ninety six loud voice

"Great sounds are rare, and elephants are invisible" came from Tao Te Ching, which was an aesthetic concept in ancient China literature theory proposed by Lao Tzu. In terms of aesthetics, it advocated natural beauty rather than artificial beauty. In layman's terms, the better the music, the quieter and more distant it was, and the better the image, the more ethereal and invisible it was. In terms of meaning," Da Yin Xi Sheng " could mean that the greater the achievement, the more penetrating it was." Elephant Invisible " meant that the greater the magnanimity, the more inclusive it was of all things. It could also be understood that the greater the achievement, the more inestimable it was. The greater the magnanimity, the more indescribable it was. Ancient and modern scholars had roughly six explanations for "Da Yin Xi Sheng": First, they believed that the loudest sound had no sound; Second, they believed that the loudest sound sounded sparse; Third, they believed that "Xi Sheng" was "soundless" and contained "Da Yin"; Fourth, they believed that "Da Yin Xi Sheng" was heavenly music, which could not be heard with ears, but to comprehend the eternal and harmonious huge "Heavenly Music"; Fifth, they believed that "Da Yin" was the sound of the Tao, mainly referring to the transcendence of sound emotions; Sixth, he believed that no sound was the strongest sound, which meant that it was best not to say anything. In some derivative understandings," Da Yin Xi Sheng " meant that the more elegant the music was, the fewer people would be able to appreciate it, and the more brilliant the suggestions were, the fewer people would accept them." Elephant Invisible " meant that the more important the elements were, the easier it was for people to ignore them. The " elephant " here could be understood as the " hexagram image ", which was an element. For example, people often ignored the important basic elements of life such as sunlight, air, water, food, and so on. Instead, they pursued expensive but meaningless things such as gold and jewelry. At the same time,"the elephant is invisible" could also mean that one did not know how to cherish it when they had it, or that they knew how precious it was after losing it.

" Great sounds are rare, and elephants are invisible " came from the Tao Te Ching. It was an aesthetic concept in ancient China literary theory proposed by Lao Tzu. It was intended to praise natural beauty rather than artificial beauty. There were roughly six explanations for "Da Yin Xi Sheng". One was that it meant that the loudest sound had no sound; The second was that it meant that the loudest sound was sparse; The third was that "Xi Sheng" was "soundless" and contained "Da Yin"; The fourth was that "Da Yin Xi Sheng" was heavenly music, which could not be heard with ears, but to comprehend and use the eternal and harmonious huge "Heavenly Music"; The fifth was that "Da Yin" was the sound of the Tao, mainly referring to the transcendence of sound emotions; Sixth, he believed that no sound was the strongest sound, which meant that not saying anything was the best. In layman's terms, the better the music, the quieter it would be. It could also be understood as the better the music, the further away it would be. There was a range to a person's hearing. A person would not be able to hear anything beyond the range. If it was smaller than the range, they would not be able to hear it. If it was larger than the range, they would not be able to hear it. One of the explanations for " elephant formless " was that the better the image, the more ethereal and formless it was. The shape of the universe could not be described by what people saw and heard, because such a large image was formless. It could also be understood as a metaphor that the greater the achievement, the more inestimable it was. The greater the magnanimity, the more indescribable it was. From another point of view, the " elephant " in " elephant invisible " could be understood as " divinatory symbols ", or elements." elephant " was an important element, which meant that the more important the element, the easier it was to be ignored. For example, people often ignored important elements such as sunlight, air, water, and food, and paid too much attention to things that were relatively less important such as gold and jewelry.

Huainan No. 96 was a department of Huainan Mining Group, responsible for the management and construction of coal mines. Liu Shubiao was the current director of the department. During his tenure, he faced serious difficulties and achieved a virtuous cycle of enterprise management and operation through management innovation, system innovation, and technological innovation. To be specific, he implemented the project method construction, the project manager responsibility system, the internal simulation market accounting and other measures, optimized the allocation of production factors and dynamic management, and formed a new management system and operation mechanism centered on construction project management. These efforts made the production and operation of the company gradually embark on a virtuous cycle.

" When a sergeant hears of the Tao, he does it diligently. When a sergeant hears of the Tao, he looks as if he is alive or dead. When a corporal hears of the Tao, he laughs. If you don't laugh, you can't be a Taoist. Therefore, there is a saying in the Book of Rites: The way to understand is like ignorance, the way to advance is like retreat, and the way to eliminate is like a barrier. The virtue of the monarch is like a valley, the virtue of the monarch is like a lack of virtue, the virtue of the monarch is like a thief, and the nature of the monarch is like a change. The white is like a disgrace, the broad is like a corner, the great instrument is not formed, the great sound is like a sound, and the elephant is invisible." These sentences came from Tao Te Ching, an aesthetic concept in ancient China literary theory proposed by Lao Tzu. It was intended to praise natural beauty rather than artificial beauty.

If the music volume was low and the voice was loud during the live broadcast, the volume ratio could be adjusted through the sound splitter to ensure that the music volume was moderate and the audience could hear the voice clearly. For example, in obs, you can use its own audio manager (sound splitter) to adjust the sound. When adding the cross-broadcast plug-in, you can choose to reroute the audio to obs (obs version 24.0.0 and above). You can adjust the sound volume through the slide bar, or you can click the gear to enter the advanced settings to set other effects. In addition, on some live broadcast platforms such as Kuaishou, you can click the […] button at the bottom of the live broadcast room page, and then click [Sound Effects] to adjust the volume of the music. If it was a TikTok live broadcast, although there was no specific adjustment to the ratio of the voice to the speaking voice, you could refer to the operation of similar platforms and try to find the appropriate volume balance. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>

"Da Yin Xi Sheng" could be used to describe people. As an aesthetic concept in ancient China literary theory, it was intended to praise natural beauty rather than man-made beauty. It meant that "the greater the achievement, the more penetrating it is, and the more magnanimous it is, the more inclusive it is." When used to describe a person, it could indicate that a person had a very high realm, a great bearing, or had achieved great but low-key, far-reaching and inconspicuous achievements. It was like the better the music, the more distant and low-key it was. This kind of person was not ostentatious, silently tolerant of all things, and had a far-reaching influence.

"Great sounds are rare, and elephants are invisible" came from the Tao Te Ching. It was an aesthetic concept in ancient China literary theory proposed by Lao Tzu. It was intended to praise natural beauty rather than artificial beauty. There were a few explanations for Da Yin Xi Sheng. One was that the loudest sound had no sound; the second was that the loudest sound was sparse; the third was that Xi Sheng was soundless and contained Da Yin; the fourth was that Da Yin Xi Sheng was heavenly music, which could not be heard with ears, but to feel the eternal and harmonious heavenly music; the fifth was that Da Yin was the sound of Tao, mainly referring to the transcendence of sound and emotion; Sixth, he believed that no sound was the strongest sound, which meant that it was best not to say anything. From the point of view of translation, the better the music, the quieter it was, or the better the music, the more distant it was. One of the understandings of the "invisible elephant" was that the better the image, the more ethereal and invisible it was.(Or the best image is that there is no image), because human vision has a range. The shape of the universe and other large images cannot be described by what people see and hear. The metaphor means that the greater the achievement, the more inestimable it is. The more magnanimous it is, the more indescribable it is. The original meaning of "Xiang" can also be understood as "Tao" or "reason". When saying "elephant is invisible", it can also be said that "Tao is invisible", which is equivalent to "Tao is hidden and nameless" as Lao Tzu said. Another understanding was that the more important an element was, the easier it was to ignore it. The "elephant" here was understood as the "divinatory symbols", which was an element. The "elephant" was an important element.

From the reference materials, it could be seen that Mo Yanze and Mu Shengsheng might be characters in a story, but it was difficult to elaborate on their relationship or more background information about them based on the current reference materials.

"The elephant is formless, and the sound is loud" comes from Laozi. Laozi was a representative figure of Taoism at the end of the Spring and Autumn Period. His thoughts were mainly concentrated in the book Laozi. Lao Tzu's ideology was centered on Tao. His thoughts had a profound influence on philosophy, literature, natural science, and aesthetics of later generations.

" Great sounds are rare, and elephants are invisible " came from the Tao Te Ching. It was an aesthetic concept in ancient China literary theory proposed by Lao Tzu. It was intended to praise natural beauty rather than artificial beauty. There were roughly six explanations for "Da Yin Xi Sheng": First, they believed that the loudest sound had no sound; Second, they believed that the loudest sound was sparse; Third, they believed that "Xi Sheng" was "soundless" and contained "Da Yin"; Fourth, they believed that "Da Yin Xi Sheng" was heavenly music, which could not be heard with ears, but to comprehend and use the eternal and harmonious huge "Heavenly Music"; Fifth, they believed that "Da Yin" was the sound of the Tao, mainly referring to the transcendence of sound emotions; Sixth, he believed that no sound was the strongest sound, which meant that not saying anything was the best. The literal translation could be that the better the music, the quieter it would be, or it could also be understood as the better the music, the more distant it would be. As for the formless elephant, the original meaning of the image was "Dao" or "reason", which could also be roughly understood as "the formless Great Dao". The more important the element, the easier it was to be neglected. For example, people often ignored the important elements of life such as sunlight, air, water, and food. Instead, they pursued gold, jewelry, and other things that had no practical use. It could also be understood as the more magnanimous one was, the more inclusive one was of all things. The better the image, the more ethereal and distant it was. Or perhaps the biggest image was shapeless. This concept reminded people not to ignore the fundamental elements of life.