Time pressure is also a very common element. Graphic artists are often given tight deadlines. Sometimes they have to sacrifice the quality of their work just to meet the deadline. And if things go wrong, like the examples above, the stress is multiplied because they are already short on time. For example, an artist might have to work overnight to fix a problem caused by someone else just to submit the work on time.
Sure. One horror story is when a graphic artist was about to present their final work to a big client. Just hours before the presentation, their computer crashed and they lost all the unsaved progress of some final touches. They had to scramble to redo what they could from memory, but it was a nerve - wracking experience.
One artist horror story is about an artist who was commissioned to paint a large mural in a public space. The client kept changing their mind about what they wanted, making the artist redo parts over and over. It was a nightmare of a project as the artist had to invest a lot of extra time and materials without extra pay.
In some artist alleys, there are stories of artists being harassed by other exhibitors. For example, an artist might be doing really well and attracting a lot of customers, and a jealous neighboring exhibitor starts spreading rumors about the quality of their work or their business practices. This creates a hostile environment for the artist, and it's truly a horror story in the context of the artist alley.
The story of Vincent van Gogh could be considered in a way. His mental anguish was so great that it led to his self - harm and ultimately his death. His paintings, while beautiful, also seem to carry a sense of his inner turmoil which can be a bit horror - like. Another is the case of Hieronymus Bosch. His works are filled with strange and often terrifying creatures and scenes, and it's said that he may have been influenced by his own dark visions or experiences.
There was a case where a client didn't follow the after - care instructions properly. They went swimming right after getting a new tattoo. As a result, the tattoo got infected, and the client blamed the artist for it. But in reality, it was the client's own negligence. This kind of situation can be really frustrating for tattoo artists as their reputation is at stake.
One horror story could be about the pressure they faced during their peak. They had to constantly tour and perform at a high energy level. There were likely times when they were physically exhausted but still had to push through shows. Maybe there were issues with the stage setup once, like some malfunctioning equipment that could have caused a dangerous situation during a performance.
You should consider an artist's ability to meet deadlines. A graphic novel project has a timeline, and you don't want it to drag on. Also, look for someone who is open to feedback. Since it's your graphic novel, you'll likely have ideas and suggestions throughout the process. Good communication skills are also important. They need to be able to understand your vision and translate it into their art.
There was an artist who was commissioned to create a mural in an old, abandoned building. As he worked, he began to feel a presence. Tools would go missing and then reappear in strange places. He saw shadowy figures in the corners of his vision. When he finally completed the mural, it had a life - like quality that was disturbing. People who saw it said they could feel the despair and horror that the artist must have felt while painting it.