Gilded textureGilding was a traditional metal decoration technique, not a material. The gold gilding process was to synthesize gold and mercury into gold mercury agent, apply it on the surface of metal objects such as bronze ware, and heat it to evaporate the mercury, so that the gold would firmly adhere to the surface of the object and not fall off. This technique could be used on many kinds of objects, such as bronze and other metal objects. For example, the " Chu Da Guan Zao Zhong " unearthed from the tomb of Liu Sheng, King Jing of Zhongshan in Mancheng, Hebei Province, was a bronze object decorated with gilding techniques. It could also be used on the surface of copper Buddha statues to make gilded Buddha statues. In modern times, there were also jewelry such as gilded brooches made of zirks. The gilding process was applied to brooches, which contained zirks and other materials.
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The texture in photographyIn photography, texture essentially referred to "texture" or "texture." It was a description of the surface characteristics of an object, but it could also be understood as a method of expression or a description of the effect of the picture. To sum it up, the texture was the details and level of the picture.
The texture was important:
- It could deepen the impression. For example, when taking pictures of leaves, the veins could be clearly seen under the light. Compared to pictures of pure green hanging on the branches, it would give people a deeper impression. The texture would awaken many feelings through the details, making the picture more likable.
- It could create an atmosphere. The texture of different objects in the same picture was distinct, which would produce different visual and psychological feelings. The interweaving of various feelings would bring about a rich aesthetic experience.
To express the texture of a photographic picture, one could start from the following aspects:
- ** Equipment **: Different lenses have different texture, such as in-focus and out-of-focus imaging, color, level of detail transition, etc. It was not that the better the equipment, the better the texture. The key was to understand the equipment and use the characteristics of the lens to express the desired texture. For example, the 50mm f1.8 lens may be relatively flat, and the out-of-focus transition lacks a sense of oil, while the 85mm f1.2mm lens has good in-focus imaging, and the out-of-focus is as soft as cream. The difference in texture between the two is obvious.
- ** Details **: The lens can show many details that are easily overlooked by the eye, such as the raindrops on the glass, the drizzle effect in the picture, etc. These details are often the difference in the texture of the photo.
- ** Layer reflection **: The more layers of the picture, the better. Only by making good use of the layers can the texture be well reflected.
In the actual shooting operation:
- ** In terms of ensuring clarity **, the clarity of the image is the basis for producing texture. Focus accuracy was a basic requirement. Shutter speed and focus accuracy affected the texture. High-speed shutter shooting could accurately freeze the frame, appropriately increase the sensitivity (the higher the image sharpness, the higher), and find the best aperture of the lens (the maximum aperture contracted by two or three stops) to make the object within the depth of field clear, all of which were beneficial to the performance of texture.
- ** Using contrast well **: The image looks sharper with high contrast, which is good for texture performance. It could be considered from many aspects such as material contrast, light and shade contrast, light and shadow contrast, etc. In terms of material comparison, the surface texture of different materials was different. When framing, choose a variety of different texture objects at the same time to highlight the texture. For example, the delicate skin of the character could be matched with a thick scarf. In terms of light and dark contrast, the richer the details from the dark to the light, the more prominent the texture. It was categorized according to the material of the object and combined with the light to shoot. Items with smooth surfaces could be shot with side light or oblique side light, while objects with rough surfaces could be zoomed in by close-up or with the contrast caused by backlighting or side lighting to present the texture. In terms of light and shadow contrast, light played a key role in expressing the texture of the object. When taking portraits indoors, one needed to consider the performance of light position and light quality on the texture of the character. In addition, creating a sense of depth in the composition could enrich the layers of the picture and enhance the texture of the picture.
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Tree texture photographyWhen taking tree texture photography, you can start from the following aspects.
- ** Choice of angle **: When shooting from above, on one hand, you can get the visual effect of trees gathering in the middle and increase the novelty. On the other hand, with the help of the blue sky background and backlighting, you can shoot the leaves with pure background color and transparent texture. You can also choose whether to shoot from above or from below according to the shooting scene. For example, if you shoot from above, you can show the regular arrangement of trees, and if you shoot from above, you can highlight the overall appearance of trees in the forest.
- ** Method of composition **: When symmetrical composition is used, if there are lakes, rivers, and other mirror-like scenery, the tree can be used as the center of the symmetrical composition. Through contrast and symmetrical, the picture is simple and the scenery is empty. In terms of guiding line composition, when the tree trunk is shot in the forest, it will form a converging guiding line to enhance the visual impact. When the tree trunk is shot from above or outside the forest, it can use roads, rivers, etc. as guiding lines. The vertical composition is suitable for straight and tall trees growing together, which can show the trees arranged neatly.
- ** Color matching **: Make the trees have a strong color contrast with the surrounding environment. For example, when the leaves turn yellow or red in autumn, the photos will be richer and layered.
- ** Close-up Shooting **: The tree can be divided into three parts: trunk, leaves, and branches. The tree trunk and bark had a sense of history, which could be expressed with a wide-angle lens and a small aperture. The leaves had texture, and the branches had a unique shape, which could be expressed with a telephoto lens and a large aperture to form a contrast between reality and reality.
- ** Creation of artistic conception **: When the forest is messy, you can use a tree in the forest to express the artistic conception. Use a large aperture or long focal length to blur the background, and use white space and blocking to highlight the main body, making the picture simple and artistic. In addition, using the texture and shape of the trees, shooting with a vertical composition could create a strong sense of vertical and spatial sense. For example, when shooting red leaves in autumn, choose trees with slender branches and leaves to shoot from a low angle, so that the red leaf texture and branches form beautiful lines, improving the visual effect of the picture.
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Portrait photography textureHere are some ways to improve the quality of portrait photography:
1. ** Light usage **
- ** Control the direction, intensity, and softness of the light **: Portrait photography has a high requirement for light. The appropriate light can highlight the facial features and texture of the subject. For example, when backlighting was used, the golden edges produced by the light and shadow could separate the characters from the background, enhancing the layering of the picture, making the characters more three-dimensional and more realistic.
- ** Layer with Light **: Light can not only make the character three-dimensional, but also add a sense of layering to the picture. For example, using a lamp between the character and the background to add light and shadow contours to the character's hair could separate the character from the background and enhance the sense of layering to increase the texture; or using light and shadow to outline the character's outline, such as the combination of bright characters on a black background, using light to create layers to enhance the texture.
2. ** Make-up and base makeup requirements **: When taking portraits, the base makeup requirements are relatively high. Using liquid foundation will make the makeup finer, and it can maintain the texture of the original skin while balancing the skin color.
3. ** Shooting angle selection **
- ** Avoiding a single horizontal angle **: Don't always use a horizontal angle. Try different angles such as low angle, high angle, side shot, back shot, etc. Different angles will create different effects. It can prevent the character from appearing short, fat, or ugly in the photo and help improve the overall texture of the picture.
- ** Use of special angles **: For example, when taking a silhouette, let the character stand on the backlit side and aim at the sun to measure the light. The golden light falls on the character to illuminate the outline, which can improve the texture of the photo.
4. ** Depth-of-field (blurring) processing **
- ** Create depth of field effect **: Use the blurring function of the phone or camera to make the main body real and the background virtual. The blurred background was further away from the main character, which could highlight the main character and increase the layering and texture of the photo. It could also blur the background and the background at the same time, leaving only the main body solid. It could be divided into three layers to enhance the texture of the picture.
- ** Void-ification Technique **: For example, when taking a portrait, focus on the face of the character. The character will stand in front of the neon lights or the night scene and turn into portrait mode. It can create a dreamy effect with a hazy background and improve the texture of the picture.
5. ** Dealing with the relationship between the background and the character **
- ** Foreground Usage **: Adding a Foreground can create a sense of layering and make the picture richer. If the filming environment did not have a suitable background, they could create it themselves, such as using corn as the background. In a monotonous environment without a background, by carefully designing the background, the picture could be created with beauty and creativity, and the texture of the photo could be improved.
- ** Color layering **: Use the contrast of clothing colors or the relationship between the brightness and coldness of the environment to separate the color of the character from the background to increase the layering and texture. For example, use a white umbrella to separate the character's hair from the background.
- ** Avoiding front and back scenes sticking together **: The front and back scenes should not stick together. To improve the sense of separation between the main body and the background, you can use light, color contrast, or blurring to achieve this, thereby improving the texture of the picture.
6. ** Avoiding Shaking **: Pay attention to the correct posture when holding the camera to prevent accidental shaking from blurring the photo and affecting the texture. The correct posture for holding an DSLR camera was to place the left hand under the lens, hold the lens with your fingers, hold the camera body with your palm, and form a triangle with your left arm and left elbow. The right hand held the camera handle tightly, the index finger lightly placed on the shutter button, the thumb placed behind the camera to facilitate the operation of the button, and the other three fingers circled the handle tightly. At the same time, the shoulder strap wrapped around the right arm to prevent accidental fall.
7. ** Character posture and expression management **
- ** Choose a suitable scene **: Choose a suitable scene according to the shooting location (long-range, panoramic, mid-range, close-up, and close-up). Different scenes with different focal lengths and depths of field will reflect different photo atmosphere, which will affect the texture of the photo.
- ** Postures and expressions **: A reasonable combination of the character's postures (static such as standing, sitting, squatting, and lying; dynamic such as walking, running, jumping, and spinning), eye direction (looking at the sky, looking at the ground, looking at the air, looking at yourself, closing your eyes, etc.), emotional state (smiling, laughing, intoxicated, deep, melancholic, sad, etc.), and hand movements (lifting hair, touching face, pinching ears, putting hands in pockets, and putting them on the waist) will make the photo more vivid, thereby improving the overall texture.
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How to create a comic texture?Well, to make a comic texture, you might want to experiment with different brush strokes and shading techniques. Also, looking at existing comic styles for inspiration can be useful.
The ancient novels with texture are recommendedWe can recommend the following ancient novels:
1. [Dominating Pet] Laughing Beauty
2. "Di Zhangsun" Wen Tan
3. "Sheng Hua" leisurely listening to the falling flowers
4. "Getting Married" for Three Days
5. "Cloud Crisp Waist" Mirror Film
6. "The First Language" Li Qingran
7. "Record of Hairpin", the side is cold
8. "How can I defeat her?"
9. "The Reborn Girl General Star" Qianshan Tea Guest
10. The developed tear glands of "The First Beauty of Chang 'an"
These novels were considered to be high-quality ancient texts, with excellent writing and thrilling plots. They covered all kinds of ancient languages, including those that were eloquent, domineering, short stories about family, feelings of home and country, and so on. If you are a fan of ancient words, these novels are definitely worth reading!
Dazzling star texture dressThe following was information about some dresses that had the texture of stars: a starry series dress with a dark blue background embellished with stars, like a slightly rippling water surface under the night sky. Every movement in it was like a twinkling star. There was also a black wrap dress with meticulously designed decorative elements like stars at the neckline, adding a gorgeous charm to the simple elegance. Maria Grachvogel's precious dress cost about 1.8 million US dollars. It was like a bright star in the night sky. It was inlaid with more than 2,000 glittering diamonds, and its silk tights were also embellished with diamonds. Princess Diana's blue and black one-piece dress was embroidered with blue stars on the upper body and blue organza on the lower body. The bread girl's dreamy star princess dress was in the style of a princess, and the fabric was gauze. These dresses presented a dazzling star texture in terms of design elements, decoration, or overall feeling.
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How to create a texture in photographyHere are some ways to create a sense of texture through photography:
1. ** Choose a suitable light filling tool **
- ** Flash **: The external flash is bright and flexible. It can adjust the angle and direction. It can be selected when strong light is needed.
- ** Reflective Plate **: Reflects natural or artificial light to fill the shadows. Different colors (such as white, silver, gold, and black) produce different light effects. The white reflective plate reflects soft light, the silver reflective plate reflects hard light and has high brightness, the gold reflective plate can increase the warm color, and the black reflective plate is used to absorb light to create shadow contrast.
- ** Soft Light Box **: It softens the spread of light and reduces the contrast of shadows and highlights. It is suitable for portrait and product photography.
- **LED fill light **: Small size, light weight, easy to carry, suitable for outdoor and video shooting, brightness and color temperature can be adjusted.
2. ** Using different directions of light **
- ** Side fill light **: Place the light source on one side of the main body to enhance the three-dimensional effect and texture effect of the main body. It is suitable for portraits and still life photography to highlight the outline and details.
- Backlight: Place a light source behind the main body to create a backlit effect, making the outline clearer. To avoid the front side being too dark, you can add a light source in front to balance the light. It is often used for silhouette photography or to create a dreamy atmosphere.
- ** Top fill light **: The light source is placed above the main body to simulate the direction of natural light, so that the light is evenly distributed to reduce shadows. It is suitable for indoor and product photography.
- ** Bottom fill light **: It is placed below the main body to eliminate the shadows caused by the light from above. It is usually used in conjunction with other light sources.
3. ** Light-filling techniques for different subjects **
- ** Portrait photography **: Indoors, soft light box can be used as the main light source. With the side of the reflective board, the light on the face can be evenly distributed and the eye light has a layered feeling. Outdoors, natural light can be used as the main light source. The LED fill light can highlight the outline and create a halo effect.
- ** Production photography **
- For glass products, such as beer bottles, a light source (such as LS60d + sulfuric acid paper) was placed at the back to brighten the bottle body. The black flag was used to cut the background light on both sides to draw the black edge. The top light outlined the outline of the bottle body, and the front and side fill light formed a light and dark transition for the product logo.
- When shooting beer cans, three LSC300dII lights were used. One lit up the background paper to create a gradual effect. A soft light screen was placed on the left and right. The right light was the main light, and the left light was used to create a contrast in the brightness of the bottle.
- When shooting dark-toned food, arrange a NiceFoto's FC-1000SSBII at 10 o'clock with a quick softbox with a grill (backlit or side-backlit). The opposite side of the light uses a reflective plate to brighten the shadow area.
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