About the novel Golden Pavilion TempleHe recommended " The Darkest Orochimaru ", a Naruto Doujinshi novel written by Zhou Shigeng. Orochimaru was reborn and did not cross the darkness. He wanted to use his own way to change the Ninja Realm after knowing the future. His Darkness Index was two and a half stars, and his recommendation index was three stars. Orochimaru was very fierce at the beginning. Doomsday Muye even sterilized Kakashi and the others. It was an invincible dark style novel. He did not lick Muye but destroyed Muye first before unifying the Ninja Realm.
" The Golden Palace " was not bad either. It was an ancient romance novel written by Yun Ni. The story revolved around the " Golden Palace " and mainly focused on love and past and present life. The author's words were well-written. Although some people felt that it was too much, it still made the story interesting. Some people had read a few pages and still did not know who the female lead was. However, those who had bought the physical book before felt that the ending was very touching. Some thought that it was He, while others thought it was not.
" Short Track Speed Skating: The Legend of the Winter Olympics " was a sports competition novel written by Sky, Water, and Not Rain. The main character system was very special. It was Bing Dun Dun, and it told the story of him becoming the legend of the Winter Olympics from 2022 to 2030.
" Warhammer of the Middle Ages: Saving the Life of the Rats " was a light novel by Doujin. It was a story about the transmigrator of the Shuri clan who had started to save the world with a mysterious panel. It was a masterpiece by Warhammer Doujin.
" The Rebirth of Global Martial Arts, Zhang Tao " was a fantasy novel created by entertainment and finance. Zhang Tao had transmigrated into the body of a person with the same name and brought the Kongtong Seal to gather the fate of the human race. After succeeding in the world of " Global Martial Arts," he wanted to go to the World of Ten Thousand Races to cause trouble.
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Golden hairpin for pavilion charactersYou gave me too little information about the golden hairpin of the pavilion character. I'm not sure what it's about. Is it an item from a novel? Or other content? You can give me more information so that I can make recommendations according to your requirements.
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The Craftsmanship of the Golden Hairpins of the Pavilion FiguresThe golden hairpin of the pavilion characters used hammering, carving, flower silk and other crafts.
Hammering was one of the basic techniques of fine metal craftsmanship. Most of the hidden objects and decorative patterns were made through this technique. By hammering a metal block, it would extend into a sheet-like shape and decorative patterns. The chiseling process could engrave all kinds of detailed patterns on the golden hairpin. Gold, silver, and copper were used as raw materials for the filigree process, and traditional techniques such as pinching, filling, saving, welding, weaving, and stacking were used.
In addition, the gold and silver craftsmanship of the Ming Dynasty developed rapidly, and the craftsmen's skills were perfected. They could create complex elements such as pavilions, trees, and people in less than 10 centimeters of space on the gold hairpin. They could also use gold foil as thin as cicada wings and gold thread as thin as hair to make it. Some gold hairpins might also be inlaid with gemstones, which involved welding a thin metal frame or ring to the metal to act as a gemstone seat, then placing the gemstone into it, and bending the surrounding gold edges onto the gemstone.
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Golden Hairpin of Ming Pavilion FigureThe golden hairpin of the Ming Pavilion was the headdress of the Ming Dynasty. It was unearthed in the tomb of King Yizhuang in Nancheng County, Jiangxi Province in 1958 and is now in the National Museum of China. The design was unique, and it was made of silk. The main body was a pavilion, and there were many people in the pavilion. The pavilion was surrounded by flower petals. These flower petals, the railings, and the window lattices of the pavilion were made of silk. The whole hairpin had a hollowed-out effect, making it lighter.
One of the distraction-type golden hairpins was made of three groups of pavilions woven with silk. They were connected by flower patterns. Each group had three small pavilions side by side and a tall pavilion at the back. The three large pavilions at the back were built on the top of the mountain. The middle one was slightly higher and was built on the top of the mountain with double eaves. The whole hairpin was shaped like a mountain. The texture of the tiles was clear. On the spine of the hairpin, there were a few people inside the pavilions. The hostess sat in the middle and the attendants on both sides were holding fans. There seemed to be musicians holding musical instruments in the pavilions on both sides.
There was also a type of golden hairpin that covered the temples. It was also a layered pavilion. At the back was the main hall on the top of the mountain with double eaves and three two-story buildings at the front. There were three figures in the building. In the middle was a woman sitting on one side, on one side was a boy holding a vase, and on the other side was a servant boy. The figures in the pavilion were surrounded by flower-shaped decorations that were embellished into the shape of clouds.
In addition, the golden pavilion character hairpin in the exhibition of cultural relics of the Ming Dynasty Tusi family in Pingwu, Sichuan Province was unearthed from the tomb of the wife of the tenth generation Tusi Wang Xi. It presented the image of a long double-storey pavilion. The first floor seemed to be a scholar talking about heaven and earth, and the second floor seemed to be leaning against a railing to look into the distance. There were also large clusters of grape leaves wrapped around the top of the pavilion. The difference between this hairpin and Princess Yizhuang's golden hairpin was that the pavilion in Madam Cai's golden hairpin came from some allusions, such as the Painting of Yingzhou Scholars.
Among the golden hairpins of Ming Dynasty pavilions collected by the National Museum of China, the hairpins in different positions also had their own characteristics. For example, the top of the bun was a top hairpin, 20 centimeters long, and it was a double-row pavilion. There were several figures in each building, and there was a phoenix and a cloud supporting the two floors below. The hairpin was inserted in front of or behind the bun. The hairpin was 9.5 centimeters long and was arranged side by side for the third floor. It was a three-bay room with a double-eave roof. The middle floor was higher and there were three people inside. There were statues on both sides of the building. There were three pairs of hair masks, inserted at the left and right temples. One of them was in the shape of a cocoon. The building had two floors. On the upper floor, there was a person holding a board, and on the lower floor, there were three people. The other two pairs were similar in shape, but the length was half different. One was a two-story building, and the other was a single-story building. There was also a flat-inserted hairpin. The hairpin feet were on the back of the building. The hairpin head was a two-story building. There were four people on the upper floor and five people on the lower floor.
The golden hairpin of pavilion figures was also unearthed from the tomb of Xia Yi couple in Changjing, Jiangyin, Jiangsu Province. Among the gold ornaments discovered in 1972, there were four golden hairpins of pavilion figures, one of which was damaged, and 28 were collected by Jiangyin Museum.
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The Craftsmanship of the Golden Hairpins of the Pavilion FiguresThe craftsmanship of the golden hairpin for the characters in the pavilion is as follows:
- Tired silk craft: The gold material was pulled into extremely fine gold threads, then woven into various patterns and then sewn on the hairpin. For example, some gold hairpins were woven into complex patterns with gold threads, or three groups of pavilions were woven into the tired silk craft and connected with flower patterns.
- [Filigree Craftsmanship: Filigree Craftsmanship is used to make the railings, window lattices, petal patterns, and other parts of the pavilion. The whole has a hollowed-out effect, making the golden hairpin lighter.]
- Hammering and chiseling techniques: When making the golden hairpin for the pavilion characters, hammering and chiseling techniques would also be used to create exquisite shapes such as pavilions, trees, and characters in a space of less than 10 centimeters on the golden hairpin.
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From the south to the north, to the golden morning and the white pavilion"To the South and To the North" was a the mainland of China TV series that was starred by Bai Jingting and Jin Chen. The play tells the story of the old generation of criminal police Ma Kui (Ding Yongdai) and the young railway police Wang Xin (Bai Jingting), the story between the two generations of railway police officers. Jin Chen played the role of Ma Yan in the drama. The drama was directed by Zheng Xiaolong and Liu Zhangmu and had a total of 39 episodes.
The place where the golden hairpin of the pavilion character was unearthedThe golden hairpin of the pavilion figure was unearthed from the tomb of Zhu Houye, King of Yizhuang, Nancheng, Jiangxi Province. In 1958, the golden hairpin of the pavilion figure was discovered during the excavation of the tomb. In addition, the golden hairpin of the pavilion figure was also unearthed from the tomb of the Xia Yi couple in Changjing, Jiangyin, Jiangsu Province.
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The Celestial Pavilion's Holy Building, the Golden Palace, the Cloud PalaceThe Celestial Pavilion's Saint Building Golden Palace Cloud Palace was a themed building block set, which contained 463 building block particles. It was a product of the Sluban brand and belonged to the China style children's building block model toy. This set was launched in 2021 and was sold by suppliers in the market. Other than that, there was no detailed description of the Cloud Palace of the Celestial Pavilion's Saint's Golden Palace, such as its specific features and design.
Diange Pavilion PavilionIn ancient China architecture, halls, pavilions, pavilions, and pavilions had different characteristics:
- ** Hall **: After the Qin Dynasty, it was customary to call the hall as the hall. Later, it was more specifically referred to as the hall in the imperial palace. In ancient times, it was a place to hold good or bad ceremonies, handle official business, or receive guests. It usually had high standards and important functions.
- ** Pavilion **: It is different from other architectural forms. It is often a multi-storey building. It is taller in shape and can be used for many functions such as book collection and sightseeing.
- [Pavilion: A small building with a roof and no walls. The materials and shapes are varied. It is usually set up in gardens or scenic spots.] In ancient times, there was a long pavilion every ten miles and a short pavilion every five miles along the main road. It was used for pedestrians to rest, shelter from the wind and rain, or as a place to send off. Now, it was also used for business (such as the post pavilion) and sightseeing (such as the viewing pavilion in the garden).
- ** Pavilion **: A wooden structure on the stage. It has only columns and flower windows. There are no walls. It is called a waterside pavilion.
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The pavilion of the crane pavilionThe "Hua Ting" in the "Crane's Huating" was the ancient name of Song Jiang. Lu Ji, a famous writer and calligrapher of the Western Jin Dynasty, was born in the Lu family of Wu County. Before he was executed, he lamented,"How can I hear the cry of a crane in Huating?" (Southern Song Dynasty "Yunjian Zhi, Lu Ji Biography").
In addition, there were also places called Huating, such as Huating City, a county-level city under the jurisdiction of Gansu Province, but this had a different meaning from the Huating in the "Crane Huating".
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