editor didn't like revisions novel

The writer could ask for specific feedback from the editor. Maybe the editor didn't like the changes but didn't clearly state why. By asking for details, the writer can understand what exactly needs to be improved and make more targeted revisions.

Poor writing quality in the revisions could be a reason. If the new parts added during the revisions had grammar or style issues, or if the pacing became worse, the editor would likely not be fond of them. For instance, if the writer added long, rambling paragraphs that slowed down the story's momentum, the editor would not like it.

Maybe the freelance editor has been overexposed to novels and is tired of the common plot patterns and writing styles in most novels.

The editor commented that the novel was well written, but why no one read it might be because of the following reasons: 1. Lacking creativity: A novel needs to be creative and have a unique plot to attract the reader's attention. If the novel lacked creativity, it might make the readers feel bored and unwilling to read it. 2. The content is too boring: If the content of the novel is too boring, it may lose its appeal. The readers needed to have enough emotions and plot resonance to feel the charm of the novel. 3. The writing style is not beautiful enough: The writing style of the novel is also an important factor. If the writing style is not beautiful enough, it may make the reader feel that it is difficult to read and reduce the reading experience. 4. Insufficient publicity: If the novel is not effectively promoted, it may be difficult to attract the attention of readers due to lack of exposure. If you want to increase the popularity of the novel, you can consider increasing creativity, improving the content, improving the writing style, and effectively promoting it.

Not necessarily. Just because the editor didn't sign a contract with you after you wrote 30,000 words didn't mean that your novel wasn't good. Many of the deciding factors for an editor to sign a contract included the overall quality of the novel, the plot, the character description, the style of writing, and so on. They might not have reached the signing standards in their hearts. If the novel had not been approved by the editor after 30,000 words, he could continue to work hard to improve his novel. He could communicate more with the editors and show them his novel so that they could have a deeper understanding of the content and potential of the work. At the same time, he could also communicate with other writers and learn their writing skills and experience to continuously improve his writing standards. Writing was a long-term process that required constant effort and improvement. Even if the editor didn't sign a contract, don't be discouraged. Stick to your writing dream and create better works.

If you want to become a novel editor, you can refer to the following steps: 1. Read a lot of novels, especially well-known novels, to improve your literary and editing skills. 2. Establishing your own literary taste and editing standards to analyze different types of novels to find their strengths and weaknesses. 3. Find an internship as a novel editor to gain practical experience and understand the working methods and processes within the industry. Continue to learn and develop your own editing skills such as understanding market trends, improving writing skills, and developing an editing team.

"According to your needs, I have a book that suits you. It's Xiao Qingchen. It's an ancient romance novel. The female protagonist is a picky girl who doesn't like arrogant men. The male protagonist needs to learn how to be cultured. Although it's a small novel, the plot is quite interesting. You can try it out. I hope you like my recommendation.😗

The teacher might find the content of romance novels too unrealistic or distracting from the real educational goals. Teachers usually focus on knowledge that can be used in teaching or is related to students' development, and they may think romance novels don't fall into this category. Also, they could be concerned that some ideas in romance novels might not be suitable for students if they were to recommend or promote such books in an educational setting.

The online novel website editor's "dry 20+","mainstream","niche","1000" and other terms were actually some industry terms. The specific meaning was as follows: 1 " 20+" usually referred to the word count of the novel. Usually, a chapter in a web novel was about 2000-3000 words long." 20+" meant that the word count of the chapter had reached more than 200,000 words. 2 " mainstream literature " referred to the more popular online novels such as romance, fantasy, urban novels, etc. These novels often had a large readership. 3." Minor novels " referred to some special and minor novel types that were different from mainstream novels in terms of storyline, theme, etc., but were still loved by many readers. "1600" was a number in online novels that indicated that an author's novel was ranked sixth out of more than six million words. These industry terms may be more complicated, but by understanding their specific meanings and functions, you can better understand and appreciate online novels.

Lu Yao's " Ordinary World " may not be perfect in the eyes of the editor, but the ideas and theme contained in the novel deeply touched the readers and won the Mao Dun Literature Prize. This showed that the work had achieved great literary achievements and was recognized and loved by the majority of readers. The deep thinking of human nature contained in The Ordinary World, the grand narrative of the fate of modern China, and the deep reflection on history and social reality all have high literary value. At the same time, the structure and language of the novel were also excellent, allowing the readers to immerse themselves in the author's profound literary foundation and creative wisdom. Therefore, the editor's disdain for " The Ordinary World " did not mean that the novel itself had problems. On the contrary, it reflected the different standards and views of editors and readers on literary works, as well as the need for communication and interaction between the literary world and readers.