You can try looking on local Sinhala children's bookstores. They might have collections of such stories in cartoon form. Also, some libraries in Sinhala - speaking regions could be a good source.
In the 'franklin plays the game story', Franklin is likely the main character. He could be a human being with unique traits and qualities. Maybe he is known for his competitiveness in games or his friendly nature towards other players. Without reading the story, we can't be certain about his exact identity but he is the one central to the action of playing the game.
Sinhala culture is based on strong family values, religious beliefs, and a sense of community. Sinhala erotic novels, if they exist in large numbers, could potentially undermine these values. They might introduce ideas that are not in line with the traditional moral code of the Sinhala people, causing a shift in the perception of appropriate behavior.
I'm not sure specifically who Jon Franklin is without more context. He could be an ordinary person with a passion for sharing true stories, or perhaps a professional storyteller, journalist, or writer.
Franklin Richards is a fictional character in the Marvel Comics universe. He is the son of Reed Richards (Mr. Fantastic) and Sue Storm (Invisible Woman) of the Fantastic Four. He has extremely powerful mutant abilities and has played significant roles in various storylines within the Marvel Comics.
It depends. Some parts of Franklin might be based on real events or people, but it could also have fictional elements added for entertainment purposes.
Sinhala novels often have strong cultural roots. They typically feature detailed descriptions of Sinhala traditions, festivals, and family values. For example, in many novels, you'll find references to religious ceremonies like Vesak.
Erotic Sinhala novels are not popular in the mainstream. Sinhala literature has a rich heritage of stories that are centered around family, culture, and social values. These are the types of works that are widely read and celebrated. Erotic content is not something that is promoted or embraced in the Sinhala literary world. For example, works like 'Viragaya' which deal with deep human emotions and social issues are far more popular than any form of inappropriate literature.