The Ming Dynasty was a historical novel in the style of biographies. It arranged the important figures and events of the Ming Dynasty in order of time to show the importance and complexity of the Ming Dynasty in Chinese history. In this novel, the feature of biographies was that historical figures were described as independent subjects rather than historical events as basic clues.
The Chronicle of Dayong was a short web novel that was published in the Red Sleeves Adding Fragrance. The author was Meng Diezhuang Porridge. This novel described the story of an otherworldly person who lived in Da Yong. Apart from that, there was also an orange work called " Dayong Chronicle ", which was created by Ru Yu. This work was a novel with a time-travel theme. It told the story of a person who had time-traveled to a thousand years ago. However, the details of the Great Yong Chronicle weren't detailed enough, so he couldn't understand it further.
The first chronicle was the Spring and Autumn Annals, written by Confucius. The Spring and Autumn Annals was a book that used historical events as clues to describe the politics, military, culture, and other aspects of the Spring and Autumn Period in detail. The book was originally a Confucian classic, but it was later widely used in various cultural, philosophical, and religious fields.
Silent meant that there was not even the sound of crows or sparrows. It was very quiet. This idiom can be used to describe the tranquility of the natural environment, or to describe people being silent. It came from the fourth volume of the Song Dynasty's Shi Daoyuan's Jingde Chuandeng Lu. The words " absolute silence " and " absolute silence " both meant that there was no sound at all. However, silence was generally used to describe a crowd or a place where people gathered, which referred to 'quietness', while' silence 'was mostly used to describe a vast natural environment, which referred to' quietness'.
Demoness's explanation referred to beautiful women, rebellious women, non-mainstream women, women who were frivolous or dressed too seductively. The term "demoness" comes from Cao Zhi's "Mingdu Chapter" in the Three Kingdoms and Liang Hexun's "Mocking Liu's Discussion" in the Southern Dynasty. Demoness could also refer to a female demon or an enchanting woman who had cultivated into a form in myths. The term demoness could be used to describe a woman with demonic arts or evil behavior, or it could also be used to describe a seductive woman.
Huajian refers to a style of ancient Chinese Ci poetry, which was mainly active in the late Tang Dynasty and the Five Dynasties. It got its name from the Collection of Flowers and was edited by Zhao Chongzuo. It included the works of more than ten poets such as Wen Tingyun and Wei Zhuang. The theme of the poem was to describe love, women, and natural scenery. The style was gentle and beautiful, with a strong sense of life and emotional color. The works of the Huajian School of Ci were flashy and often wrote about love. Most of them were written by male poets about the "boudoir love" of women's lives. It played an important pivotal role in the development of literature and was one of the foundations for the development of Ci.
Demoness was a Chinese word, pronounced yāon. Its explanation referred to beautiful women, rebellious women, non-mainstream women, frivolous women, or women who dressed too seductively. This phrase first appeared in Cao Zhi's "Mingdu Pian" during the Three Kingdoms period and Liang Hexun's "Mocking Liu's Counseling" poem during the Southern Dynasty. In ancient literature, demoness was often used to describe beautiful and enchanting female characters. It could also refer to the female demons or enchanting women who had cultivated themselves in myths. The term " witch " could also be used to describe those women who looked enchanting and scheming, implying that they might use their beauty and tricks to confuse others or achieve their own goals.