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us international screenwriting contest

us international screenwriting contest

Surrender To Us, Our Luna (One Luna, Four Alphas)

Surrender To Us, Our Luna (One Luna, Four Alphas)

“Alpha Troy! Over here!” I yelled, raising my hand for help. I was under attack by a monster while saving my mates. The four of them heard me cry out as the creature clawed me and slammed me against the wall. “Help me!” I gasped, but their attention shifted when a soft cry came from the other side. It was Oriana, the gentle princess and a warrior, a combination most men lusted after. But not my mates. They were in my troupe, my friends, my lovers. We shared a bed, a bond. I knew they would save me. “Ohhh! I’m going to die,” she whimpered again, though she could have stood up easily. The monster’s focus was on me. “Yorick!” I screamed, reaching for another of my mates, struggling to escape, my leg tangled in silver chains. My mates looked at me and then at her—and I saw it. The shine of love in their eyes. In a heartbeat, they ran to her. My heart slowed. Tears welled up. Oriana had warned me: when it came down to it, they would choose her. She told me they only used me to pass time in the dorm room because I agreed for gangbang while other she-wolves did not. And now, right before my eyes, they were leaping into battle—for her. “We’ll come back for you, don’t worry,” Haiden shouted, as if that erased the betrayal. At that moment, the monster turned back to me. And I knew there would be no saving me. So I prayed they’d live long enough to regret their choice. --- Clementine had spent her life as the insufferable daughter of an alpha—tough, rebellious, and uninterested in love, especially in a world where male wolves were allowed multiple mates. Tired of her attitude, her stepmother forced her into an academy built to train fighters against deadly monsters. On her first day, Clementine was shocked to find her roommates were the worst people from her past: -Alpha Yorick, her bitter ex-boyfriend -Alpha Troy, her ex–best friend who believed she betrayed him -Alpha Haiden, the bully who had made her life hell -And Alpha Ian, her former cellmate who thought she manipulated him into punishment They all seemed to want revenge. But when they fought side by side on the battlefield, something strange happened–Clementine felt a mate bond with all of them. At first, things turned steamy. Hatred became desire. Tension turned into passion. But then, Clementine saw the truth: when it came down to it, they would always choose someone else over her. To them, she had only ever been a distraction, a toy to share and throw away.
Fantasy
590 Chs
May Death Do Us Part

May Death Do Us Part

This is a story for the hopeless romantics who crave more than just love… but destiny, danger, and a touch of the forbidden. At its heart is a striking redhead with piercing blue eyes, a woman caught between two men: the one she thought she lost forever, and the one who now holds her heart. But this is no ordinary love triangle. It is a tale woven with the remnants of ancient races long thought extinct, the Nosferatu, the Lycans, the Elves, and the Dwarves. Beneath the surface of kingdoms and courtship lies a brewing storm of rebellion, bloodshed, and a fight for freedom. In a world where loyalty to one’s people clashes with the desires of the heart, every choice comes at a cost. Cursed with immortality through endless rebirth, she has wandered through lifetimes burdened by memory and loss, searching for a way to break the cycle and finally rest. To protect herself, she keeps her heart locked away… until she meets a kind, gentle man who teaches her how to love again, only for fate to cruelly take him from her. Forced to carry that grief into yet another life, she resigns herself to loneliness. Until she meets him. A man bound by the same curse. A man who understands her. A man who dares to make her believe in love again. But what happens when the past refuses to stay buried? When her first love returns, alive and changed, just as she begins to move on? And what happens when she discovers that her curse is not a curse at all… but the truth of what she really is? As secrets unravel and identities are revealed, she must choose between love and duty, past and present, heart and destiny. And this time, the choice may cost her everything. Content Notes • Contains explicit romantic scenes • Themes of love triangles and emotional conflict (with a touch of reverse harem dynamics) • Includes violence, bloodshed, and death • Set in a medieval-inspired world (yes, soap exists) • Contains mature language ⸻ Excerpt “I’m tired of this existence,” Melissa murmured, her voice barely louder than the dying embers in the hearth. “I don’t want to live forever. I just want it to end… to finally stay dead.” Elric stepped closer, his gaze soft but unyielding. He lifted her chin gently, forcing her to meet his eyes. “And if you leave,” he asked quietly, “who will I spend eternity with?” Melissa pulled away, the cold air rushing to meet her bare skin as she moved toward the window. The night wrapped around her like an old companion, indifferent and endless. “You’ll learn to live without me, Your Majesty,” she said, her tone distant. Behind her, Elric closed the space between them once more, his arms encircling her, warmth against the chill. “Is a life like this not worth it,” he murmured, “if you live it with someone you love?” Melissa’s expression hardened, her eyes reflecting something far older than sorrow. “Love is meaningless without an ending,” she replied. “Even vows are built on it… till death do us part.”
Fantasy
332 Chs
Experience in screenwriting
The experience of scriptwriting could be summarized as follows: First, the creation of the script must be realistic, the logic must be born out of reality, and the performance must be integrated into reality. Secondly, the script needed to be realistic. The lines could not be too explicit or dramatic. It had to be in line with common sense. In addition, the design of the script had to consider the difficulty and technique of the actual shooting. A script that was too freehand or poetic might hinder the shooting progress. Creating a script also required innovative and unique ideas, focusing on thinking about the character's inner world, character relationships, and plot development. At the same time, it was also important to learn from the experiences and creations of others. Writing a script required mastering the structure and theme, as well as being good at constructing the outline of the script. Finally, writing a script was a form of artistic creation, as well as a way of thinking and observation. Through writing a script, one could express one's dreams and thoughts, and resonate with the audience.
1 answer
2025-01-11 00:20
Thoughts on screenwriting
The process of writing a script required creativity and imagination. Writing a script wasn't just about recording the plot. It was also about using language and structure to shape the scene and create the characters so that they would come alive in the minds of the audience or readers. In the process of writing, one had to observe the details of life and present them in the script through their own strokes. Observation and insight could allow one to grasp the emotional changes and inner conflicts of the characters, making the whole story more realistic and convincing. In addition, scriptwriting also required creativity and the ability to think. Creating a script required unique ideas and creativity, not just copying previous scripts or stories. At the same time, he had to pay attention to the character's inner world, the relationship between the characters, and the development of the plot. Borrowing other people's experience and creative results was also a way to write a script. In short, scriptwriting was a process that required constant exploration and learning. Through creation, one could convey thoughts and emotions and stimulate the audience's resonance and thinking.
1 answer
2025-01-07 10:30
An introduction to screenwriting
The contents of the introductory screenplay creation were as follows: The basic elements of a script: the structure of the script, the plot, the characters, the scenes, and so on. 2. Writing method of the script: The writing method of the script varies according to different types of movies. 3. Script review and modification: After the first draft is completed, the script needs to be reviewed and modified to ensure the quality of the script. 4. The format of the movie script: The movie script is usually in A4 paper format and contains the script title, page number, author's name, copyright information, etc. 5. The creation process of a movie script: The creation process of a movie script includes the concept, outline, first draft, review, revision, and final draft. 6. Character Shaping in the movie script: The characters in the script are the core of the movie story. The character's personality, motivation, and growth process need to be deeply shaped. 7. The narrative skills of the movie script: The narrative skills of the script include the plot advancement, rhythm control, perspective switching, etc. 8. Sound effects and music of the movie script: Sound effects and music can add atmosphere and tension to the movie script and improve the quality of the movie. 9. Director's guidance for the movie script: The director's guidance for the movie script included scene design, action guidance, actor selection, and so on. Post-production of the movie script: The post-production of the movie script includes editing, special effects, sound effects, etc. to ensure the final quality of the movie.
1 answer
2025-03-09 16:52
What is the screenwriting of a comic script?
Writing a comic script in a split shot was a way of breaking the story into multiple segments and showing them to the editor and director one by one. In split-shot writing, the author would split the entire story into multiple shots, each representing a story scene and plot development. Scene-splitting writing is usually grouped according to the importance of the scene and plot. Each scene has a clear goal and role. For example, some important scenes might be divided into one set of shots while some secondary scenes might be divided into another set of shots. The advantage of shooting was that it allowed the director and editor to better understand the story and better control the entire filming process. At the same time, by breaking the story into multiple segments, it could better show the variety and cohesiveness of the story. Shooting required the author to have a strong storyline and scene conception ability. At the same time, he also needed to be familiar with the camera position, lighting, special effects, and other shooting skills.
1 answer
2024-09-26 22:38
Did the cat participate in the screenwriting?
According to my knowledge, Maoni has never participated in scriptwriting.
1 answer
2024-10-18 15:03
Did the cat participate in the screenwriting?
Yes, according to the search results, Maoni had participated in the screenwriting of " Celebrating Years 2 ".
1 answer
2024-10-22 10:33
Experience and gains from screenwriting
Scriptwriting was an art that required creativity, imagination and observation. By creating scripts, people could use language and structure to shape the scene and create characters, making them come alive in the minds of the audience or readers. In the process of scriptwriting, the creator needed to find inspiration, conceive the story, and pay attention to character creation and plot writing. Creators needed to observe and experience the details of life, and use their imagination to adapt and create. The creator also needed to have the ability to observe and see through the emotions and inner conflicts of the characters, making the story more realistic and convincing. Scriptwriting was a creative and imaginative job. Through it, the creator could express his thoughts and emotions and stimulate the audience's resonance and thinking.
1 answer
2025-01-07 09:23
How to Fit in Back Story in Screenwriting?
One way is to weave it into the main plot gradually. Don't dump it all at once; sprinkle it throughout the story in relevant moments.
1 answer
2024-10-05 23:41
Is Adobe Story a good screenwriting software?
Yes, Adobe Story can be a great choice. It offers a range of features that are useful for screenwriters.
3 answers
2024-10-04 22:01
How to break a story in screenwriting effectively?
You need to have a unique and compelling idea. Then, build a solid structure with a clear beginning, middle, and end. Make sure the plot has enough twists and turns to keep the audience engaged.
2 answers
2024-10-14 11:59
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