plotting crime fiction

Start with an idea for the crime. It could be a theft, a murder, or something more unique like a corporate espionage case. Then, think about who the victim is. Their background and relationships will shape the story. After that, consider who might have a motive to commit the crime.

One of the key elements in plotting crime fiction is the red herring. This is something that misleads the reader and the detective in the story. It could be a false suspect or a piece of evidence that seems important but is actually a dead end. The plot also needs to build tension steadily. This can be achieved through the increasing danger to the characters involved. And the resolution of the crime has to be satisfying, tying up all the loose ends neatly.

Well, start by brainstorming ideas for the crime. Consider motives, like revenge or money. Next, develop the characters' personalities and backstories. For example, if you have a criminal, think about what led them to commit the crime. And don't forget to plan the plot twists. These keep the readers interested.

Well - developed characters are also important. The detective or the person trying to solve the crime needs to be interesting. They often have unique personalities, like Sherlock Holmes' eccentricity. And the suspects should also have their own motives and backstories that tie into the plot.

The crime itself is key. Also, the characters, especially the detective and the criminal. And the setting where the crime takes place.

Well, 'Plot & Structure' by James Scott Bell is among the best. It gives insights into creating engaging plots and how to build tension. Then there's 'How to Write a Damn Good Novel' by James N. Frey. It touches on various aspects of fiction writing including plotting. Also, 'Bird by Bird' by Anne Lamott has some valuable advice on getting your story's plot together, even though it's not solely focused on plotting.

The key elements often include a mysterious crime, a detective figure. For example, in Sherlock Holmes stories, there's always a puzzling crime like a strange murder or a theft that seems impossible. The detective then uses his or her deductive reasoning skills to solve it.

Accurate time period representation is a key element. This means understanding the political climate, cultural values, and technological advancements of the time. For instance, in a historical fiction set during the Industrial Revolution, you'd need to show how the new machines changed society. Character relationships are also important. They can be influenced by historical class differences or family traditions. And don't forget a strong central conflict that can be related to the historical situation, like a struggle for power during a war - torn period.

One key element is conflict. It can be internal, like a character's struggle with self - doubt, or external, such as a battle against a villain. The theme also matters. It gives the story a deeper meaning. For example, a theme of friendship in a story about a group of adventurers. Additionally, the pacing is important. You don't want the story to drag or move too quickly. You need to build up tension gradually.

To do fiction plotting for a fantasy novel, you can begin with the setting. A rich and detailed setting can be the backbone of your story. Decide if it's a medieval - like world, a post - apocalyptic fantasy, or something completely different. After that, focus on the conflict. It could be an external conflict like a war between different kingdoms or an internal conflict within a character, such as a struggle with their new - found magical powers. Then, weave in sub - plots that add depth to the main story. These sub - plots can involve secondary characters and their own mini - quests or relationships.