plotting historical fiction

Accurate time period representation is a key element. This means understanding the political climate, cultural values, and technological advancements of the time. For instance, in a historical fiction set during the Industrial Revolution, you'd need to show how the new machines changed society. Character relationships are also important. They can be influenced by historical class differences or family traditions. And don't forget a strong central conflict that can be related to the historical situation, like a struggle for power during a war - torn period.

Start by choosing a time period that interests you. If you're into the Renaissance, that could be your starting point. Then, do extensive research on that era. Read books, articles, and watch documentaries. Next, come up with some character ideas. Maybe a struggling artist during the Renaissance. After that, think of a basic plot, like the artist's journey to find recognition in a society full of patrons and rivals.

Start with an idea for the crime. It could be a theft, a murder, or something more unique like a corporate espionage case. Then, think about who the victim is. Their background and relationships will shape the story. After that, consider who might have a motive to commit the crime.

Well, 'Plot & Structure' by James Scott Bell is among the best. It gives insights into creating engaging plots and how to build tension. Then there's 'How to Write a Damn Good Novel' by James N. Frey. It touches on various aspects of fiction writing including plotting. Also, 'Bird by Bird' by Anne Lamott has some valuable advice on getting your story's plot together, even though it's not solely focused on plotting.

In Fantasy Westward Journey, level 175 maps had certain characteristics. In terms of efficiency, the choice of sect was very important. Different sects had different map playing efficiency. For example, although the Great Tang saved money, the map playing efficiency was not high. The five villages saved money and had a certain advantage. The Divine Tree could single-handedly kill bandits at level 175. The map babies also had a huge impact on efficiency. Violent map babies with 6 skills like Wild Leopard (Stronghold Breaking Special Skill, Attack 1461, Growth 1.253, Constitution 4083) could increase efficiency. They had to ensure that every map quest battle ended in one round. In terms of revenue, someone had done a test. Level 175 accounts played 350 maps and produced 180 maps. The map price in the area was 2W4, a total of 432,000. After deducting the card fee (7W2 per hour, 360,000 per five hours), the profit was about 396,000. According to the ratio, it was about 33 yuan, much higher than the profit of level 109 maps. If he opened the map in two ways, he would have a profit of about 60 yuan for the two accounts in six hours. Moreover, the level 175 map production rate was related to the level. Compared to level 155, there were 20 more maps. According to the map price in the district, it was equivalent to about 140 points in some districts.

The key elements often include a mysterious crime, a detective figure. For example, in Sherlock Holmes stories, there's always a puzzling crime like a strange murder or a theft that seems impossible. The detective then uses his or her deductive reasoning skills to solve it.

To do fiction plotting for a fantasy novel, you can begin with the setting. A rich and detailed setting can be the backbone of your story. Decide if it's a medieval - like world, a post - apocalyptic fantasy, or something completely different. After that, focus on the conflict. It could be an external conflict like a war between different kingdoms or an internal conflict within a character, such as a struggle with their new - found magical powers. Then, weave in sub - plots that add depth to the main story. These sub - plots can involve secondary characters and their own mini - quests or relationships.

One key element is conflict. It can be internal, like a character's struggle with self - doubt, or external, such as a battle against a villain. The theme also matters. It gives the story a deeper meaning. For example, a theme of friendship in a story about a group of adventurers. Additionally, the pacing is important. You don't want the story to drag or move too quickly. You need to build up tension gradually.

Both require a strong central idea. Whether it's a series like 'Breaking Bad' or a novel like 'To Kill a Mockingbird', there needs to be a core concept that drives the story forward. Also, character motivation is important in both. The characters need to have reasons for their actions, like the complex motives of the characters in the 'Sherlock' series and those in a detective novel.

One major difference is the length of the plot development. In a series, there is more room for extended plot arcs over multiple installments. For example, a TV series can have a season - long mystery that unfolds gradually. In a novel, the plot usually has to be more tightly contained within the length of the book. Also, in a series, characters can have more complex development across different episodes or books in the series. In a novel, character development is often more focused within the single narrative.