city archetypes for stories

One common city archetype is the 'Big Metropolis'. It's often depicted as a bustling place full of skyscrapers, diverse cultures, and a fast - paced lifestyle. For example, New York City in many American movies. Another is the 'Mystical City', like Atlantis in legends, which holds secrets and magic. The 'Small - town America' archetype is also popular, representing a close - knit community with simple values and local charm, such as in the movie 'It's a Wonderful Life'.

City archetypes can provide a familiar backdrop that readers or viewers can quickly understand. For instance, if the story is set in a 'Small - town America' archetype, we immediately expect a certain kind of community spirit and simplicity. This helps set the mood for the plot. In a 'Mystical City' archetype, the mystery inherent in the city can drive the plot forward as characters explore its secrets.

One of the best archetypes is the damsel in distress, which although often criticized for being a bit old - fashioned, still has its place. It can create a situation that drives the hero to act, like Princess Peach in the Mario games. The villain archetype is also essential. A well - crafted villain, like Voldemort in 'Harry Potter', provides the conflict necessary for a great story. Then there's the everyman archetype. It allows readers to easily identify with the character, as seen in many coming - of - age stories.

Some common archetypes in horror stories are the final girl. This is often a female character who survives till the end through her wits and courage. Another is the monster, like vampires, werewolves or ghosts which represent the unknown and the fearsome. Also, there's the mad scientist archetype who through their unethical experiments create horror situations.

One archetype is the star - crossed lovers. For example, Romeo and Juliet. They come from feuding families which makes their love impossible. Another is the unrequited love archetype, like in the story of Cyrano de Bergerac, where he loves Roxane but she is in love with someone else.

The following are a few recommended ancient novels with archetypes: 1. " Imperial Concubine Only Wants to Fight in the Palace ": The female protagonist was reborn after being killed. She entered the palace for revenge and gradually became famous in the harem. 2. [After Rebirth, His Majesty and I Fight in the Palace]: After the female protagonist was reborn, she entered the palace for revenge and started a palace fight with the male protagonist. 3. [The Legend of Jiang Guifei]: The female lead is smart and kind, and the relationship between her and the male lead is real and slow. 4. "Confusion": The female protagonist enters the harem as a substitute for the favorite concubine and fights wits with the male protagonist. These novels were all about ancient palace struggles and could satisfy the readers 'interest in palace struggles.

The archetype of Chinese literature refers to the common characters, plots, social environments, and their influence and significance in Chinese culture. The characteristics of the archetypes in Chinese literature included: 1. Traditional social background: The archetype of Chinese literature usually occurs in ancient Chinese society, including political system, economic form, cultural background, etc. 2. Character image: The archetype characters in Chinese literature usually have distinct personality characteristics such as kindness, integrity, courage, benevolence, etc. These qualities are one of the important topics in Chinese literature. 3. Plot design: The plot design of the Chinese literary prototype usually has a strong dramatic and romantic color, such as the love story of Jia Baoyu in "Dream of the Red Chamber" and Lin Daiyu in "Water Margins". 4. Poetic form: The archetype of Chinese literature is usually expressed in the form of poetry, such as the Fu in the Book of Songs, the lyric poems in the Songs of Chu, etc. Compared with the western literature archetype, the Chinese literature archetype has the following differences: 1. Different cultural backgrounds: the archetype of Chinese literature usually took place in ancient Chinese society, while the archetype of Western literature took place in European society during the Renaissance. 2. Character image differences: The characters in Chinese literature usually have distinct personality characteristics, while the characters in Western literature are more complicated and usually have a variety of personality characteristics and backgrounds. 3. The differences in plot design: The plot design of the Chinese literary prototype usually has a strong dramatic and romantic color, while the plot design of the Western literary prototype is more objective and rational, paying more attention to logic and reasoning. 4. The difference in the form of poetry: Chinese literary archetypes are usually expressed in the form of poetry, while Western literary archetypes are more often expressed in the form of prose.

The archetypes in horror stories are masterful at creating fear. The possessed character archetype, for instance, scares us because it shows a loss of control. We are afraid of not being in control of our own bodies or minds. The dark forest archetype plays on our ancestral fear of the wilderness, a place where danger could be lurking everywhere. The vengeful spirit archetype creates fear as it implies that past wrongs can come back to haunt us, and there's no escaping the consequences of our actions.

The hero is a very common and effective archetype. Heroes drive the story forward with their goals and courage. For instance, in many superhero stories. The sidekick archetype also works well. They support the hero and can add some comedic relief or a different skill set. Robin in the Batman stories is a good example. And the shape - shifter archetype can create mystery and suspense, as the character's true nature is often not clear at first.

The femme fatale is another archetype. Mia Wallace can be seen as one. She is alluring, mysterious, and her actions and presence drive much of the plot. She's the kind of character that often leads the male protagonists into dangerous and unpredictable situations with her charm. And there's also the everyman archetype. Vincent Vega and Jules Winnfield, in a way, can be considered as everymen who are thrust into extraordinary and violent situations in the criminal world, and we see their reactions and how they try to navigate through it all.