books about theatre fiction

On May 19, 2013, in the final round of the Premier League, Manchester United played out a thrilling 5-5 draw against West Brom. Despite the dramatic result, the 2012-13 Premier League trophy returned to Old Trafford, marking the end of a triumphant season. But the real shockwaves came after the match. At a packed press conference, Sir Alex Ferguson, the legendary manager who had just completed his 1,500th game in charge of Manchester United, made two stunning announcements that sent the football world into a frenzy. First, he revealed his retirement, marking the end of an era that had defined English football for over two decades. Second, he named his chosen successor: Tiger King. The announcement left the football world in disbelief. Who was Tiger King? Where had he come from? And why had Ferguson, the most successful manager in football history, entrusted him with the future of Manchester United? On that day, the footballing landscape changed forever. The only question on everyone’s mind was: Who is Tiger King?

you can't feel anything this is not a story that can be that can't be described just go and take a look at the story

A Dream so far away yet so close, I finally got it, I got it, I got my theater, now what should I do, ahh I have got it, I will continue making masterpieces. My Sad endings are masterpieces, especially in this world, everyone is speechless once they hear my story I think they might be in love, even the super people come here just so they can listen to my stories, I will defiantly become super famous. [AN note:this is my second novel and I have started using an app to make the grammar and misspelling less frequent, also all criticism about the novel is open and please tell me how can I be better at writing, I am all ears and stay safe and bye]

To the pawn lead on a trail of blood, mystery was an unfair game. Being placed in the body of a supposed murderer, moments after the act, is not a typical situation. And to prove one's innocence after the fact isn't a simple ordeal, not when the meaning of guilt is twisted, used as a dagger to plunge into the heart of any defiance. Is Jun the only fool? The disposable pawn replaced at the first sign of failure? His consciousness swapped out for mine, dragged in from another plane of existence. My doppelganger, is he the only fool? Or was this his escape? Am I not a fool? In an age of churning gears and steam engines that billowed columns of smoke high into the sky, one would think a murder would not require a supernatural cause. A revolver, would be enough. But why is that not the case? Why did Jun feel the need to run? If it was that simple, I wouldn't be this. This monstrous creature. This mangled, disjointed hound. Fueled by chaos. But alas, my role is to entertain.     Do not be misguided, for this is not the legacy of the fool, but his replacement, the jester. -------------------------------------------- The cover art is by me, of course. @parart.me

She wasn’t born. She was performed. ——————————————- Behind the curtains of a forgotten theatre, a masked performer acts out the same tragedy every night — to an empty room. But when a bleeding girl with broken wings and a bloodstained axe appears in the shadows, everything begins to unravel. She calls herself Ember. She says she knows him. She says he called her into existence. And the scariest part is — she might be right. As the stage begins to collapse and the ghosts of his former selves rise from the audience, the performer is forced to confront the truth: Ember isn’t a stranger. She’s what he buried. What he tried to erase. What he burned alive to survive. Now she wants the final act. ———————————————— A gothic psychological descent into identity, obsession, and the art of self-destruction, The Theatre of Hollow Things is a story for anyone who has ever felt like their skin was a costume, like their voice belonged to someone else, or like their pain was mistaken for performance. This is not a story about becoming someone new. This is about dying into who you really are.

People have strayed away from myths, as they are regarded as nothing but a relic from the past. But what if the very same myth written thousands of years back in the past came back from the long slumber? Dewey, a journalist for a local newspaper agency found himself to be a host of a demon named Gaap, forced to fight other 71 hosts of demons against his will. The curtain of a cruel play is about to rise, an unavoidable bloodbath, witness a battle to claim the title of the true king.

"Dr K.J Alexander" Everyone held their breaths. They all expected either a gorgeous woman or an handsome man to take the stage but they got both. As far as everyone knew this award was for a single person so why is it two people climbing the stage now. Was there a mistake somewhere? Who is the actual winner of the award ? Who is the actual "Boss of the Operating Theatre?"

After countless years of lawlessness and barbarity, society has begun to reform. Arcane energy has spread and permeates throughout the world; changing and gifting few with the ability to innately wield it. The apocalypse caused the world to become completely devastated. Reshaping continents creating new oceans. Fantastical creatures once only thought of in myths and folklore have appeared and now roam the lands freely. The technology we know of has completely disappeared only few remnants of the past remain in the deepest ruins. Civilization has reached a medieval age in which although grimy isn’t completely filthy. Some archaic yet modern concepts still exist. People throughout the city-states fear the unknown. The few nomads and vagabonds who have somewhat adapted to the changed world have forgotten their ways in order to become accepted. The first city-states have arisen with self-proclaimed kings at their helm. They provided sanctuary against the savagery of man and the untold horrors that await in the Ruined Lands. The new faiths that crept into city-states heathenize and hunt down the people who wield arcane energy. Within the vagabonds and nomads who flock to the city-states seeking a safer life, few gifted recluses must masquerade themselves to avoid prosecution. A young girl born from a nomadic clan must rise from nothing to become one who can overcome all. Protecting those who she cherishes against prosecution for their mystic abilities. Seeking to explore the world and find foreign lands. (Note : Currently Releasing 3+ Chapters a Day)

There are stories that pass like smoke—soft, forgettable, unanchored. The Tithe is not one of them. This story lingers. It lives beneath the skin, not because it wishes to be remembered, but because it refuses to be forgotten. It comes from the places we do not speak of, from the hush in a room just after something terrible has happened, and just before anyone dares to say its name. The village in these pages does not exist. The people here are not real. And yet… you may recognize them. You may hear the bell, faint and far away. You may find yourself holding your breath. This tale is not about heroes. It is not about salvation. It is about what we are asked to give—and what is taken instead. It is about the cost of seeing, and the burden of remembering. If you’ve come looking for safety, turn back. But if you’ve come because something in the silence called to you, then keep going. Some truths will only let themselves be known in the dark

Yunyun is reincarnated into a post-apocalyptic novel with a powerful female protagonist. Unfortunately, she isn’t the heroine. She’s just a minor cannon fodder character… destined to die early. But after awakening memories of the novel, Yunyun accidentally reveals the future through her thoughts— [Mommy, boohoo… your scumbag husband has been cheating on you for years and even has a child with another woman. In the end, they’ll join forces to cripple and torture you to death!] [Uncle, you’ll be betrayed by an ungrateful subordinate and driven out of your own luxurious home, left to freeze to death in the snow!] [Grandpa… Grandma…] In the original story, only her young aunt—the novel’s female lead—survives to the very end, killing her enemies with her own hands… only to live on as something neither fully human nor a ghost. Before they can recover from learning their fates, another thought leaks out— [Sigh, the apocalypse is coming soon. As a three-year-old cannon fodder, can I go offline early? I don't want to suffer through the end of the world…] Looking at the little milk dumpling in their arms, pretending to be silly just so she can laze around… What else can the Bai family do but spoil her? They hoard supplies, renovate and fortify their home, and prepare in advance for the coming apocalypse. Meanwhile, little Yunyun follows her protagonist aunt, accidentally kicking off the base-building plot and helping create a super base where food and clothing are abundant, even in the apocalypse. Step by step, the Bai family rises to power. In the end, Yunyun is dumbfounded: [Wait… wasn't I supposed to be cannon fodder?! Why does this feel like a "pampered lucky baby" story?!] The Bai family: Their little Yunyun is, indeed, their precious lucky baby.