frontier. They were startled by the sound of frost in the morning and evening. In the middle of the night, they could hear the whimper of Bian Jia, depicting the coldness and desolation of Hu land, creating a lonely and sad mood. 2. ** Thesis and Emotions ** - The theme was to show Wang Zhaojun's loneliness and sadness after she left the fortress. The poet's feelings for Wang Zhaojun were mainly sympathy. By describing her living environment and inner loneliness in Hu Land, he expressed his regret for her unfortunate fate. The novel "Song of Everlasting Sorrow: Morning and Evening" is equally exciting. Everyone is welcome to click and read it!