Zhang Jiaxin was a character in the TV series " Glory Ping-Pong ", played by Xu Weizhou.
In the play, Zhang Jiaxin was a table tennis player. He was talented and unruly. In the competition with Xu Tan, he gradually let go of his desire to win and became good friends with Xu Tan.
While waiting for the anime, you can also click on the link below to read the classic original work of " Full-time Expert "!
šI recommend "Prosperous Land Marriage" to you. This book is also an ancient business and farming novel. It tells the story of a female protagonist who changes her fate for the sake of family honor. It is somewhat similar to "Malone Ping-Pong" The Landlord's Daughter-in-law. I hope you like this fairy's recommendation. Muah ~š
Ding Ding stood on the table tennis table, holding the racket tightly and watching the direction of the ball. He swung his racket quickly in an attempt to hit each ball in a perfect arc. The ball flew over and Ding Ding quickly met it with his speed and skill to hit a beautiful racket. The ball flew out of the court and Ding Ding caught the next ball to continue his continuous movements.
He kept jumping and using his agile body to catch each ball. He kept swinging his racket and used his skill and wisdom to deal with each ball. It was as if he was performing every move on a superb stage, full of confidence and determination.
The audience was amazed as they watched a little boy perform as if he had integrated into this world of superb football skills. Ding Ding constantly challenged his own body and skills, constantly surpassing himself and advancing towards his dreams.
This question involves some aspects of animation production. For specific reasons, you can refer to the following reasons:
Usually, the music would be added after the animation was completed, which would be better integrated with the story. ED usually had a shorter broadcast time than OP and was more easily ignored by the audience. Therefore, ED was usually a relatively simple part of the animation, while OP was usually a more complete piece of music, often used as the background music of the entire animation.
2. In some cases, the choice of ED and OP depended on the production team's preferences. For example, some animes might use OP as the main music of the entire story, while ED was only used as a supplement.
The main reason why there were more ED than OP in the animation was that during the production process, ED was usually added after the animation was completed to better integrate with the story, while OP was usually a more complete piece of music that often served as the background music for the entire animation.