Bright Moon Gradually Changing LensesBright Moon Lenses had obtained a patent for the gradual color-changing film lens and its manufacturing process. This lens includes a base sheet, a color-changing film layer, a stiffening layer, an anti-reflective film layer, and a waterproof film layer. The color-changing film layer is sprayed on the front surface of the base sheet, and the thickness of the color-changing film layer is reduced from the upper edge of the base sheet to the lower edge of the base sheet, and the color-changing film layer and the photo-curing protective layer are contained from the inside to the outside.
There were many requirements when choosing the frame to match with the moon. The frame should be a full frame, a single-post head, an S-shaped nose pad, a titanium frame, and a square shape to ensure that it was close enough and that the center of movement was less than 3 mm. The outer angle of the temple should be large enough, and the frame should be stable. The normal range of the eye distance was 10 - 12 mm (the smaller the better), the normal range of the anteversion was 5 - 12 degrees (the larger the gradual film, the better), and the normal range of the face curve was 0 - 8 degrees (the larger it was, the more comfortable it was).
The height of the pupil was also very important. The ideal position was that the lower eyelid and the frame height of the mirror were basically overlapped, and the eyes were slightly above the frame height. To determine the pupil height, the examiner and the examinee needed to face each other and be at the same level. It could be determined by observing the reflection points of the eyes through the illumination of the pen lamp. There was also a pupil height sticker to assist in the measurement. When the height of the single pupil was different, under the premise that the frame was adjusted flat, the difference of 2 mm could be based on the average value or the main eye. If the difference was too large, the actual pupil distance of the single eye would be used.
When you first wear Bright Moon lenses, you should use them at home first, following the principle of first being quiet before moving, first inside before outside. There may be a slight halo, a sense of swaying, a change in the sense of spatial distance, and other phenomena. When looking at close, there will be slight discomfort when the eyeball is rotated downward. This is a normal phenomenon and generally requires two weeks to adapt. When taking out the mirror, first look far away. When it's clear, put the book in front of your eyes. If you can't see clearly, move the book down and feel the change in clarity in the distance at the same time. When walking, look into the distance, look at the nearest side or lower your head slightly when going down the stairs. When looking close, try to look down and swing your head left and right.
In addition, Mingyue Lenses also had a patent related to the multi-axis gradual multifocal lens power measurement system, which helped to solve the shortcomings and deficiencies of the current focimeter measurement.
Turn off the power when changing lenses?It was common sense to turn off the power when changing lenses. Generally, when a digital camera was turned on, the camera and lens were connected (communicating). Moreover, the power switch had a reset function, which could not only check the status of the lens and memory card. For a lens with a built-in focusing motor, the contact between the lens and the body bayonet had to transmit information such as focal length and aperture. The body also supplied power to the electronic components in the lens through the contact. If the power was forgotten to turn off and replace the lens, in some cases, the contact would short-circuit, which would burn the electronic components inside the lens, cause lens failure, and even body failure. Therefore, the power should be turned off when changing the lens.
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Price of Guiyang Electric Zoom-Changing Video LensesIt was difficult to give an accurate answer to the price of an electric zoom lens. Its price was affected by many factors, such as functional requirements (whether it needed anti-shake, good anti-shock performance, stronger fog penetration ability, etc.), monitoring distance (ultra-long-distance monitoring would require a high price), etc. The price of different types and uses of electric zoom lenses varied greatly. For example, the telephoto electric zoom lens was used for general monitoring distance of about 1 - 20 kilometers. 50,000 - 100,000 yuan was normal, and more than 100,000 yuan was customized for special needs. If it was for ultra-long-distance monitoring, 1,000,000 yuan was normal. There were also some cheaper ones, such as 129.2 yuan, 2000 yuan, 8000 yuan and other electric zoom lenses at different prices, but the functions and application scenarios were different. Therefore, it was impossible to determine the price of the electric zooming video lens based on Guiyang alone.
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Bright Moon Lenses 1.60 Non-spherical Color Changing PriceThe official price of the 2018 Bright Moon 1.60 full-season color-changing aspheric surface is 780 yuan, and the wholesale price of the LOGO glasses is 374 yuan/pair; In 2024, the price of Bright Moon's 1.60 index of refraction on Tmall.com. The usual selling price was $232 (May 18, 2024), the historical low price was $190.4 (January 31, 2024), the 30-day low price was $198.67 (June 17, 2024), and the big promotion price was $198.67 (June 17, 2024).
Lenses and CamerasThe lens was one of the core components of the optical imaging system. It was a key component of optical instruments such as cameras, video cameras, and telescopes. It was composed of lenses, mirrors, filter, and other optical components, which could change the direction of light transmission, focus light, filter light, etc. Its role was to convert the target object into an image through the optical imaging system and pass it to the receiver (such as camera sensor, human eye, etc.) for recording or observation.
Cameras were also known as computer cameras, computer eyes, electronic eyes, and so on. They were a type of video input device. Just like human eyes, they could record and store the real environment they saw in the form of data. They had basic functions such as video recording and still image capture. After it collected the image (light signal) through the lens, the image was processed by the sensor circuit and control component in the camera and converted into a digital signal that the computer could recognize. Then, it was input into the computer through a parallel port or USB connection, and the image was restored by software. The main components of the camera are the lens, image sensor, pre-amplifier, ADC (automatic gain control), and A/D. It consists of a synchronous signal generator, a LCD driver, an image signal forming circuit, a D/A conversion circuit, and a power supply circuit. The optical image generated by the lens was projected onto the surface of the image sensor, and then converted into an electrical signal. After A/D (ADC) conversion, it became a digital image signal, which was then sent to the digital signal processing chip for processing. Then, it was transmitted to the computer through the USB interface for processing, and the image could be seen through the display. In the field of camera manufacturing, the airtightness of the lens was a vital indicator. It was directly related to the image quality and service life of the lens. There were technical difficulties in the airtightness test, such as the selection and precision requirements of the airtight instrument, the design of the lens tool and sealing tool, the training of the operator, the operating procedures, and the appearance protection.
Different types of cameras had different features and functions. For example, Glory's hand-picked Xiao Pai smart camera Pro was equipped with three high-resolution lenses, supported cable network and dual-band Wifi, had a larger monitoring range, dual-screen monitoring, real-time tracking, 330-degree horizontal and 100-degree vertical adjustment, supported up to 20x hybrid optical zoom, had two types of fill light at night, supported multiple detection modes, and had a two-way voice call function. There was also a dual-lens camera that could rotate 360° without dead angles, and a fixed camera position to achieve remote alarm.
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The difference between bright moon lenses and ordinary aspheric lensesBright Moon lenses had ordinary aspheric lenses, but there were also other types of lenses. If the bright moon lens was compared with ordinary aspheric lenses, ordinary aspheric lenses had problems such as the definition getting worse as they went to the edge, only ensuring that the middle part of the lens was clear, and sometimes the field of vision was limited. Mingyue's PM lenses had a light transmission of 98.6%, which was better than other domestic brands and improved the visual experience significantly. However, Mingyue's 1.74 lenses were too expensive and not cost-effective for high myopes.
The parameters of Zeiss lensesThe following are the common parameters of Zeiss lenses:
###1. Focus
1. ** Perspective Relationship **
- The focal length determined the angle of view of the lens. For example, a focal length of 50mm (such as a Zeiss Touit 2.8/50 lens) provides a medium viewing angle. In portrait photography, this focal length was suitable for close-up shots, which could better capture the expression and details of the person. In landscape photography, although it was not the best choice, it could also take a unique photo.
- Different focal lengths would produce different images when shooting the same object. A shorter focal length (wide-angle lens) could show a wider scene, while a longer focal length (telephoto lens) could zoom in on distant objects, highlight the subject and compress the sense of space.
###2. Aperture
1. ** Light Control **
- The aperture size (such as the f/2.8 in the Zeiss Touit 2.8/50 lens) directly affected the amount of light entering. A large aperture (with a small numerical value) had an obvious advantage in a low-light environment. It allowed more light to enter the camera, allowing it to take bright and clear photos.
- The aperture was also related to the depth of field. A large aperture could create a shallow depth of field effect, blurring the background and thus accentuating the subject, adding an artistic atmosphere to the work.
###3. Optic performance related parameters
1. **MTF (Modulated Transfer Function)**
- The MTF chart could reflect the contrast and resolution of the lens. By looking at the MTF chart, you can roughly understand whether the lens is a high-contrast lens or a high-resolution lens, which helps to evaluate the image quality of the lens before buying it.
2. ** Film coating technology **
- For example, the advanced coating technology used by the Zeiss Touit series lens was used to effectively reduce reflection and glare, ensuring the clarity and color reproduction of the picture. A good coating could improve the light transmission rate, reduce the loss of the image caused by light reflection, make the color of the photo more realistic and bright, and reduce the bad phenomena such as facula in the picture.
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There are several kinds of lensesThere were C ports, CS ports, F ports, M72 ports, M95 ports, and so on. In addition, different camera manufacturers also had their own lens mounts, such as Canon's " EP," Nikon's " F," Pentax's " K," Sonny's " E," Pantheon's " LUMIX," Fuji's " X," and so on.
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The Theory of Photographic LensesThere were many aspects to the theory of the camera lens:
1. ** Focus **
- Different focal lengths were suitable for different scenes and subjects. The focal length of a standard zoom lens generally starts from 24mm or 28mm, covering 70mm to 120mm, such as 24 - 105mm, 24 - 70mm, 28 - 70mm, etc. It has a wide range of shooting areas, suitable for portraits, scenery, humanities, cities and many other subjects. It is a common lens type for beginners, and it is also one of the most commonly used lens types for experienced photographers.
- The focal length of the telephoto zoom lens was above 200mm, such as 70 - 200mm f/2.8, 70 - 200mm f/4, suitable for shooting portraits, flowers, plants, and street humanities. If you want to shoot birds, lotuses, and long-distance scenery, you may need a lens with a focal length of more than 300mm, such as 70 - 300, 100 - 400, etc. The advantage of a telephoto lens was that it could shoot without disturbing the subject, and it could bring a good blurring effect.
- Fixed focus lenses had fixed focal lengths, such as 28mm, 35mm, 50mm, 85mm, etc. They had good image quality and a large aperture. They were relatively friendly to portrait subjects, but they could not be zoomed. There were certain requirements for the photographer's operation level.
2. ** Aperture **
- The aperture size of the lens affected the amount of light entering and the blurring effect. For example, Canon's EF24 - 105mm 1: 4L IS II USM lens had a maximum aperture of F4 and was constant, while Nikon's NikKOR 70 - 200mm 1: 2.8G II ED lens had a maximum aperture of F2.8. The maximum aperture of a non-constant aperture lens would change according to the focal length. For example, 18 - 135mm 1:3.5 - 5.6, the maximum aperture at 18mm at the wide-angle end was F3.5, and the maximum aperture at 135mm at the telephoto end was F5.6.
3. ** Regarding the lens mount **
- Different brands of cameras had different lens mount types. Canon's EF-mount was used for full-frame and APS-C format cameras, while the EF-S mount could only be used for APS-C format cameras. There was also the TS-E shift-axis lens mount. Nikon had AF-S lenses that supported ultrasonic motor autofocus, and its DV represented the name of a non-full-frame digital single-lens reflex camera, while its Felix represented the name of a full-frame digital single-lens reflex camera format.
4. ** Special Function **
- Some lenses supported anti-shake function. The "IS" in Canon's lenses indicated that it supported image stabilization, while the "VR" in Nikon's lenses indicated anti-shake.
- There were also some lenses that used special lenses to improve the image quality. For example, the Nikon 70 - 200mm f/2.8E FO LED VR lens used ultra-low dispersion lenses (ED), which had excellent image reproduction capabilities.
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What are the 20,000 to 30,000 DSLR lenses?Within the budget range of 20,000 to 30,000, the following are some DSLR lenses to choose from:
- Canon:
- Canon's original 24 - 70mm/2.8L red circle lens, paired with Canon cameras (such as the 5DmarkII body), was a good choice.
- The RF24 - 105F2.8 lens had the first features of many Canon lens systems, such as aperture ring, anti-shake gear switching, internal zoom, etc. It could meet the needs of shooting from 24 wide-angle focal length to 105 medium-long focal length.
- Nikon: Nikon has a 24 - 120f/4 lens. Apart from the small aperture, the overall performance is good and suitable for home use. There are also sub-factory lenses such as 35 - 150f2 - 2.8 from Tenglong.
- "Sony: The lens selection is relatively rich. In addition to conventional focal length lenses such as 35mm, 85mm, 24 - 70mm, 70 - 200mm, 24 - 105mm, there are sub-factory lenses such as the Tenglong 27 - 75f/2.8.
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