freelancing digiskills

In the wake of Gol D. Roger's execution, the world holds its breath. Pirates flood the seas. Marines tighten their grip. And in the forgotten South Blue, on an island so small it barely earns a dot on most maps, a sixteen-year-old boy with no devil fruit, no family name, and no special destiny decides to leave. His name is Kuroishi Ran. He wants one thing — absolute freedom. Not a throne. Not a title. Not the world's recognition. Just open water and no one above him. He boards a merchant ship heading east with a single bag, calloused hands, and four years of self-taught training behind him. No mentor. No crew. No plan beyond the direction. What he does have is something he can feel but cannot yet name — a heat in his chest that surfaces only when everything else runs out, when his body is past its limit and something deeper opens. The sea will teach him what it is. This is the story of a man who becomes a pirate not for treasure or glory but because the sea is the only place in the world where no one can tell him what he is. It is a story told in ports and storms and training sessions before dawn. In the people he meets and parts from and meets again years later when the sea has changed them both. In the slow, honest, brutal development of a power earned rather than granted. Ran will cross the South Blue. He will reach the Grand Line. He will build something from nothing, by will alone, and the world will eventually learn his name. But that is later. For now — he is sixteen, the ship is heading east, and the horizon keeps retreating the way horizons do. He follows it anyway.

HIDUP SEBAGAI ORANG YANG ANEH

On the return of his hometown, Valentino discovers that his hometown has changed along with the turbulent decade of the 1960's. His family stuck in the violent past of World War 2 as well as the contemporary fear of the Vietnam War loom over him and his two brothers. However, fear comes in many forms.

The day everything changed – and nothing made sense anymore

Frenia Ayu Lestari kerap dipanggil Nia oleh orang-orang. Nia sosok remaja yang pendiam,tertutup jika bukan orang yang memang dipercaya. Walapun seorang yang pendiam Nia memiliki suara yang bagus, jago gitar, bisa dance, nulis juga tapi sayang nia sedari sekolah dasar selalu jadi korban perundungan sampai tidak punya teman sama sekali. Ada sih teman tapi ya hanya sekedar teman, bukan dekat juga tidak bertahan lama setelah itu menjauh dari sosok Nia entah apa alasanya tidak mau lagi berteman dengannya. Bahkan sampai saat ini pun masih menjadi korban perundangan di sekolah. Ia punya teman dekat setelah memasuki sma namun beda kelas yang bernama Indira Prameswari dipanggil indi atau dira orangnya berbeda jauh dari nia, indi orangnya begitu aktif dalam berbagai organisasi sekolah. Akibat dari perundungan yang selalu nia terima begitu depresi hingga menyakiti dirinya sendiri, seperti menyayat kulitnya, nonton film yang berbau psikopat itu semua nia lakukan untuk melampiaskan diri. "aku capek.... Dengan ini semua, indi maafkan aku jangan benci padaku selamat tinggal indi"ucapnya

Four 15-year-olds are ripped from their families and taken to a dark- and unbearably hot- room. Every single one of these teens is terrified, and their situation continues to get worse and worse. Getting stabbed with syringes, waking up once again in the center of Henderson, Nevada with crazy abilities, meeting some weirdo who won't tell them what her power is, and rarely getting along, just to name a few. The only thing they agree on is the fact that they'd like to see their families and friends before they die. And as possible as that seemed in the first few hours of being confined in their prison, the idea is slipping further and further away. Scared, hungry, and burning up in the desert sun, will these kids be able to make it through a madman's experiment and see their loved ones again? Or will they deal with loss after crushing loss, destined to die at the age of fifteen?

this is a story about Levi Elliott the eery adventure and unexpectedly turn to meet monsters and the creator of the creature and himself

Before marrying Silas, Joyce had only met him three times. A marriage of convenience, a secret agreement, for a term of three years. She's fresh off a heartbreak — the man she chased for years told her they "weren't a good match." Silas has his own baggage: rumor says he's still hung up on a white moonlight who happens to look just like Joyce. So that's all she is. A substitute. ** In the second year of their marriage, on Joyce's birthday, she drank too much and, in front of everyone, tugged on his tie, pinning him underneath her: "You look... a lot like my husband." The Thorne family's second master, known for being rational and unfeeling, was flustered by her that night. He leaned in close to her ear and coaxed in a low voice, "Be good." The next day Joyce woke up to find her lips were swollen. This… Who did this! When she went to question him, she discovered Silas's lip was bitten. He stared at her and said slowly, "You crossed the line first." ** The scandal leaked. At a party, her ex-boyfriend stepped in: "She's mine. Who dares talk?" Then Silas walked in. The room went silent. "Yours? Since when?" "Joyce, tell me. Whose are you?" So much for the secret marriage. So much for being a substitute. This was supposed to be fake… wasn't it?

Fu Xiaoxiao transmigrates into a book and immediately faces the crisis of being sent to the countryside. As the unloved middle child, her younger sister is the one meant to go — but her mother transfers her job to the sister instead. A disaster of a start. To avoid being sent away, she has to marry within seven days. She meets a few ordinary men and decides she'd rather go to the countryside. Then she runs into a neighbor who's also looking for a spouse — and his conditions are surprisingly good. A dowry of three hundred? Bicycles and a radio? Just take care of the kids, and separate rooms are fine? The others may pass, but she won't. Every day is a battle of wits with the two kids. Life is eventful, she gets a salary every month, and the boss is never home. Absolutely perfect. Except... wasn't this big shot supposed to be infertile? Then why does he keep strutting around naked in front of her? She has professional ethics. She won't be seduced by a good body. Hmph. Men only slow down her sword swing. Lu Feng grits his teeth at Fu Xiaoxiao, who remains completely unmoved by his countless attempts to seduce her, and traps her in his arms. "Boss, let's talk this through. I know forty a month is a bit much — how about... five less?" Trapped in his embrace, Fu Xiaoxiao thinks he's unhappy with her high salary and starts bargaining. "I'm giving myself to you for free." Lu Feng grinds out through clenched teeth. This woman has no heart. "...Can I say no?" Fu Xiaoxiao swallows, staring at the washboard abs so close. "Such a good deal — are you sure you don't want it?" Lu Feng squints, tempting her. "Fine." A fool turns down a bargain.

Olivia transmigrated from the apocalypse to the modern era. Not only that, her dimension and superpower came along with her. She felt that the good days were about to begin. But before she could be happy for even three days, the internet was flooded with posts slandering her. Advertisers and directors want to terminate her contracts, and her company wants to blacklist her? How could this be? She wanted to use the money to enjoy modern life to the fullest. Without money, how could she enjoy anything? So, who's slandering her online? I'll find you and dig up all your dirty secrets. Who wants to terminate her contract? Terminate it immediately. After termination, she'll go on to endorse international luxury brands instead. Terminating the script contract? Good, that's great! If the contract isn't terminated, how can she film the blockbuster drama of the year and win awards with it? Modern life is so wonderful, eating and drinking every day. There's just one tiny problem. Why are there suddenly two babies growing in her belly? And who is this ridiculously handsome man who appeared out of nowhere, claiming to be their father?