Ancient China:
- Cao Xueqin: Dream of the Red Chamber
- Lu Xun: A Madman's Diary, The True Story of Ah Q, New Stories
- Lao She: Teahouse, Camel Xiangzi
- Ba Jin: Home, Spring, Autumn
- Ding Ling: The Sun Shines on the Sanggan River, Three Thousand Miles of Rivers and Mountains
Modern times:
- Lu Xun: A Madman's Diary, The True Story of Ah Q, Hesitation, New Stories
- Lao She: Teahouse, Camel Xiangzi
- Ba Jin: Home, Spring, Autumn
- Ding Ling: The Sun Shines on the Sanggan River, Three Thousand Miles of Rivers and Mountains
Modern:
- Lu Xun: A Madman's Diary, The True Story of Ah Q, Hesitation, New Stories
- Lao She: Teahouse, Camel Xiangzi
- Ba Jin: Home, Spring, Autumn
- Ding Ling: The Sun Shines on the Sanggan River, Three Thousand Miles of Rivers and Mountains
- Zhang Ailing: Red Rose and White Rose, Aquilaria Fragrance: The First Stove of Incense
- Qian Zhongshu: Fortress Besieged
- Shen Congwen: Border Town
Current generation:
- Mo Yan: Red Sorghums Family, Big Breasts and Buttocks
- Yu Hua: Live, Shout in the Drizzle
- Jia Pingao: Qin Qiang, Abandoned City
- Ernest Hemmingway: The Sun Also Rises, A Farewell to Arms
- Kawabata Yasunari: Snow Country, Thousand Cranes
- Margaret Atwood: Gone with the Wind, Gone with the Wind
Definitely. Without a platform, it's much harder for fiction writers to get noticed. A platform provides a space to showcase their work, interact with the literary community, and potentially earn income.
China still needed professionals. Although China's internet and social media were very developed, people could read novels anytime and anywhere for entertainment and relaxation. However, the Chinese literature market was still a very large market, and professionals were needed to meet the needs of readers.
China had many literary schools and styles, including novels, poems, essays, plays, and so on. These literary schools and types required professional and excellent works to resonate and gain recognition from readers.
China also needed professionals to provide readers with more colorful literary works.
Definitely. Research is essential for fiction writers. It enriches their storytelling, gives authenticity to the plot and characters, and can make the story stand out.
In most cases, no. Comic book writers typically concentrate on crafting the plot, dialogues, and character development. The drawing aspect is often taken care of by professional artists who specialize in visual representation.
The world needs fiction writers because they provide entertainment and emotional connection. Their stories can make us laugh, cry, and feel a wide range of emotions. Also, they can address important social issues in a creative way that makes people think.
Generally speaking, entering. However, this was not necessarily a necessary condition. Many, but some associations may require authors to have a bachelor's degree or higher.
However, education was not the only deciding factor. Many of them were successful, but their works were recognized and praised by readers and became famous. Therefore, one needed to have excellent writing skills and quality to enter.
The 1930s was a very important period of literature, and many excellent writers emerged. Here are some famous ones in the 1930s:
1. Ernest Hemmingway: The Sun Also Rises, A Farewell to Arms, Notre-Dame de Paris
Faulkner: The Sound and the Fury, Glory
3. Orwell: 1984, Animal Farm
4. Calvino: Winter Night, Veronica's Double Life
5 Margaret Atwood: Gone with the Wind
6 H. G. Wales: Oliver Twist, The Hitchhiker's Guide to the Galaxy
7 Jane Austen: Pride and Predict
8 John Keats, The Happy Prince
9 Owen: The Legend of the Giant
Dickens: A Tale of Two Cities, Oliver Twist
This had a profound impact on modern literature.