The teaching plan of the shepherd boy piccolo in the big class contains reflectionThe following is a large class lesson plan for the Shepherd Boy's piccolo:
##1. Activity Target
1. Guide the child to feel the two different emotions of leisure and joy expressed by the music, and be able to distinguish the A-B- A three-section structure of the music.
2. Children are encouraged to try to use actions to show the scene of the shepherd boy playing the flute and playing on the back of the cow.
3. Let the children understand that the flute is a national musical instrument in our country and experience the beautiful artistic conception created by the combination of folk music and ink painting.
##2. Event preparation
1. Ink painting PowerPoint, music files, and flute pictures related to "The Shepherd Boy's piccolo."
2. If possible, prepare the Shepherd Boy's teaching aid, marker, and background map.
##3. Activity
###(1) Introduction
1. Play the music clip of "Shepherd Boy's piccolo" and ask the children,"Children, close your eyes and listen first. Guess what instrument this sound is made by?" Guide the child to think positively and answer. Then show the picture of the flute and give a simple introduction, such as,"The flute is a wind instrument invented by the China. It is usually made of bamboo. When playing, it is placed horizontally by the mouth. It can play all kinds of melodies and imitate bird calls."
2. Showing the ink painting of "Shepherd Boy's piccolo". The picture was a scene of a shepherd boy riding a cow in an idyllic scenery. He asked,"Children, can you imagine what will happen when you see this picture?"
###(2) Music Appreciation
1. Complete appreciation
- Play the complete Shepherd Boy's piccolo for the children to listen quietly. After listening to it, he asked,"Children, how do you feel after listening to this song?" Was the feeling the same from the beginning to the end? How is it different?" Guide the child to feel the emotional changes of the music.
2. Appreciate by sections
- ** A-tier (leisurely part)**
- He played the music again and asked,"How does this music sound?" What do you think the Shepherd Boy is doing?" Children were encouraged to use their imagination to answer questions, like playing the flute on the back of a cow. Then, he could further guide,"How did the shepherd boy play the flute? Let's listen carefully." When the music was played again, the teacher could make a simple flute action according to the rhythm of the music and guide the child to imitate it.
- The children were divided into small groups and listened to the A section of music to perform freely, showing the scene of the shepherd boy leisurely playing the flute on the back of the cow.
- ** B-tier (cheerful part)**
- He played the B-segment and asked,"What's the difference between this piece of music and the A-segment?" Then what do you think the Shepherd Boy is doing at this time?" Children might answer that they were playing games, running, etc. Ask the children to imitate the movements of the shepherd boy, such as somersaulting, catching butterflies, etc.
- The music was played again, and all the children followed the rhythm of the music to perform the scene of the shepherd boy playing.
- ** A-tier (repeated)**
- He played the last A segment and asked,"Is this music familiar?" Which part was the same as the previous one? At this time, the shepherd boy returned to the back of the cow and continued to play the flute. Where are they going?" Guide the child to feel the changes in the situation when the A-section music appears again.
###(3) Understanding the composition of the music
1. Review three pieces of music with the child and ask,"How many pieces are there in this song?" Which parts are the same?" Guiding children to understand the structure of the first and third sections was called the A-B- A three-section form.
2. The name of the music could allow the child to express his creativity. Then the teacher concluded,"This piece of music is about the beautiful Jiangnan countryside. The picture of a shepherd boy playing a piccolo on the back of a cow is just like what we just heard and imagined. So we can call it 'The Shepherd Boy's piccolo.'"
###(4) Activity Extension
1. Materials were placed in the art design area to encourage children to draw their own scenes of a shepherd boy in the countryside, or to make simple handcrafts of a shepherd boy and a cow.
2. Put some props related to the shepherd boy in the performance area, such as flute props, straw hats, etc., so that the children can continue to perform the plot of the Shepherd Boy's piccolo.
##IV. Reflection on the Event
1. the key of success
- In the process of music appreciation, the children had a keen perception of the emotional changes of the music and could actively participate in the discussion and performance activities, especially in the segment appreciation segment. Through imagination and imitation of movements, the children could understand the leisurely mood of the A segment and the cheerful mood of the B segment. They could also make corresponding movements in different music segments, which indicated that the children's understanding of music had been better trained.
- In the introduction stage, by listening to the music and guessing the instrument, then looking at the picture and imagining the story, it successfully aroused the interest of the children and stimulated their curiosity about the song "Shepherd Boy's piccolo", which laid a good foundation for the subsequent appreciation activities.
- In the part of understanding the structure of the music, most of the children could understand the A-B- A three-paragraph structure under the guidance of the teacher. This was a relatively abstract concept for the older children, but through the intuitive music experience and comparison, the children could grasp it well, indicating that the teaching method was more appropriate.
2. deficiencies in
- In the performance segment, some children may be shy or not confident enough, so their movements are not bold and natural enough. Teachers should give more encouragement and guidance at this time, such as individual demonstration or inviting other children to perform together to enhance the confidence of these children.
- In the extended part of the activity, although relevant materials were placed in the art design area and performance area, it was found that the guidance for children's activities in these areas was not deep enough. For example, the children were not organized to display and share the art works in time, and the children were not further guided to enrich the performance plot in the performance area. As a result, the effect of this part of the activity was not fully exerted.
3. improvement measure
- In future music activities, more attention should be paid to the performance of individual children and timely encouragement and support should be given. For shy children, some communication and guidance could be carried out in advance to make them more relaxed and confident in the activities.
- To strengthen the organization and guidance of the extended part of the activity, such as regularly organizing children to display and share art works, encouraging children to talk about the creativity and ideas of their works; in the performance area, children can be guided to discuss the richness and innovation of the performance plot, so that children can gain more fun and growth in their own creation and performance.
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