The Strongest Tenor in the WorldThe following are some of the most outstanding tenors recognized abroad:
1. Luciano Pavarotti: Italian tenor, born October 12, 1935. He was known as one of the world's three famous tenors. He played Rudolph in the 1961 Recupero Amelia International Competition and officially began his singing career. In 1964, he made his debut at the Milan Scala opera house. He was famous for his rich voice, excellent skills, and passionate singing style. He performed well in the fields of opera, religious music, and pop songs. He was considered one of the greatest singers of the 20th century. His singing style made the art of opera more popular.
2. Placido Domingo: Born in Madrid, Spain, 1941. His parents were both Spanish opera singers. His voice was rich and gorgeous, strong and powerful, and he could play all kinds of tenor roles from lyric to dramatic. He was famous for his role in Othello, Radamis, and other roles. In addition to singing, he was also a well-acclaimed pianist and conductor. He was considered one of the most outstanding tenors of the 20th century. His singing style and performance ability had a profound influence on later singers.
3. José Carreras was born on December 5, 1946 in Barcelona, the capital of the Catalan autonomous region of Spain. He began his studies and performed for the first time in his hometown. In 1971, he won the Verdi Award in Italy and then became the world's top lyric tenor. Together with Pavarotti and Domingo, he was known as the world's three great tenors. His singing style was full of emotion, and his voice was gentle and expressive.
4. ** Beniamino Gigli **: Born on March 20, 1890 in Recanati, Italy. Died on November 30, 1957. He was regarded as one of the greatest opera singers of the first half of the 20th century. He starred in Botto's opera "Mephisto" and other works. His singing style was full of passion and appeal, his voice was warm and expressive, and his unique tone and voice beauty were widely praised.
5. Franco Coretti: Born April 8, 1921, died October 29, 2003. He was famous for his powerful volume, high-pitched tone, and dramatic performances. He starred in classic opera works such as Aida and Tosca. His high-pitched voice range was outstanding, and his "metal voice" had extremely high penetration and unique charm. He was considered one of the greatest tenors of the 20th century.
6. Mario del Monica: Italian tenor, born in Florence in 1915. When he was a child, he studied vocal music under his mother's guidance. At the age of 13, he performed for the first time on stage.
7. Benjamin Bernheim was born in Paris in 1985 and grew up in Vienna. He was a lyrical French tenor, famous for his interpretation of Italian and French opera works. He was active in many famous opera houses such as the Paris National opera house and the Vienna National opera house. His singing skills were loved by the international media, and he was praised as the "new tenor star" by the French magazine "Golden Tune Fork".
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Tenor Songs for PracticingHere are some songs suitable for tenor practice:
- "O sole mio": A Neapolitan song composed in 1898. It is a reserved song by famous tenors such as Enrico Crusoe, Luciano Pavaro, and Andrea Bocelli. It has also been sung by pop rock artists.
- "She's Gone": Singing in Quanzhen voice, it's helpful for tenor practice.
- " The Sun in My Heart " was the theme song of " Snow City " sung in 1987. The pitch was suitable for tenor practice.
However, the choice of songs still needed to be adjusted according to the individual's vocal range, vocal skills, and other practical situations.
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What are the names of the songs for practicing the tenor?Here are some songs suitable for tenor practice:
- "I Love You, China" was a patriotic song written by Qu Cong, composed by Zheng Qiufeng, and sung by Dai Yuqiang, Mo Hualun, Wei Song, and others.
- 'A vucchella'(Little Mouth), sung by Luciano Pavalotti, the Orchestra del Teatro Comunale di Bologna, and Anton Guadagno.
- "Nonti Scordardi Me"(Please Don't Forget Me) was an Italian Napoli folk song sung by Wei Song.
- "You are the love of my heart", from the light opera "Kingdom of Smiles", sung by Warren Mok.
- The songs in Bach's Tenor Cantata Arias, such as "My Sigh, My Tears,""My Jesus is Resurrected,""Look, the Power of Love," etc., had to follow the requirements of the Baroque music style when singing.
- Liu Xin's "Love Forever" had a beautiful melody and strong emotions. It was suitable for tenor practice.
- "Discipline Song" could also be used as a tenor practice song.
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Can a dramatic tenor sing a baritone songFrom the perspective of the principle of vocal singing and actual singing ability, a dramatic tenor could sing a baritone song.
Tenors and baritones had different vocal ranges and timbre. The range of a baritone was lower than that of a tenor, and its tone was often more mellow and deep. However, if a dramatic tenor had enough vocal skills and understanding of the work, he could challenge the baritone song. This was just like in an opera, where actors might perform different songs across conventional types of characters to show their singing skills and ability to control different musical styles. However, during the performance, the pitch and singing style of the song may need to be adjusted appropriately to adapt to the conditions of the voice and reflect the characteristics of the baritone song.
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Tenor Wang Chuan sang a China songIn 2024, the Xi'an Symphony orchestra's outdoor performance at the Big Wild Goose Pagoda, the tenor Wang Chuan sang Chinese songs such as "Ode to the Red Flag" and "I Love You, China."
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What's the difference between alto and tenor?There were differences between the alto and tenor in the following aspects:
** 1. Different Concepts in Music **
1. ** In terms of pitch **
- The middle tone was the third tone in the pentatonic scale, and it generally referred to the pitch between the high and low notes. It has a specific position in the musical scale system.
2. ** Voice **
- The alto corresponded to the mezzo-soprano and had a unique range and timbre characteristics in vocal forms such as choral music. Generally speaking, its range was neither as high and bright as the treble nor as deep and heavy as the bass. It was relatively balanced.
** 2. The difference in musical instruments (Take the sax as an example)**
1. ** Appearance **
- The alto sax was a vertical conical pipe with a pipe mouth that was bent upward into the shape of a pipe, with only one neck pipe. The tenor sax was also a vertical conical pipe with a pipe mouth that was bent upward into the shape of a pipe, but only with a wavy neck pipe. The tenor sax was larger than the alto sax. The tenor sax was about 80 centimeters tall, while the alto sax was about 66 centimeters tall.
2. ** In terms of weight **
- The alto sax weighed about 2.1 kilograms, the tenor sax weighed about 3.5 kilograms, and the tenor sax weighed even more.
3. ** In terms of sound **
- The bass of the alto sax was like a male voice, strong and powerful. The treble was like a female voice, gorgeous and elegant. The tone of the tenor sax was more consistent with the male and bass parts. The voice was low and sad, with a faint sadness.
4. ** In terms of crowd and performance songs **
- Alto sax is more suitable for beginners around the age of 10, with representative songs such as the National Anthem and the Young Pioneers Song. Tenor sax is suitable for sax enthusiasts who have a certain foundation in playing. Friends over the age of 18 can also be used as a beginner instrument. Its representative works are mostly used in the cadenzo movement, rock dance music, and pop songs.
** 3. The situation in the Dongbla musical instrument **
1. ** Tenor Dongbra (Dongbula)**
- Tenor Dongbra was an ancient Kazak stringed instrument. After the reform, it had a complete variety and its own system. It could be used for solo, accompaniment for singing and dancing, and could also form a Dongbra band to play multi-voice music. The alto dombra was not specifically mentioned in the reference materials, so there might not be a dombra that was specifically defined as a "alto" or it did not have a unique position in the instrument system like the tenor dombra.
How to play a tenor sax B flat songHere are some tips for playing a tenor sax B-flat:
1. ** Finger Techniques **
- There were several parts to a tenor sax's B-flat fingering. The first was the basic fingering. The low pitch area mainly used the index finger, middle finger, and ring finger of the right hand; the middle pitch area mainly used the index finger, middle finger, and ring finger of the left hand; and the high pitch area required the little finger of the right hand.
- There was also the transference fingering, which was above the basic fingering and played transference by adjusting the fingering. The sliding fingering was to change the pitch by sliding the finger. The boeing fingering was to quickly open and close a tone hole to cause the pitch to fluctuate. The trill fingering was to quickly open and close a tone hole to cause the tone to fluctuate. Moreover, he needed to practice a lot of basic scales and arpeggios to master these fingering techniques.
2. ** Understanding Mode Conversion **
- Make sure the tenor sax is in B-flat. If the music was based on the score of a C key instrument (such as piano, guitar, flute, etc.), the corresponding conversion calculation would need to be carried out when the music was converted to the tenor sax. For example, the actual pitch of the E-flat alto sax C scale was 345 6 712 3. There were certain rules for shifting the tones between different tonality instruments. The E-flat sax was shifted to the lower minor third (two and a half), and the B-flat sax was shifted to the upper major second (one whole tone). These rules could help to understand the conversion relationship.
3. ** Remembering the way to play **
- You can use some memory methods, such as 1234567 in the B-flat key, or you can use the 5 in the alto sax to help you remember the corresponding relationship when playing.
4. ** Other Points **
- In addition to finger techniques, breathing techniques were also very important. The correct breathing method could make the tone full and the volume stable. At the same time, the posture of holding the piano must be correct, which can make the performance more comfortable and avoid muscle fatigue. In addition, the sax needed to be tuned regularly to ensure pitch, and regularly cleaned and maintained to ensure the tone and service life.
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