senpou temple main hall

The main hall of Xuankong Temple was the core of the temple, and it was called the Ksitigarbha Hall. Half of it was embedded in the steep belly of the rock, while the other half was suspended above the cliff. It was a spectacular sight. In the main hall, the Bodhisattva Tsenpo was worshiped. There were side halls on both sides of the main hall. On the south side were the Temple Hall and the Child-giving Guanyin Hall, and on the north side were the Ksitigarbha Bodhisattva Hall and the Thousand-hand Guanyin Hall. There was a square-shaped ear hole on both the north and south sides of the bottom floor of the main hall. From the north ear hole, one could reach two three-story, nine-ridge flying towers that were about 10 meters high. The architectural style of the main hall was ancient and magnificent. It was one of the important scenic spots of Xuan Kong Temple.

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The Mahavira Hall in a Buddhist temple was one of the most important buildings in a Buddhist temple. It was usually the center of the temple. The Buddha, Bodhisattva, and other important deities of Buddhism were usually worshipped in the Mahavira Hall. In addition to the Mahavira Hall, Buddhist monasteries usually had other buildings such as the main hall, meditation room, bell tower, drum tower, Dharma Hall, and so on. The eastern and western side halls were one of the common buildings in Buddhist monasteries. They were usually used to worship other gods or place other auxiliary facilities. Although the eastern and western side halls in Buddhist temples were one of the common buildings, there was no definite answer to whether they were right or wrong. This depended on one's understanding and views on Buddhism. In some Buddhist monasteries, the existence of the east and west side halls may be due to historical reasons or architectural layout, while in other Buddhist monasteries, they may not be necessary or omitted. Therefore, there was no unified answer to this question. It needed to be judged according to different situations and beliefs.

The Bridge Hall of Jingxing Xuankong Temple was a building located on Cangyan Mountain in Jingxing County, Hebei Province. It was one of the three great hanging temples in China. It was built in the Sui Dynasty, slightly earlier than the Anji Bridge in Zhaozhou. The hall of the bridge building faces west to east and spans between the cliffs of two mountains. It is an open-shoulder arch with high wings and colorful tassels. It is elevated above the clouds and fog sea. It has an unattainable power and the potential to fly in the sky. In the hall of the bridge, there were three Buddha statues of Shakyamuni Buddha, Amitabha Buddha, and Medicine Master Glazed Light King Buddha, as well as Guanyin and Eighteen Arhats. This bridge was a wonder of Mount Serpentine and one of the three wonders of Mount Serpentine.

The smallest Mahavira Hall in Xuankong Temple was located on the corridor connecting the Bell and Drum Tower. The doors and windows of the hall were exquisitely shaped, and there were shrines for the three Buddhas, Taiyi and Guan Di. It was the smallest Mahavira Hall in China and the only Mahavira Hall in the country that worshipped the three religions.

The Brilliant Void Treasured Palace was one of the most important buildings in Jichao Temple. On the way to Jiming Temple, you can see the Kunxu Treasure Hall. When you reach here, you may sweat profusely. On its left was a drum tower, and on its right was a drum tower. In 1958, Jiming Temple was converted into a Buddhist temple. The Brilliant Void Treasured Palace was surrounded by trees and was an important part of Jiming Temple, an ancient temple with a history of more than 1,700 years. " Yun Anlu's Body Sacrifice " is equally exciting. Everyone is welcome to read it!

The murals in the Mani Hall of Longxing Temple in Zhengding have high artistic value and rich content. Judging from the contents of the murals, the inner walls of the east and west fan walls of the inner trough were painted with "Twelve Yuan Jue Bodhisattvas" and "Eight Great Bodhisattvas".(This part was repainted in the Qing Dynasty); The Four Treasures Mansion was painted with the "Twenty-four Heavens", while the East Treasures Mansion's "Great Compassion Honoring the Heavens" and "Devil Mother Heaven" were well preserved; the inner wall of the eaves vividly depicted the birth of Buddha Sakyamuni, becoming a monk, asceticism, enlightenment, and Nirvana, which was called the "Origin of Buddhism"; the east and west fan walls were painted with "Western Victory" and "Eastern Pure Glazed World" respectively. Except for some of the existing murals that were painted in the Qing Dynasty, most of them were remnants of the Ming Dynasty. Although it lasted for more than 500 years, the existing area was still 422 square meters except for some peeling off. Among them,"Western Scenery" was centered on the Three Saints of the West. There were more than 400 Buddhas, Bodhisattvas, Arhats, musicians, and saints. The whole mural was mainly green, with some powder and gold, which made the layers clear and the colors gorgeous. In terms of artistic style, his fine brush painting was a heavy color figure painting. The production inherited the traditional techniques of the Tang and Song Dynasties. First, they used light ink to draw out the rough outline of the image, then added color, which meant that the ink line was formed and the color became rhyme. The center of the ink line moved the brush, using ancient hairspring and iron line drawing in many places. The lines were smooth and the strokes were rigorous. He used a single line to portray the faces of the characters to make them round and vivid. The lines of the costumes were vigorous, and the dresses were elegant and free. The murals were painted in red, green, ochre, and white. The paint was made of traditional minerals. The colors were gorgeous and suitable for cold and heat. The clothes, ribbons, headlights, backlights, building walls, and wooden structures were mainly red and green. The clouds were mainly white and green. The techniques of dripping powder and gold were also used to enhance the three-dimensional sense of the picture and the magnificent scene. In terms of protection, from 1977 to 1980, Mr. Qi Yingtao, a famous cultural relic expert in China, presided over the removal, restoration and restoration of the mural on the eaves wall. From April 2016 to October 2017, the Dunhuang Research Institute implemented the mural protection project, which effectively protected this precious historical and cultural treasure. The novel "Hidden Dragon" is equally exciting. Everyone is welcome to click and read it!

The main hall, side hall, and side hall had different positions and uses in the palace. The main hall was usually for the concubines of higher status, while the side halls were for the concubines of lower status. The side halls were subordinate to the main hall. The difference in their location was that the side hall was located on one side of the temple or palace compared to the main hall, while the side hall might be located in a part of the temple or palace, which was more off-center than other parts. Regarding the specific allocation of palaces, different palaces might have different rules. For example, in the allocation rules of the Dragon Palace, the main hall was for the imperial noble consorts, the side hall was for the four concubines, and the side hall was for the nine concubines. In short, the main hall, side hall, and side hall had different positions and uses in the palace.

Xuankong Temple's Three Officials Hall worshiped the Heaven Official, Earth Official, and Water Official.