A detailed explanation of the lyrics of the Shaanxi opera's potato flower competition with peonyThe lyrics of "Potato Flower Match Peony" have rich meanings. " The smoke from the chimney swirled around the old yard, just like my longing for the mountain." It depicted the scene of rural life. The smoke from the chimney and the old yard outlined the longing for the hometown. The longing was like the smoke surrounding the old yard, lingering around the distant place. " I've always wanted to eat Grandma's cooking. Grandpa always hummed two pieces of this Qin opera on the hillside." It reflected the nostalgia for his ancestors and the memory of the traditional Qin opera culture in his hometown.
"The stubbornness in our bones is like this mountain peak. Our ancestors have worked hard to change our destiny. We shouldn't be so self-destructive. We have to learn to shine like the stars and only want to work hard. Do you think people born in humble families should be ordinary?" These lyrics expressed a stubborn spirit that was unwilling to be ordinary and unwilling to be limited by birth. It encouraged people to be as firm as a mountain, shining like a star, to control their destiny through their own struggles, and not to bow to fate.
In " I stand on a high mountain and watch two acres of potato flowers compete with peonies. No one is the same youth as before. Why can't I compete with peonies?", the comparison between potato flowers and peonies was made. Potato flowers symbolized ordinary but full of vitality. Compared with potato flowers, even ordinary potato flowers had the belief that they could compete with peonies and showed their affirmation of their own value. On the other hand," No one is the same youth as before " revealed the emotion after the passage of time. At the same time, it also implied that one should not give up on the determination to pursue their dreams during the process of growing up.
" I hold the yellow soil in my hand and ask with tears why the mountains are still around the mountains. It's nothing more than wanting to keep me by your side, but I'm in a foreign land and my heart is looking forward to it." It expressed the complex feelings of hometown. Holding the yellow soil in my hand had a sentimental attachment to the land of hometown. Being in a foreign land, but the heart was attached to the hometown. Although there was concern for the hometown, it faced some kind of restraint or helplessness.
" The yellow soil that was blown by the wind was elegant and untainted by the secular world. Following the path that I walked when I was a child, I searched for innocence and artlessness. I really wanted to walk through these mountains. I cried out heartbreakingly on the slopes countless times. Drops of tears stimulated the unwillingness in my heart. Born to be stubborn, why be weak?" It depicted the purity of the yellow soil in his hometown that was not contaminated by the secular world. He followed the road of childhood to find the innocence of the past. The shouts and tears on the hillside reflected the unwillingness and stubbornness in his heart, expressing his attitude of not compromising with the secular world and sticking to himself.
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Kunqu opera and Beijing operaThe Qingyi in Kunqu and Peking operas belonged to the Dan Xing, and they had an important position in their respective operas.
** 1. Kunqu Qingyi **
1. ** Acting Style **
- The performance of Kunqu opera was restrained, tactful and delicate. Kunqu Qingyi needed to adjust her breath reasonably when performing, because Kunqu singing did not "pass the door", and it was a test of strength to sing while doing the body.
2. [Character Creation]
- For example, when Fang Tingyu played Cui Yingying, she showed her oriental aesthetics by turning her head and raising her eyes. Kunqu Qingyi emphasized on traditional China aesthetics when creating characters.
3. ** Inheritance and Development **
- There were examples of Peking opera actors like Lian Wenqing learning from Kunqu opera. Lian Wenqing had studied Kunqu's "Peony Pavilion" for a year and a half from Liang Guyin, an 80-year-old Kunqu artist. This showed that the performing arts of Kunqu Qingyi were worth learning from Peking opera actors. At the same time, it also reflected that the exchange and integration of opera arts would help the inheritance and development of Kunqu Qingyi performing arts.
** 2. Beijing opera, Tsing Yi **
1. ** Acting Style **
- Peking opera performances were more external. The movements of Qing Yi in Beijing opera were relatively small, but her movements were more stable. She was usually dignified, calm, and beautiful. The recitation of the poem is generally called "rhyme", and the main focus is on singing.
2. [Character Creation]
- The role played by Qing Yi in Beijing opera was usually a dignified and quiet married young woman. When performing tragic characters and people at the bottom of society, their costumes were often black (black was called "Qing" in ancient times, which was also one of the origins of the name Qing Yi). For example, Zhang Huoding played the role of Concubine Yu. As an actress of the Cheng School, she found a unique Cheng School performance style for the role of Concubine Yu when she performed Farewell My Concubine. From the singing to the performance movements, she carefully designed them, reflecting the uniqueness of the role creation of the Qing Yi in Beijing opera.
3. ** Inheritance and Development **
- In the course of development, it had undergone many reforms. In the 1920s, Wang Yaoqing and Mei Lanfang reformed the Qingyi industry, integrating the skills of Hua Dan and Dao Ma Dan into Qingyi performances. In the 1950s, Zhang Junqiu integrated the characteristics of the four famous actresses, making the Peking opera Qingyi continue to develop. According to the genre, the Qingyi of Beijing opera can be divided into the Qingyi of the Plum Sect and the Qingyi of the Zhang Sect. The singing of the Plum Sect is simple and fresh, with a combination of hardness and softness, with the beauty of natural harmony; the singing of the Zhang Sect is vigorous and euphemistic, beautiful and fresh. The development of different schools had enriched the performing arts of the Beijing opera.
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Understand the cultural knowledge of opera and the local opera of Yue operaThe cultural knowledge of opera and the local opera knowledge of Yue opera were as follows:
1. Traditional opera culture: Traditional opera is an ancient and traditional art form that originated in southern China. It has a long history and profound cultural heritage. According to different regions and schools, opera can be divided into many different types of opera, such as Beijing opera, Henan opera, Cantonese opera, Kunqu opera, etc. The variety of opera performances included singing, reciting, acting, fighting, dancing, and many other elements, which had a strong expressiveness and artistic appeal.
2. The local opera of Yue opera: Yue opera is a unique opera in Zhejiang Province and one of the four major operas in China. Shaoxing opera originated in Shanghai and was famous for its beautiful singing, gorgeous costumes, and delicate and touching performance style. The performance forms of Shaoxing opera include singing, reciting, acting, fighting, dancing and many other elements. The singing includes high-pitched, low-pitched, Kunqu and other costumes, which are famous for their gorgeous and exquisite characteristics. Shaoxing opera had a wide audience in China and abroad, and was known as the "Little Chinese Drama Bone".
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Liu Gongan's opera, the whole operaLiu Gongan's opera was a folk rap work based on Liu Yong, an official of the Qing Dynasty. We know that there are many versions and performances of Liu Gongan's opera. Among them, the Henan opera "Liu Yong's Arrival in Nanjing", also known as "Liu Gong's Case", was a series of plays, which was one of the representative plays of the red face in eastern Henan. The whole book includes five parts: "Cut Taishi,""Cut West Palace,""Down Nanjing,""Hui Governor," and "Double Cut." In addition, there were other versions of Liu Gongan's opera, such as the Xuchang opera troupe's version and the Henan opera online performance. However, the specific information and performance details of the entire opera needed further research or understanding.
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